the draft schedule - Film Studies Association of Canada

_________________________________________________________________________________________________
DRAFT SCHEDULE
FILMSTUDIESASSOCIATIONOFCANADA/
ASSOCIATIONCANADIENNED’ÉTUDES
CINÉMATOGRAPHIQUES
_________________________________________________________________________________________________
2016FSACAnnualConference/
Conférenceannuelledel’ACÉC2016
May31-June2/31mai-2juin2016
UniversityofCalgary/l’UniversitédeCalgary
Calgary,Alberta,Canada
Heldinconjunctionwiththe
CongressoftheHumanitiesandSocialSciences
Tenudanslecadredu
Congrèsdesscienceshumaines
« Energizing Communities / L’énergie des communautés »
ProgramChair:DarrellVarga(NSCADUniversity)
LocalArrangementCoordinator:CharlesTepperman
(UniversityofCalgary)
___________________________________________May30mai________________________________________
WelcometoCalgary!
BienvenueàCalgary!
WelcomeGathering /Rassemblementdebienvenue(time?)
(PossibleCFMDCscreeningTBA)
(LocationTBA)
__________________________________________May31mai___________________________________________
9:00–10:30 ConférenceGeraldPratleyLectureLocationTBA
JulieRavary(UniversitédeMontréal)
Terre-mère:
unefiguremythiqueenracinéedansl’imaginairenationalducinémaquébécois
”
InFrenchwithsimultaneousEnglishtranslation
Cetteprésentationportesurlesmomentsdel’émergence,deréactualisation,de
déplacementetderésurgencedelafiguredelaTerre-mèredanslecinéma
québécoisde1940àaujourd’hui.J’entendsexaminerlespotentielsthéoriqueset
retombéesconcrètesdel’approchedes«genderandnation»,théorieayant
fournileconceptopératoiredelafiguredelafemme-nation,parlebiaisd’une
étudeducinémaquébécois.Sonpassésociopolitique,lesliensétroitsentreses
objetsculturelsetsonprocessusidentitaireainsiquelestiraillementsentre
mouvementsféministeetnationaliste,fontduQuébecunexempleidéalà
l’introductiondelafiguredelaTerre-mèredansl’étuded’uncinémanational.Le
momentd’émergence(Unhommeetsonpéché(PaulGury,1949)),la
réactualisation(Valérie(DenisHéroux,1968)),ledéplacement(Q-becmylove
(Jean-PierreLefebvre,1969)),etlarésurgence(Mariages(CatherineMartin,
2001)etÀl’origined’uncri(RobinAubert,2010))delafiguredelaTerre-mère
semblentpermettred’interrogerl’évolutiondulienentreidentitéféminineet
imaginairenational.
(INSERT:Englishtranslationofabstract)
JulieRavaryestdoctoranteàl’UniversitédeMontréal.Sonprojetdethèsetraitedes
liensentreidentitésgenréesfémininesetidentitésnationalesdanslecinéma
québécois.Sesintérêtsderechercheportentsurlecinémaquébécois,lecinéma
argentin,lecinémadesfemmes,lesthéoriesdescinémasnationauxainsiqueles
théories«gender»aucinéma.
Note:Coffee/Tea/Juiceandsnackswillbeserved(time)
AllPanelSessionsheldin(insertlocation)
PanelsA:11:00–12:30
A1:WhatComesAfterAffect?—Post-AffectiveCinemaandtheNew
MasterNarrative(s)
Chair:RussellKilbourn(WilfridLaurier)
TerrenceMcDonald(Brock),“CreativeForce:Iñárritu,Nolan,andaPosthumanImagination”
ElèneTremblay(UniversityofMontreal),“WorkingtheAffects:DominicGagnonandNatalie
Bookchin’sPostcinematicPractices”
AndersBergstrom(WilfridLaurier),“‘Nobodywillmissit’:AffectandNihilisminMelancholia”
A2:RethinkingPopularDocumentary
Chair:ChristieMilliken(BrockUniversity)
MarinaGrozdanova(UniversityofMontreal),“DeconstructingtheMusic
Documentary:AHybridAudiovisualArtwork”
MichaelMeneghetti(IndependentScholar),“TheAntinomiesofthe‘Popular’:Abnegationand
PoliticsintheObservationalDocumentaryToday”
ChristieMilliken(BrockUniversity),“Make‘emLaugh?:Humour,IronyandthePoliticsof
EntertainmentinPopularEcodocumentaries”
A3:Appareildesarchives/archivesdesappareils.Expérimentation,
techniqueetméthodes
Président:LouisPelletier(ConcordiaUniversity/UniversitédeMontréal)
Jean-PierreSirois-Trahan(UniversitéLaval,Québec),«LacollectionFrançoisLemaidel’Université
Laval.Patrimoine,appareilscinématographiquesetquestionsméthodologiques»
NicolasDulac(UniversitédeMontréal/UniversitédeLausanne),«Ledispositif-Bolex:discours
promotionnel,iconographieetinventionducinéaste"professionnel-amateur"»
AndréHabib(UniversitédeMontréal),“LookingatKenJacobs’Tom,TomthePiper’sSonthrough
thelensofa16mmprojector:notesontechnologyandexperimentalpedagogy”
A4:HollywoodHallucinations
Chair:TBA
PhilippaGates(WilfridLaurierUniversity),“NarcoticsandtheCode:DealingwithDrugsin
ClassicalHollywoodFilm”
PeterLester(BrockUniversity),“TheCamera!Eye:EditorialPolicyinHollywood,1918-1924”
AndrewPatrickNelson(MontanaStateUniversity),“DelmerDaves,CasualtyofAuteurism”
DÉJEUNER/LUNCH12:30–13:30
PanelsB:13:30-15:00
B1:Ecocinema:APhilosophicalApproach
Chair:MarioTrono(MountRoyal)
MarioTrono(MountRoyalUniversity),“EcocinemaasOccurrentArt”
ChelseaBirks(UniversityofGlasgow),“NotForUs,InevitablyForUs:ACritiqueofSpeculative
RealismthroughTectonicsandLaLibertad”
DavidChristopher(UniversityofVictoria),“Žižek,Freud,andtheReturnoftheReturnofthe
RepressedEco-CriticalSimianMonster”
B2:MappingTelevisualFiction/Cartographierlafictiontélévisuelle
Chair:MartaBoni(UniversitédeMontréal)
Marta Boni (Université de Montréal), "Television series as complex systems: interferences and
emergences"
LarissaChristoforo(UniversitédeMontréal),"Fromaheterogeneousaudiencetoaheterogeneous
production:theremodelingofBraziliantelenovelasintheEraofConvergence”
Camille Martinez (Université de Montréal), «La notion d'espace dans le cas d'un phénomène
complexe,lemondedeFargo»
B3:Style:WorkingPhilosophicallythroughFilm
Chair:RyanPierson(UniversityofCalgary)
RyanPierson(UniversityofCalgary),“ForgedfromEartoEye”:FromAmbiguitytoa
PhenomenologyofMontage”
LeeCarruthers(UniversityofCalgary),“WalkCyclesandtheExperienceofProof”
BrianPrice(UniversityofToronto),“PoliticalMaturity:Assayas’sLateStyle”
B4: InterventionsonLandandinTime
Chair:TBA
BrendanBurrows(UniversityofToronto),“FilmasIntervention:Raisingthebarforteacher’s
engagementwithIndigenousIssues”
ClintBurnham(SimonFraser),“ResidentialSchoolHorror:RhymesforYoungGhouls”
JuliaHuggins(ConcordiaUniversity),“HowDoYouSay‘ILoveYou’intheInformationAge?The
FunctionoftheSerenadeintheWorkofBennyNemerofskyRamsay”
15:00:LightRefreshmentsTBA
PanelsC:15:15-17:00
C1:IntotheArchive
Chair:TBA
KassBanning(UniversityofToronto),“TheProducer/DirectorasAuteur:QueeringtheCBC”
PaulM.Babiak(UniversityofToronto),“ImperialOil’sTheNewcomers–Transvaluingthe
‘Contestedness’oftheCanadianCommunity”
BrockSilversides(UniversityofToronto)andPaulBabiak(UniversityofToronto),“TheFiesta
CinemasandtheMastrangeloCollection:CinemaandCommunityinLate20th-centuryToronto”
C2:Roundtable:NewTendenciesinCurrentResearchonFilmFestivals
Chair:GerZielinski
GerZielinski,Chair(IndependentScholar),“FestivalEphemera:WhattoDo?”
EzraWinton(ConcordiaUniversity),“EthicallySuspect:DocumentaryFestivalsandtheCultural
PoliticsofCurating”
DianeBurgess(UniversityofBritishColumbia),“Node,Platform,orNexus:CompetingPerspectives
ontheFestival’sPositionintheIndustryValueChain”
LizCzach(UniversityofAlberta),“FestivalasProducer:aCaseStudyofTIFF”
C3:Fantasy,AdaptationandtheScientist
Chair:TBA
MarkRowellWallin(ThompsonRiversUniversity),“SubversionandDisnification:Miyazaki’s
adaptationofHowl’sMovingCastle”
VanessaNunes(UniversityofManitoba),“BurtonesqueFrankensteins:ThePostmodernMad
ScientistinTimBurton’sFilmography”
MikeMcCleary(WilfridLaurierUniversity),“DigitalDestabilization:TheFantasticalPoliticsof
GuillermoDelToro’sPan’sLabyrinth”
C4:TechnologyandPointofView
Chair:TBA
JohnDrew(BrockUniversity),“ADog’sEyeView:AnimalAgencyinWhiteGodandintheMakingof
WhiteGod”
LoreneShyba(UniversityofCalgary),“DronesandCinematography:EmotionsandKineticsofthe
NewAerialView”
SaraSwain(York&RyersonUniversities),“AnimalsMeetDrones,AestheticsmeetsEthics:On
UbiquitousCameras,Non-HumanImage-MakingandHumanResponsibility”
Reception/Réception
TimeTBA
FSACMembersBookLaunch&Reception
Lancementdenouveauxlivresdesmembresd’ACÉC
HeldinconjunctionwiththeCanadianJournalofFilmStudies
Location:TBA
__________________________________________June1juin______________________________________________
8:30:CoffeeandTeaServedTBA
PanelsD:9:00-10:30
D1:TheEthicsandPoliticsofFilmFormandAesthetics
Chair:KonstantinosKoutras
KateRennebohm(HarvardUniversity),“TheEthicalPictureoftheFilmStrip:Wittgenstein’s
CinematicRemarks”
OlivierTremblay(UniversitédeMontréal),“Filmasa‘SpaceofAppearance’”
Konstantinos Koutras (Carleton University), “Ontological Equality, or, The Political Project of
Realism”
D2: Histoiredumontageàl'aunedesmutationstechnologiques,de1906
à1915
Président:AndréGaudreault(UniversitédeMontréal)
CharlieKeil(UniversityofToronto),“EditingandtheInstitutionalizationofCinema”
André Gaudreault (Université de Montréal), « Pour une nouvelle histoire du montage alterné: de
GriffithàPathé »
Donald Crafton (University of Notre Dame), “Early Cinema and Editing: The Strange Case of
Animation”
D3:Heroines,Villains,andNetflixProduction:AKATheJessicaJones
Panel
Chair:JessicaBay(York&RyersonUniversities)
PriyaRehal(YorkUniversity),“JessicaJones:AMarvelofGenderPoliticsintheMarvelCinematic
Universe”
MaryGraceLao(YorkUniversity)&ChrisAlton(YorkUniversity),“VillainFandom:The
RomanticizationofKilgraveinJessicaJones”
“ProgrammingThroughAlgorithms:Netflix’sContentCreationStrategyandJessicaJones,”Jessica
Bay(York&RyersonUniversities)
D4:Place,Territory,Representation
Chair:TBA
PhilippeD.Mather(UniversityofRegina),"DogmasofOrientalism:EdwardSaïdandFilmStudies"
OuaydaNour(UniversitédeMontréal),«Lecinémacommepays.Oul’actecinématographique
commeréappropriationd’unterritoirecontestédansRecollectiondeKamalAljafari»
KatrinaOrlowski(YorkUniversity),“SearchingforChaudière:CulturalMemory,Place,and
DocumentaryPractice”
PanelsE:10:45–12:15
E1:Modernity,IdentityandMentalHealth
Chair:TBA
YelsyHernándezZamora(UniversitédeLaHavane),«LesidéauxdelaModernitédansle
documentairecubaindespremiersdécadesdelaRévolution.LesfilmsdeSaraGómez»
ZoëDruick(SimonFraser),“FromMentalMechanismstoMentalSystems:TheContinuumof
MentalHealthinPost-WarNFBFilms”
BrianR.Jacobson(UniversityofToronto),“EnergizingFrance:IndustrialCoalFilmsandtheImage
ofModernitycirca1950”
E2: L’Évolution des pratiques en fonction du support audiovisuel:
télévision,vidéoetjeuvidéo
Président:BernardPerron(UniversitédeMontréal)
Viva Paci (Université du Québec à Montréal) and Martin Bonnard, (Université du Québec à
Montréal)« Quandlecinémamontecommeàlatélé…»
Janine Marchessault (York University), “An Aesthetics of Simultaneity in Early Video Art and
Zidane”
Andréane Morin-Simard (Université de Montréal) and Hugo Montembeault (Université de
Montréal),“TheDiscourseCommunity’sCut:VideoGamesandtheNotionofMontage”
E3:FilmFinance
Chair:TBA
AlainChouinard(ConcordiaUniversity),“Kickstarter,PlatformPolitics,andtheQuestionofPower”
AndrewdeWaard(UniversityofCalifornia,LosAngeles),“TheFinancializationofEntertainment:
PrivateEquityinFilm,Television,andPopularMusic”
OwenLyons(CarletonUniversity),“LiquidScreens:TheMediaLandscapeofFinancialMarkets”
E4: Workshop:TheLegacyofChantalAkerman
Chair:JerryWhite(DalhousieUniversity)
JerryWhite(DalhousieUniversity)
KateRennebohm(HarvardUniversity)
LoreneShyba(UniversityofCalgary)
DÉJEUNER/LUNCH12:15–13:30
LunchtimeMeetings
FSACExecutiveMeeting??CJFSEditorialBoardMeeting??
PanelsF:13:30–15:00
F1:ContestedBodies
Chair:TBA
GloriaMonti(CaliforniaStateUniversity,Fullerton),“ContestedIdentities:HowLenaLostHer
Groove(toAva)”
MalcolmMatthews(BrockUniversity),“AutisticsandAlphaMalesinMedia:aTechno-Human
BromancefortheModernMan”
AndrewFalcao(WilfridLaurierUniversity),“TheTransformationsofCleopatraJones”
F2:Transnationalism:Canada–Quebec–Bollywood
Chair:TBA
BoulouEbandadeB'béri(Universitéd’Ottawa)etElizaMystille(Universitéd’Ottawa),
«Del’intertexteaucommentairefoucaldien:lacuisinecommelieuderencontresetde
bouleversementsdesidentitésetdesorigines»
SonyJalarajanRaj(MacEwanUniversity)andAlexanderSorochan(MacEwanUniversity),
“Spectacle,EscapismandDiasporicIdentitythroughTransnationalCrossoverCinema:
BollywoodinCanada”
DavidHanley(CarletonUniversity),“Bollywood’sCanada,Canada’sIndia”
F3:ArtCinemaandInteractiveMedia
Chair:TBA
DanaCooley(UniversityofLethbridge),“ThePoeticScienceofInteractiveArt”
MasakiKondo(YorkUniversity),“ARuptureinClock-TimeinChristianMarclay’sTheClock:The
TemporalityofAffectivityinContemporaryMovingImageArt”
ChristineRamsay(UniversityofRegina),“AnecdotalEvidence:TheWorkofGeraldSaul”
F4:WarandTerror
Chair:TBA
MatthewCroombs(King’sCollegeLondon),“CinemaAgainstStateTerror:JacquesPanijel’sOctobre
àParisandtheWorkofParallelCinema”
DonMoore(UniversityofGuelphHumber),“TheConstructionofthe‘TerroristOther’in
ContemporaryCinemaandMedia”
MandyElliott(UniversityofManitoba),“‘Creatinginminiatureaworldoftheirown’:Reinventing
EnglishnessinPostwarPrisonerofWarCinema”
15:00:LightRefreshmentsServedTBA
PanelsG:15:15–17:15
G1:Lesétatschaotiquesdel’Amérique:attraction,fuiteetspécularité
Président:àpréciser
Louis-PaulWillis(UniversitéduQuébecenAbitibi-Témiscamingue),«Del’alteràl’égo:BlackSwan
etlaspécularitécinématographique»
Marc-AntoineLévesque(UniversitédeMontréal),«Attractiondelacomédiemusicaleà
l’expressionnismeallemanddansl’expériencetélévisuelled’AmericanHorrorStory»
SimonLaperrière(UniversitédeMontréal),«RenaldoandClaradeBobDylan–Uneexpériencede
lafuite»
G2:DocumentaryTroubles
Chair:TBA
SethFeldman(YorkUniversity),“MoreKinokMischief:ManWiththeMovieCameraandthe
ContemporaryUnderstandingofDocumentary”
DarrellVarga(NSCADUniversity),“PiratesandMediaBombs:DocumentaryOnandAroundthe
Oceans”
MarkDavidTurner(MemorialUniversityofNewfoundland),“AMannerofVerité:Towardsa
CriticalAestheticsoftheAudio-visualWorkoftheOKâlaKatigetSociety”
JeremyMaron(CarletonUniversity&CanadianMuseumforHumanRights),“SidebySide:Digital
StorytellingandReconciliation”
G3:ThePeterMorrisMemorialPanel:CanadianFilmHistory
Chair:TBA
CharlesTepperman(UniversityofCalgary),“FromScripttoScreenandBeyond:Thedeclineof
auteurcinemaandriseof‘producer’scinema’inEnglishCanadasince2000”
SarahA.Matheson(BrockUniversity),“NavigatingtheCity:UrbanSpaceandtheStedicaminthe
CanadianCultTVSeriesNightMoves,NightRideandNightWalk”
LouisPelletier(UniversitédeMontréal&ConcordiaUniversity),“WillieEckstein:CanadianPianist
andStaroftheSilentScreen”
ZachMelzer(ConcordiaUniversity),“Public-PrivateMovingImageCulturesinCanada:Business
ImprovementDistrictsandtheRegulationsofDundasSquareandQuartierdesSpectacles”
G4:MicroCinema,MicroBudgets,MicroDistribution
Chair:TBA
ClaudiaSicondolfo(YorkUniversity),“NetworkedPublics:MobilizingCommunity
ParticipationinFilmFestivalsandtheTwittersphere”
CarolineKlimek(YorkUniversity),“SightoftheSite:AlookatInteractivityinFilmFestivals”
DonnadeVille(MountSaintVincentUniversity),“IndependentProgrammersandtheDIYBusiness
ofMicrocinema”
MelanieWilmink(YorkUniversity),“CracksintheSidewalk:CinematicInterventionsintoPublic
SpacewiththeSituatedCinemaProject”
President’sReception/Réceptionduprésident??
17:00–19:00
ReceptionTent
ConférencecommémorativeMartinWalshMemorialLecture
LorettaTodd(--)
“title”
(insertabstract--English)
***
Encetteépoquenumérique,lesarchivessontsouventassociéesàl’explosionetàlapropagationdesdonnées.Sujetde
(insertabstract—French)
(InsertBioblurb)
_________________________________________June2juin___________________________________________
9:00–10:45Location?
FSACAnnualGeneralMeeting/Assembléegénéraleannuelled’ACÉC
Note:Coffee/Tea/Juiceandlightbreakfastwillbeserved
PanelsH:11:00–12:30
H1:Sex,Transgression,andtheOddCult
Chair:TBA
ShanaMcGuire(SaintMary’sUniversity),“CorporalCapitalisminClaireDenis’sBastards”
BrendaAustin-Smith(UniversityofManitoba),“OddCultOut:Cinemabyany‘other’name”
DanielSacco(RyersonUniversity),“CannesandCannots:Transgression,OstracismandVincent
Gallo’sTheBrownBunny”
H2:Time,rhetoricandDeception
Chair:TBA
ChristineEvans(UniversityofBritishColumbia),“LiesandVideotape:EpistemologyandDeception
inTheJinxandTheImposter”
MarcFurstenau(Carleton),“TheRhetoricoftheSpecialEffect:Expression,Representationand
Imagination”
PhilippeBédard(UniversitédeMontréal),“TheProteanCamera:CrystallizingTimeandMovement
intheMotionPicture”
H3:QuebecCinema
Chair:TBA
KarineBertrand(Queen’sUniversity),«Survivanceettémoignages:guérisonetredynamisation
descommunautésdanslecinémaautochtonequébécois»
AndreDubois(ConcordiaUniversity),“OurGame,NotreJeux:HockeyinQuébec’sCinematic
Consciousness”
TheodorStojanov(ConcordiaUniversity),“FaitauQuébec,orTheArtofAdaptingtoIntra/TransNationalTelevision”
DÉJEUNER/LUNCH12:30–14:00
Workinglunchroundtable:StrategizingBudgetModels,StreamingCosts,andother
AdministrativeChallengesoftheDiscipline
Chair:SusanLord(Queen’sUniversity)
-Departmentchairsandinterestedpartiesarewelcometoattend
PanelsI:13:30–15:15
I1:Cinema,Truth,Location
Chair:TBA
DavidSionnière(UniversitédeMontréal),«Parcoursplurimédiatiquedeladiégèse
cinématographiqueàl’heuredutransmédia»
ThomasWaugh(ConcordiaUniversity),“CinematicParrhesis:TellingTruth,TakingRisk,
TransformingtheSelf”
JonathanPetrychyn(YorkUniversity),“FeelingQueerintheSmallCity:EncounterswithMyPrairie
HomeandClosetMonster”
I2:BodiesTechnologies,Hauntings
Chair:TBA
DavidJackson(CarletonUniversity),“BetweenBody,LandscapeandTechnology:TheStruggle
BetweenWomen,NatureandScienceintheGoldenAgeofScienceFictionFilm”
TessJewell(YorkandRyersonUniversities),“Playingwiththeblindboy:Intersectionsbetween
identityandimaginationinmediarepresentationsofdisability”
GuanWang(UniversityofAlberta),“BeCautiousofthatLust:Music,FateandSadomasochismin
AngLee’sLust,Caution”
MurrayLeeder(UniversityofCalgary),DetectionandDevilryinAngelHeart
I3:NorthernLandscapes
Chair:TBA
CharlotteDronier(UniversitédeMontréal),«Lanaturecommepatriedespenséesdanslecinéma
islandais»
CarmenVictor(YorkandRyersonUniversities),“TheSoniferousÆtheroftheLandBeyondtheLand
Beyond”
ScottMacKenzie(Queen’sUniversity),AnnaWesterstahlStenport(UniversityofIllinoisatUrbanaChampaign)andDeirdreRuscittiHarshman(UniversityofIllinoisatUrbana-Champaign),“Russian
ArcticCinemasandtheNewColdWar”
15:15:LightRefreshmentsServedTBA
PanelJ:15:30–16:15
Performance
Chair:TBA
CyrusSundarSingh(Author/Performer/Musician)andShelleyHamilton(Singer/Performer),
“PerformingTheDocumentary:AfricvilleinBlackandWhite:How,aNationalHistoricalSiteand
MemorialPark,hasreignitedracialhatredinaCanadianCity”
TBA
CanadianCommunicationsAssociation/Associationcanadiennedecommunication
KeynoteLecture/Conférencierd'honneur/location?
(INSERT)