Arleo, A - Bibliothèque universitaire de Paris 8

Second semestre 2013-2014
Séminaire de Master, « Métrique générale » (DEC-B28)
Responsable : Jean-Louis AROUI (Université Paris 8 / U.M.R. 7023)
Version A : « Métrique et chant » (code Apogée : EM1WTFPA).
BIBLIOGRAPHIE (AVEC HYPERLIENS DE LOCALISATION DANS LE CATALOGUE DE LA
BIBLIOTHEQUE)
Métrique musicale
Brăiloiu, C. (1973 [1931-1959]): Problèmes d’ethnomusicologie. Genève: Minkoff
Reprint. [En particulier : « La rythmique enfantine », pp. 266-299].
Burling, R. (1966). The Metrics of Children’s Verse: a Cross-Linguistic Study.
American Anthropologist, 68:6 (December), 1418-1441.
Dell, F. (2011). Singing in Tashlhiyt Berber, a language that allows vowel-less syllables. In
Ch. E. Cairn & E. Raimy (eds), Handbook of the Syllable. Leiden: Brill, 173-193.
Dell, F. & M. Elmedlaoui (2008). Poetic Meter and Musical Form in Tashlhiyt Berber
Songs [book + CD-ROM]. Köln: Rüdiger Köppe Verlag.
Dell, F. & J. Halle (2009). Comparing Musical Textsetting in French and English Songs.
In J.-L. Aroui & A. Arleo (eds), Towards a Typology of Poetic Forms.
Amsterdam: Benjamins (Language Faculty and Beyond, 2), 63-78.
Halle, John & Fred Lerdahl (1993). A Generative Texsetting Model, Current Musicology,
55, 3-23.
Hayes, B. (2009). Textsetting as Constraint Conflict. In J.-L. Aroui & A. Arleo (eds),
Towards a Typology of Poetic Forms. Amsterdam: Benjamins (Language Faculty
and Beyond, 2), 43-61.
Hayes, B. & A. Kaun (1996). The Role of Phonological Phrasing in Sung and Chanted
Verse. The Linguistic Review, 13: 3-4, 243-303.
Hayes, B. & M. MacEachern (1996). Are there Lines in Folk Poetry ? UCLA Working
Papers in Phonology, 1, 125-142.
Hayes, B. & M. MacEachern (1998). Quatrain Form in English Folk Verse. Language,
74, 473-507.
Kiparsky, P. (2006). A Modular Metrics for Folk Verse. In: Formal Approaches to Poetry.
Recent Developments in Metrics, (B. E. Dresher & N. Friedberg, ed.), pp. 7-49.
Mouton de Gruyter, Berlin and New York.
Lerdahl, F. & R. Jackendoff (1983). A Generative Theory of Tonal Music. Chap. 2-4.
Cambridge, Mass.: The M.I.T. Press.
Patel, A. (2008). Music, Language, and the Brain. Oxford: Oxford University Press.
Patel, A., John R. Iversen et al. (2005). The Influence of Metricality and Modality on
Synchronization with a beat . Experimental Brain Research, 163, 226-238.
RODRÍGUEZ-VÁZQUEZ, Rosalía (2006). The Metrics of Folk Song: a Comparative
Study of Text-setting in Spanish and English, Rhythmica. Revista española de
métrica comparada, III-IV: 3-4, pp. 253-281.
Rodríguez-Vázquez, R. (2010). The Rhythm of Speech, Verse and Vocal Music: a New
Theory. Bern: Peter Lang (Linguistic Insights, 110).
Rubin, D. C. (1995). Memory in Oral Traditions. The Cognitive Psychology of Epic,
Ballads, and Counting-out Rhymes. Oxford: Oxford University Press.
Rime
Awad, G. (1980). La rime en poésie arabe classique. Etude linguistique. Thèse de
doctorat, Saint-Denis, université Paris 8.
Golston, C. (1998). The Geometry of Rhyme. Ms. California State University, Fresno.
Grijzenhout, J. & A. Holtman (1994). Optimality and Poetic Rhyme in Early Irish.
OTS Yearbook. Utrecht: LEd, 43–62.
Hanson, K. (2003). Formal variation in the rhymes of Robert Pinsky’s The inferno of
Dante. Language and Literature 12:4, 309–337.
Hanson, K. (2006). Rhyme. In K. Brown (ed.), Encyclopedia of Language and
Linguistics, 2nd edn., vol. 10, 605–616. Amsterdam: Elsevier. À la bibliothèque ,
1ère éd. de 1994
Holtman, A. (1996). A Generative Theory of Rhyme: An Optimality Approach, PhD
thesis, Onderzoeksinstituut voor Taal en Spraak, Utrecht University.
Zwicky, A. (1976). Well, this rock and roll has got to stop. Junior’s head is hard as a rock.
Proceedings of the 12th Annual Meeting of the Chicago Linguistics Society,
676–697.
Strophe
Ruwet, N. (1981). Typography, Rhymes, and Linguistic Structures in Poetry. In W
Steiner (ed.), The Sign in Music and Literature, 103-130. Austin: University of Texas
Press.
Cornulier, B. de. 1995. Art poëtique. Notions et problèmes de métrique. Chap. 3, « Le
livre de l'esclave. Superstructures métriques ». Lyon: Presses Universitaires de
Lyon, 125-200.
Aroui, J.-L. (2000). Nouvelles considérations sur les strophes. Degrés, 104, e1-16.
Fabb, N. (2002). Language and Literary Structure. Section 6.3., “Line-groups, counting
and grids”. Cambridge: Cambridge University Press, 196-203.
Dell, F. (2003). Répétitions parallèles dans les paroles et dans la musique des
chansons. In J.-L. Aroui (ed.), Le sens et la mesure. De la pragmatique à la métrique.
Hommages à Benoît de Cornulier. Paris: Champion (Colloques, congrès et
conférences Sciences du Langage, 3), 499-522.
Scherr, B. P. (2006). Structural Dynamics in the Onegin Stanza. In B. E. Dresher & N.
Friedberg (eds), Formal Approaches to Poetry. Recent Developments in Metrics, 7-49.
Berlin & New York: Mouton de Gruyter (Phonology & Phonetics, 11).
Formes fixes (sonnet)
Aroui, J.-L. (2009). Metrical Structure of the European Sonnet. In J.-L. Aroui & A.
Arleo (eds), Towards a Typology of Poetic Forms. Amsterdam: Benjamins (Language
Faculty and Beyond, 2), 385-401.
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