Bismuth, Pierre - Exhibit-e

Pierre Bismuth
b.1963 Paris, France
Solo exhibitions (selection)
2007
One man’s mess is another man’s masterpiece, Galerie Jan Mot, Brussels, Belgium
Pierre Bismuth, One Size Fits All, Mary Boone Gallery (uptown), New York
Pierre Bismuth, One Size Fits All, Mary Boone Gallery (Chelsea), New York
Pierre Bismuth, One Size Fits All, Team Gallery, New York
Pierre Bismuth, One Man’s Mess Is Another Man’s Masterpiece, Jan Mot, Brussels
2006
Pierre Bismuth, Siamo Sulla Buona Strada, Villa Arson, Nice
Most Wanted Men, Galerie Erna Hécey, Brussels
Pierre Bismuth, Jan Mot, Brussels
Pierre Bismuth, Coming soon, Santa Monica Museum of Art, Santa Monica
2005
Pierre Bismuth – Michel Gondry, the all seeing eye. Cosmic Galerie, Paris
Pierre Bismuth, Pantone 192 i altri colori. Galleria Sonia Rosso, Torino
Art Unlimited, Basel – presented by Lisson Gallery, London
Tout ce qui n’est pas interdit est obligatoire. Kunstmuseum Thun
Points de vue, commissioned by the City of Nancy
2004
Something Less, Something More, Galerie Christine König, Vienna
Art Unlimited, Basel – presented by Galerie Erna Hecey, Brussels
"Nel nome del padre", Works after Daniel Buren, Galleria Sonia Rosso, Torino
2003
Presque identique, très légèrement différent, Cosmic Galerie, Paris
Collages fit for General Audiences, Lisson Gallery, London
Art gallery of York University, Toronto
I agree... the idea of cloning humans is disgusting, Jan Mot, Brussels
Arte per tutti, ma capita solo da te, Galleria Sonia Rosso, Torino
2002
Quelque chose en moins, quelque chose en plus, Galerie Erna Hécey, Luxembourg
The Party – Bluebox Video, Sprengel Museum, Hannover
2001
Alternance, Kunsthalle Basel, Basel
Our Trip Out West, collaboration with Jonathan Monk, CAC, Vilnius
Centre d’Art Contemporain, Bretigny
Dvir Gallery, Tel Aviv
Closed, Diana Stigter Gallery, Amsterdam
2000
Collages, Galerie Mot & Van den Boogaard, Brussels
1999
Alternances d’éclaircies et de passages nuageux l’après-midi, Galerie Yvon Lambert,
Paris
Quelques comédiens au milieu de quelques acteurs, Patch work in progress /
expositions monographiques, Mamco, Geneva
La partie, MK2 Project-Café, Paris
1998
The party, The Showroom, London
Galerie Mot & Van den Boogaard, Brussels
1997
Box, Palais des Beaux-Arts, Brussels
Plus Min, Renesse
Witte de With, Rotterdam
Kunsthalle Vienna, Vienna
Arborétum public project for the DRAC d’Orléans
Listening Me Watching Them/Humming/Synonymes, Galerie Yvon Lambert, Paris
1996
Galerie Mot & Van den Boogaard, Brussels
Le bruit du son, Lisson Gallery, London
The blind film Tramway, Glasgow
1995
CCC, Centre de Création Contemporaine, Tours
Fonds Régional d’Art Contemporain Languedoc-Roussillon, Montpellier
1992
Galerie Marcel Duchamp, Châteauroux
Galerie One Five, Antwerp
Group exhibitions (selection)
2008
Nothing More, Nothing Less, Gallery 111, Chicago
2007
Lost Format, Be-Part, Waregem, Belgium
Some Time Waiting, Kadist Art Foundation, Paris
Between Borders, Marco, Vigo
Without, Yvon Lambert, Paris
2006
The Known and the Unknown, Galerie Nicolai Wallner, Copenhagen
Pierre Bismuth, Ryan Gander, Karl Haendel, T. Kelly Mason, Gallery Cohan and
Leslie, New York
One star stop, Torino
Somewhere, MuHKA, Antwerp
Message personnel, Galerie Yvon Lambert, Paris
Grand Palais 2006 - La force de l'art, Grand Palais, Paris
Langues emmêlées, Espace culturel François Mitterrand / Nunnery Gallery,
Périgueux / London
Play station, Sprengel Museum Hannover, Hannover
Love my scene. Mary Boone Gallery, New York
Satellite of Love, Witte de With, center for contemporary art, Rotterdam
2005
Einfach komplex. Bildbäume und Baumbilder in der Wissenschaft, Museum für
Gestaltung, Zürich
Post Notes, ICA, London
Today is Just a Copy of Yesterday, Galerie Jan Mot, Bruxelles
Just do it! The subversion of signs from Marcel Duchamp to Prada Meinhof, Lentos
Art Museum, Linz
Nuit Blanche, Galerie [SAS], Montréal
Galerie Roger Pailhas, Marseille
Mouvement, des deux côtés du Rhin. Museum Ludwig, Köln
Open-Ended, Thomas Dane Gallery, London
De lo Real y lo Ficticio, Arte contemporaneo de Francia, Museo de Arte Moderno
de Mexico, Mexico. Travelling to Miami under the title: Shortcuts between reality
and fiction: video, installations and painting from le Fonds National d'Art
Contemporain, Bass Museum of Art, Miami
2004
Soziale Kreaturen - How bodies becomes art, Sprengel Museum Hannover
What did you expect, Galerie Jan Mot, Brussels
A Side Film festival, Side Films, Newcastel
Loud and clear on tour, Institut Neérlandais, Paris
Mute! Guild and Greyskul, New York
Paisatges Mediatics, Fundacio "La Caixa" Blondel, Lleida
Nuits blanches, Passage de Retz, Paris
Des animaux et des hommes, Seedam Kulturcentrum, Pfaffikon
Recall, Credac, Paris
Be-PART, Schöner Wohnen, Platform voor actuelle kunst, Waregem
2003
Loud & clear, Stedelijk Museum, Amsterdam
Images of Society, Kunstmuseum Thun
Mouvements de fonds, acquisitions 2002 of the Fonds National d'Art
Contemporain, MAC, Marseille
Falsa inocencia, Miro Foundation, Barcelona
Copyright Europe Exists, MMCH, Thessalonike
Plunder, Dundee Contemporary Arts Exhibitions, Dundee
The Real McCOY, Institut Français, Istanbul
2002
The larsen effect, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg
Basics, Kunsthalle Bern, Bern
Manifesta 4, European Biennal of Contemporary Art, Francfort
There is a light that never goes out, Villa Galvani, Pordenone, curated by Sonia
Rosso
Sans commune mesure. Image et texte dans l’art actuel, Le Fresnoy, Studio national
des arts contemporains, Tourcoing
Video-Zone, 1st Bienale of video Art, Tel Aviv
B. Loud & Clear, Baltic, Centre d'Art Contemporain, Gateshead
Invitation, Museum für Moderne Kunst, Frankfurt
Jonathan Monk. Special guest: Pierre Bismuth, Galerie Diana Stigter, Amsterdam
Lost Past 2002-1914. Memorial Signs for the Present, Merghelynck Museum, Ieper
2001
Nothing, Northern Gallery for Contemporary Art, Sunderland. Travelling to
Contemporary Arts Centre, Vilnius and Rooseum-Malmö
Plateau of Humankind, 49th Venice Biennale, Venezia
9th Biennal of Moving Images, MAMCO, Geneva
Ingenting, Rooseum Center for Contemporary Art, Rooseum
Northern Gallery for Contemporary Art, Sunderland
Exploding Cinema/Cinema Without Walls, Museum Boijmans Van Beunigen,
Rotterdam
L’effet larsen, O.K Center for Contemporary Art, Linz
2000
A Shot in the Head, Lisson Gallery, London
Film/Video Works, Lisson Gallery at 9 Keane Street, London
Seoul 2000, Korean Biennale, curators : Jeremy Millar et Barbara London, Seoul
Orbis Terrarum/Ways of Worldmaking, Museum Plantin-Mauretus, Antwerp
Cinema without walls, Museum Boymans Van Beuningen, Rotterdam
1999
Fourth Wall, National Theatre, London
Cinema, Cinema / Contemporary Art and the Cinematic Experience, Stedelijk Van
Abbemuseum, Eindhoven
8e Biennale de l’image en mouvement, Geneva
The Yvon Lambert Collection, Avignon
1998
The Cinema Project, Künstlerhaus Bethanien, Berlin
La terre est ronde, nouvelle narration, Musée d'art contemporain de Rochechouart
/In-Between, Museum Dhondt-Dhaenens, Deurle
The Yvon Lambert Collection, Yokohama Museum, Yokohama
1997
Instants donnés, Musée d’Art Moderne de la Ville de Paris/ARC
Something is happening, Stedelijke Musea, Lier
Blueprint, Stichting De Appel, Amsterdam
At one remove, Henry Moore Sculpture Trust, Leeds
Coincidence, Cartier Foundation, Paris
Speed, Whitechapel Gallery, London
Happy Hours, Galerie Yvon Lambert, Paris
1996
Wish you were here, De Appel, Amsterdam
Fabbrica Europa, Siazione Leopoldo, Florence
Il futuro dello sguardo, Museo Civico, Prato
1995
Ideal Standard Summertime, Lisson Gallery, London
1994
Watt, Witte de With, Rotterdam
Beyond Belief, Lisson Gallery, London
1993
FRAC Languedoc, Sète
1991
French Kiss, Halle Sud, Genève
1989
Galerie Ils Arrivent, Saint-Etienne
1988
Galerie Fac Simile, Millan
Galerie l'Embarcadère, Lyon
Prizes
2005
Oscar for “Best Original Screenplay” with Michel Gondry and Charlie Kaufman
for the film Eternal Sunshine of the Spotless Mind by Michel Gondry
Solo Publications (selection)
Pierre Bismuth. Monography. Editions Flammarion, 2005. interview with Michael
Newman, Texts by Raimar Stange and Thierry Davila,
Pierre Bismuth, Various colors in black and white, Onestar press, 2005
Tout ce qui n'est pas interdit est obligatoire, cat. exp. Kunstmuseum Thun, 2005.
Texts by Madeleine Schuppli and Michel Gauthier.
Pierre Bismuth, cat. exp. Art Gallery of York University, Toronto, 2004. texts by
Aaron Schuster and Alexander Alberrro.
Collages pour hommes, cat. exp. Centre d'art contemporain de Brétigny, 2002
End, Editions Catellani, 2000
Alternance d'éclaircies et de passages nuageux l'après-midi, cat. exp. Yvon
Lambert, Paris, 1999. Texts by Marc Augé
Group Publications (selection)
Soziale Kreaturen, How Bodies Become Art, Text by Raimar Stange, cat. exp.
Sprengel Museum / Hatje Canz, Hannover, 2003
Paisages Mediatics, cat. exp. Fundacio La Caixa, Blondel, Lleida, 2003. Texts by
Montse Badia, Andreas Kaufmann, and Antoni Mercader. © Europe Exist, cat.
exp. MMCH, Thessalonike, 2003
Our Trip Out West, Pierre Bismuth et Jonathan Monk / correspondance, cat. exp.
Ed. Centre d’Art Contemporain, Vilnius, 2002
The Larsen Effect, cat. exp. Casino Luxembourg, Forum d’Art Contemporain,
Luxembourg, 2002
Pierre Bismuth, Le bruit du son, 9e biennale de l'image en mouvement, cat exp.
Centre pour l'image en mouvement, Genève, 2001
Plateau of Humankind, 49e Biennale de Venise, organised by Harald Szeeman, cat.
exp. Venise, 2001
Media City, Seoul 2000, cat. exp. Seoul Metropolitain Museum, 2000
Pierre Bismuth, cat. exp. Lisson Gallery, Londres, 1999. Text by Michael Newman
Marc Augé, L‘inconnu quotidien in "Alternance d'éclaircies et de passages nuageux
l'après-midi", cat. exp. Yvon Lambert, Paris, 1999
8e biennale de l'image en mouvement, cat exp. Centre pour l'image en
mouvement, Genève, 1999. Text by Pierre Bismuth : Letter to Simon Lamunière
(excerpt)
Cinema, Cinema/Contemporary Art and the Cinematic Experience, cat. exp. Stedelijk
Van Abbemuseum, Eindhoven / NAI publishers, Rotterdam, 1998. Text by Pierre
Bismuth : The rule of the game
Michael Newman, Contingency and Rule in the Work of Pierre Bismuth, Cahier
Witte de Witt No 7, Rotterdam, 1998
Instants donnés, cat. exp. Musée d'art moderne de la Ville de Paris / Paris Musées,
1997
Coïncidences, cat. exp. Fondation Cartier pour l'art contemporain, Paris, 1997.
Text by André Magnin.
Revers de l’identique, Adrian Dannat, Pierre Bismuth, Frédéric Migayrou, cat. exp.
Fonds Régional d’Art Contemporain du Centre, 1993