en anglais - Aix-Marseille Université
Transcription
en anglais - Aix-Marseille Université
Topicality of Universals in Music 1st International Colloquium of Aix-en-Provence 3 -4th December 2010, University of Provence, France th Organised by : − The Laboratory for the Studies in Sciences of Arts (LESA) of the University of Provence − The Mediterranean Institute of Advanced Studies (IMéRA) − The Aix-Marseille University Institute for Teacher Training (IUFM) With the support of the European Society for the Cognitive Science of Music (ESCOM). Programme • Themes and objectives • During the second half of the twentieth century, the question of “universals” in music was considered to be predominantly academic and outdated. Despite this, the question has repeatedly appeared in some of the more remarkable contributions of the last decade (notably Wallin, Merker and Brown, 2000, The Origins of Music; Juslin and Sloboda, 2001, Music and Emotion; Peretz and Zatorre, 2003, The Cognitive Neuroscience of Music; Vitouch and Ladinig, 2009-10, Music and Evolution). This bounce-back is accompanied by a general movement towards bringing the sciences of music into the sphere of the life sciences, especially in relation to the phenomenon of music in evolutionary and functionalist perspectives. Such a question would appear to be crucial inasmuch as it poses the problem of bioanthropological conditions of musical systems, and more generally articulations of the biological, the psychological, the social and the cultural in the phenomenon of music and its mechanisms. This field of study nevertheless runs into numerous difficulties of a conceptual, ideological, methodological and institutional nature. The International Colloquium on the universals in music aims to help reduce these difficulties, by initiating a working cycle intended to promote research (including contradictory research) into this topic through the organisation of events, through publications, and through the initiation and support of collaborative networks that bring together researchers from different disciplines. • Scientific committee • Mario Baroni (Musicology, Italy) Steven Brown (Neuroscience, Canada) Irène Deliège (Psychology, Belgium) Marcel Frémiot (Musico., Composition, Fr.) Michel Imberty (Psychology, France) Jean-Luc Leroy (Musicology, France) Bernard Lortat-Jacob (Ethnomusicology, France) François-Bernard Mâche (Musico., Comp., Fr.) Isabelle Peretz (Neuroscience, Canada) Wulf Schiefenhövel (Human ethology, Germany) Sandra Trehub (Psychology, Canada) Geraint Wiggins (Artificial intelligence, U.-K.) Topicality of Universals in music 1st International Colloquium of Aix-en-Provence 3th-4th December 2010 Aix-en-Provence IUFM of Aix-en-Provence, 2 avenue Jules Isaac − Tél. : 00 33 (0)4 42 33 02 02 Contact : [email protected], 00 33 (0)492 776 840 / 06 83 11 85 21 • Enrolment • To enrol, please send an e-mail to : [email protected] • Location, transport and accommodation • Do see the information and the map of the center of Aix-en-Provence after the programme. Friday 3th Decembre 8h Reception 8h45-10h55 1st Plenary session (“Petit amphi”) 1. Jean-Luc LEROY (Université de Provence, France) 8h45-9h25 Le paradigme des universaux en musique 2. Michel IMBERTY (Université Paris 10-Nanterre, France) 9h35-10h15 Les universaux musicaux entre histoire et neurosciences 3. Bernard LORTAT-JACOB (Musée de l’Homme- CNRS, Paris, France) 10h25-10h45 Les universaux : à vous d’en jouer ! Break 11h15-12h45 Parallel sessions SOCIABILITY ROOM SESSION 4a. Mark REYBROUCK (Katholieke Universiteit Leuven, Belgium) 11h15-11h35 Musical universals and the axiom of psychobiological equivalence 5a. Thomas POOLEY (University of Pennsylvania, USA) 11h45-12h05 “Dismanting Music”: Reductionist models and evolutionary explanations in music cognition 6a. Helen PRIOR (King’s College London, United Kingdom) 12h15-12h35 Links between music and shape: style-specific; langage-specific; or universal? “PETIT AMPHI” SESSION 4b. Nathalie FERNANDO, Nathalie GOSSELIN and Isabelle PERETZ (Université de Montréal and McGill University, Canada) 11h15-11h35 Le rapport musique et émotion au-delà des cultures 5b. Sandeep BHAGWATI (Concordia University Montréal, Canada) 11h45- 12h05 Bhava & Rasa Creative Misunderstandings & Musical Universals 6b. Marina KORSAKOVA-KREYN (University of Texas, USA) 12h15-12h35 Emotional processing and music universals LUNCH at the IUFM (12h45-14h) 14h-16h10 2d Plenary session (“Petit amphi”) 7. Isabelle PERETZ (Université de Montréal, Canada) and Yun Nan (Beijing Normal University, Chine) 14h-14h40 Universals in music disorders (amusias) 8. Sandra E. TREHUB (University of Toronto, Canada) 14h50-15h30 The Elusive Search for Musical Universals 9. Marcel FREMIOT (Laboratoire Musique et Informatique de Marseille, France) 15h40-16h Les Unités Sémiotiques Temporelles sont-elles des Universaux Break 16h30-17h30 POSTERS session (Sociability room) a. Jose A. ORDOÑANA, Arantza ALMOGUERA, Mónica SÁNCHEZ and Ana LAUCIRICA (Universidad Pública de Navarra and Universidad del País Vasco, Spain) Atonal music, enculturation, and high-level music studies repertoire b. Alessia R. VITALE (Université Paris 4-Sorbonne, France) Towards a grammar of vocal gestures c. Piotr PODLIPNIAK (University of Poznán, Poland) Musical Universals and the Ontological Unity of Music d. Maurizio GIORGIO (University of Rome, Italy), J. Alexander DALE (Allegheny College Meadville, USA) and Mara Olivetti BELARDINELLI (University of Rome, Italy) Melodic contour interact in the sound localization processing. A behavioral study e. Winfried SAKAI (University of Hamburg, Germany) Des systèmes musicaux différents sous une fonction universelle de la musique f. Elisa NEGRETTO (University of Padua, Italy) A conceptual distinction: innate versus universal g. Georges BÉRIACHVILI (Paris, France) L’intonation et le geste expressif : de l’héritage d’Assafiev vers une théorie générale de l’expression artistique h. István NÉMETH (Hungarian Academy of Sciences, Hungary) “L’impression d’un tournoiement fantastique et fatal” A musical “universal” in triple meter i. Jean-Luc LEROY (Université de Provence, France) Principes d’organisation des hauteurs discrètes dans les systèmes musicaux 17h30-18h30 Parallel sessions SOCIABILITY ROOM SESSION 10a. Frank DUFOUR (University of Texas, USA) 17h30-17h50 Unités Sémiotiques Temporelles et universaux perceptifs 11a. Frédéric CHIASSON, Caroline TRAUBE, Clément LAGARRIGUE, Bennet SMITH and Stephen McADAMS (Université de Montréal and McGill University, Canada) 18h-18h20 Le volume de Koechlin, universel du timbre ? Etude de la perception de la grosseur auditive parmi les instruments de musique de l’orchestre “PETIT AMPHI” SESSION 10b. Peter NELSON (University of Edinburgh, United Kingdom) 17h30-17h50 Towards a Social Theory of Rhythm 11b. François JOLIAT (Haute Ecole Pédagogique des cantons de Berne, Jura et Neuchâtel, Switzerland) 18h-18h20 L’effet de l’expertise musicale sur la syntonisation des gestes musicaux BUFFET DINNER and EVENING (Oblats Monastery) (20h-22h) With two composers : Sandeep BHAGWATI (The RASALILA project) and Leticia CUEN Saturday 4th Decembre 8h Reception 8h35-10h15 3d Plenary session (“Petit amphi”) 12. Steven BROWN (Simon Fraser University, Burnaby, Canada) 8h35-9h15 Comparative musicology and musical universals 13. Geraint WIGGINS (University of London, United Kingdom) 9h25-10h05 What and where is a musical universal? Information content and musical experience Break 10h30-11h30 Parallel sessions SOCIABILITY ROOM SESSION 14a. Adam OCKELFORD (Royal National Institute for Blind People, London, United Kingdom) 10h30-10h50 What makes music “music”? Explorations using zygonic theory 15a. Olivier LARTILLOT (University of Jyväskylä, Finland) 11h-11h20 For a copernician revolution in the understanding of universality of structural analysis of music “PETIT AMPHI” SESSION 14b. Jana K. SASLAW and James P. WALSH (Loyola University New Orleans, USA) 10h30-10h50 The Adjacency and Alienation 15b. Leticia CUEN (Université Paris 10-Nanterre, France) 11h-11h20 Musique, émotion et temps. Le principe d’équivalence amodale du ressenti Break 11h45-12h30 POSTERS session (Sociability room) Drink LUNCH (12h30-13h45) 13h45-15h50 4th Plenary session (“Petit amphi”) 16. Mario BARONI (University of Bologna, Italy) 13h45-14h25 Musical grammar: limits of the concept and possible universal aspects 17. François-Bernard MÂCHE (Ecole des Hautes Etudes en Sciences Sociales, Académie des BeauxArts, Paris, France) 14h35-15h Réflexions sur les universaux en musique 18. Christian LEHMANN (Ludwig-Maximilians-Universität, München, Germany) 15h10-15h40 Why is Don Giovanni a baritone and why should we sing with our children? Evolutionary studies of music and their relevance for music analysis, music education and today’s musical life Break 16h05-17h35 Parallel sessions SOCIABILITY ROOM SESSION 19a. Gertraud FENK-OCZLON and August FENK (Alps-Adriatic University of Klagenfurt, Austria) 16h05-16h25 Cross-cultural parallels between vowel inventories and musical scales: Evidence from ethnic music 20a. Mondher AYARI (Université de Strasbourg, France) and Olivier LARTILLOT (University of Jyväskylä, Finland) 16h35-16h55 Universalité cognitive versus spécificité culturelle : une modélisation cognitive de l’écoute structurelle de musique modale improvisée 21a. Pascal TERRIEN (Université Catholique de l’Ouest, Angers, France) 17h05-17h25 Les universaux et l’enseignement de l’écoute musicale : point de vue didactique “PETIT AMPHI” SESSION 19b. Eugenia COSTA-GIOMI (University of Texas, USA) 16h05-16h25 Towards a Social Theory of Rhythm 20b. Annie LABUSSIÈRE (Université Paris 4-Sorbonne, France) 16h35-16h55 Bercer en chantant, geste universel ? La berceuse dans le monde : un parcours analytique du plan de l’expression 21b. Andrew ARLEO (Université de Nantes, France) 17h05-17h25 Investigating the Universal Children’s Rhythm (UCR) hypothesis: data, issues, perspectives 17h45-18h Closure of the Colloquium (“Petit amphi”) ---------------------------------------------------- Practical information The tourist office provides information about the city of Aix-en-Provence (see www.aixenprovencetourism.com, or tel.: +33 442 263 728). Apart from maps of the city and other tourist information, the website also contains details of accommodation in the area. Below we have listed some hotels in the centre of town that are no more than a 10-minute walk from the IUFM. In most cases, reservations can be made via the tourist office’s reservation centre (e-mail: [email protected], tel.: +33 442 161 184 or +33 442 161 185, fax: +33 442 161 179). Prices given are for guidance only. The hotels can be found on the map along with their number. This map also shows the location of the IUFM, the bus station (gare routière), and the train station (gare SNCF). Below we have also given the contact details of the youth hostel in Aix-en-Provence. This is not shown on the map, as it is outside the city centre. The Aix-TGV (train de grande vitesse) station is about 10 kilometres from the centre of Aix-enProvence; the Marseille-Marignane airport is about 20 kilometres. There is a regular bus service between the TGV station or the airport and the central bus station (“Gare routière” on the map below). The IUFM can be reached by taking bus route no. 1 from the bus station (towards Parc Relais des Hauts de Brunet), alighting at Bellegarde. To get to the youth hostel from the bus station, take route no. 4 (towards Mayanelle) and alight at Fondation Vasarely. Information for all bus routes can be found at www.aixenbus.com. (In the left-hand column click “Plan”, then “Plan de ligne”, and in the table of bus routes click “Telechargement” in the right-hand column of the route you wish to see.) The centre of Aix-en-Provence is relatively small. The walk from the train station to the IUFM takes about 10 minutes. List of hotels in the centre of Aix-en-Provence and details of the youth hostel: 1. Le Mozart **, 49 cours Gambetta, rooms from 56 €. 2. L’Atrium d’Anaïte ***, 15 cours Gambetta, rooms from78, 30 €. 3. Le Concorde **, 66-68 boulevard du Roi René, rooms from 60 €. 4. Cézanne ***, 40 avenue Victor Hugo, rooms from 159 €. 5. Les Quatre Dauphins **, 54 rue Roux Alpheran, rooms from 60 €. 6. La Bastide du Cours **, 43-47 cours Mirabeau, rooms from 100 €. 7. De France **, 63 rue Espariat, rooms from 81 €. 8. Artea **, 4 boulevard de la République, rooms from 68 €. 9. Du Globe **, 74 cours Sextius, rooms from 62 €. 10. Aquabella ***, 2 rue des Etuves, rooms from 99 €. 11. Adagio City Aparthôtel Aix Centre ***, 35 rue des Chartreux, studio flat from 90 €. Youth hostel, 3 avenue Marcel Pagnol, communal rooms (two to four beds) from 20,60 €, tél. : 00 33 (0)442 201 599.