actuum
Transcription
actuum
© Do Hamot Benjamin Dousteyssier saxophone. Louis Laurain trumpet. Ronan Courty double-bass. drums, percussions. Julien Loutelier 2011 presentation kit www.collectifcoax.com/actuum bio « ACTUUM is distopia. A chaotic soundscape loosely organized by unstable laws, we exist in a permanent climate of INSECURITY. Fierce attacks/blitzkrieg govern our sound-politico structures, where sonic alliances soon disintegrate into betrayal but reverse once again. With this, our MUSIC commands a heightened state of action/reaction, compelling listeners towards a rare sense of purpose, direction, and feeling. » ACTUUM belongs to COAX collective. ACTUUM is supported by the 2012’s edition of Jazz Migration (AFIJMA). ACTUUM won the European Keep an Eye Jazz Award 2010 (« best band & best composition»). www.collectifcoax.com/actuum musiciens BENJAMIN DOUSTEYSSIER : Saxophones Benjamin starts at the conservatory of Toulouse where he studies jazz, classical saxophone, and electroacoustic composition. In 2005 he moves to the Superior Conservatory in Paris to study jazz and improvisation with Riccardo Del Fra, Glenn Ferris and Francois Théberge. Besides his instrumental activities he writes music for different bands (from trio to symphonic orchestra). His approach is influenced by contemporary music, jazz and electric music (pop, rock, metal). He plays with different bands in france such as Trio DDJ, Benjamin Dousteyssier septet, Nux, Apax, Paul Lay « into the lines » trio, « Au cœur », Benjamin Dousteyssier quartet, Actuum. He received many prizes as a saxophone player and composer : « La Défense jazz competition » with DDJ and Paul Lay trio, « the keep an eye jazz award » in Amserdam with Actuum and a 4th soloist prize at the international competition in Friburg . More infos on : www.myspace.com/benjamindousteyssier JULIEN LOUTELIER : Drums Obsession with manner of playing music, craving for sounds, search for instantaneity and movement lead Julien Loutelier to embrace all genres and aesthetics, with an open mind. Contemporary music, jazz, rock, free improvisation deeply colored his way of playing the drums. He can be found both in the french and american jazz scene (Riccardo Del Fra, Glenn Ferris, Jim Mc Neely) and in free improvisation (Dousteyssier / Loutelier duo, Kris Davis, Benjamin Duboc), in organised free jazz (COAX collective, Actuum, Osmauve, Khoom), in revisited contemporary music (Cabaret contemporain, Tierkreis project (Stockhausen), Vingt Regards autour d’Olivier Messiaen) or alternativ rock (Burno, Loreleï, AUM grand-ensemble, Léanne)... In constant personal research, he is particularly interested in acoustic and electronic "filtering" and also likes to meet aesthetics and modes of genres in his projects and compositions (symphonic piece Axeleration - 2010). Since 2007, he has confronted himself with other forms of arts in their process of creation, such as dance, or visual arts that he has been practising since 2009 (performances in Paris Museum of Modern Art, the Louvre gallery Artegalore, La Defense), but also in cinema (ciné-concerts Federico Fellini, Charlie Chaplin, Harold Lloyd, Mervyn Leroy) or video (Zeitlinie, Innovatoires 2011) ... Julian has already played in many festivals, clubs and places in France (Europa Jazz Festival, La Villette Jazz Festival, Cité de la Musique, Théâtre National du Chatelet, la Grande Halle, Centre Georges Pompidou, le Louvre, Sunset/Sunside, Musée d'Orsay) and also in Europe (Belgium : Jazz Station, Sounds, Music Village, MIM ; Germany (Spizz) ; Sweden : Fylkingen, Glenn Miller Café) ; Netherlands) and in International (Panama (Théâtre national, ATLAPA)) ... More infos on : www.myspace.com/julienloutelier www.collectifcoax.com/actuum LOUIS LAURAIN : Trumpet Born in 1984, he taught himself to play the trumpet and then studied jazz and improvisation at the conservatories of Lyon (CNR) and Paris (CNSMDP). While developing his own personal and original language on his instrument, he researched, through different collaborations, an intuitive and spontaneous approach to music. His interest is essentially in different forms of improvised music for various formations,ranging from solo to orchestral. and sound effects in relation to the space in which they are produced. Secondly work on the amplification of instruments (“close miking”) with the aim of creating the illusion of an electric or electronic “machine instrument”. He played in Paris, Los Angeles, Stockholm, Berlin, London, Lisboa, St Petersburg, San Fransisco, Geneva, Mali, Marocco, Poland... More infos on http://louislaurain.blogspot.com His work is focussed principally on two topics. Firstly an accoustic approach to instruments through research on sounds RONAN COURTY : Double-bass Ronan starts his musical studies at the national conservatory in Nantes where he received four first prizes in piano, analysis, composition and conducting. In the same time he is playing in jazz band as a double-bass player. In 2004, he enters the jazz program at the Paris Conservatory where he starts to develop a personal language on his instrument. He is currently working with different projects including jazz (Chloé Cailleton trio,Fiona Monbet quartet), free jazz (Actuum), rock (Pipeline, Vérupan, Lunamaze) and contemporary music (Jukebox). He played in several festivals such as « Montreux Jazz Festival», « Les rendez-vous de l’Erdre », « Jazz in Marciac »... He is also teaching at the National Conservatory in Nantes. More infos on : www.myspace.com/ronancourty www.collectifcoax.com/actuum photos www.collectifcoax.com/actuum www.collectifcoax.com/actuum press (fr) CONCERT du 29 octobre 2010 au Bistrot Lili (Paris) Actuum, c’est l’association d’un saxophoniste (Benjamin Dousteyssier), d’un trompettiste (Louis Laurain), d’un contrebassiste (Ronan Courty) et d’un batteur (Julien Loutelier). La formation a décidé d’exploser dimanche 31 octobre 2010 à la Miroiterie à Ménilmontant. Cette explosion, c’est leur musique, ce « Free Jazz d’aujourd’hui, une énergie particulière, constante… Un flow ». L’un dit vouloir « créer une matière sonore un peu homogène ». L’autre complète : « Une matière sonore qu’on prend à la musique contemporaine, au jazz aussi, c’est un mix de pleins de musiques. Une matière de groupe aussi, on fonctionne beaucoup ensemble. » A l’image de leur musique, ils rebondissent les uns sur le discours des autres. Impossible de ne pas évoquer, dans ce joyeux bordel, la part d’improvisation : « Y’a souvent un leader, dit Julien, mais il y a toujours une interaction possible entre le leader et ce qui se passe CONCERT du 30 octobre 2010 au Périscope (Lyon), 1ère partie du groupe KARTET. Agapes revient et ça fait du bruit ! Un drôle de mix énergisant en guise d'entrée pour ces Agapes "newlook" au Périscope. Une bande d'excités du CNSMDP (le "sup" de Paris) compose le premier quartet de la soirée. Devant, deux soufflants qui ne manquent pas d'air : Louis Laurain (trompette) et Benjamin Dousteyssier (saxophone alto). Derrière un batteur presque sage Julien Loutelier et un contrebassiste derrière ». « Il y a des passages avec plus d’un soliste, ajoute Louis. Et lorsqu’il n’y a pas de soliste, pas de leader, alors c’est un espèce de flow qui circule, on essaie de créer des flows, des dynamiques, des reliefs… » Un engagement physique Les termes, comme la musique, sont techniques. Qu’est-ce alors que le « free jazz d’aujourd’hui » ? « Une énergie un peu punk qui vient du lâcher-prise, du punk jazz. On n’est pas dans une maîtrise totale, c’est plus le geste qui compte, qui va produire un son » explique Louis. Les sons explosent à la face du public, les musiciens semblent en transe et constamment sur la brèche. Fatalement, le néophyte risque de ne pas comprendre la musique d’Actuum et y voir un amas disgracieux de sons. Mais après tout, comme l’écrivait Sophocle : « Tout est bruit pour qui a peur. » Lucas Malterre bien allumé Ronan Courty qui nous en met plein les mirettes. Le set est court , trente minutes, mais dense. Cette formation ne joue ensemble que depuis six mois mais les quatre sont déjà bien en phase. Les composition de ce jazz très moderne nous sortent de notre torpeur automnale, loin des "feuilles mortes" même si c'est de saison, et on se demande combien de temps ils vont pouvoir jouer à ce rythme. www.collectifcoax.com/actuum Pascal Derathé contacts Louis Laurain Julien Loutelier 06 81 90 76 91 06 33 69 12 35 6 place de Valois 75001 – Paris [email protected] 11 allée des Eiders 75019 – Paris [email protected] More infos (gigs calendar, photos, etc...) on our website : www.collectifcoax.com/actuum www.collectifcoax.com/actuum www.collectifcoax.com/actuum technical rider Instruments : bass amp, model Gallien Krueger 750MB / Acoustic-image hi-stool for the bass player 2 percussion tables or little tables full drum kit, model SONOR Hi-Lite, with white heads on the top (REMO Ambassador), new or in a very good condition. BD 18' closed. AT : 12’ FT : 14’ 3 cymbals stands Drums throne Charleston stand with tilter Bass drum pedal Wooden snare drum Monitors : The band rather play acoustic on stage and without monitors. However, if the general volume is very loud in the PA, some monitors could be useful (one for the trumpet and saxophone, one for the double bass, one for the drums with independants mixs). Stage plan : www.collectifcoax.com/actuum
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