galerie division - Division Gallery

Transcription

GALERIE DIVISION
BRAD PHILLIPS
Né à Toronto (Ontario, Canada), 1974.
Vit et travaille à Toronto (Ontario, Canada).
EXPOSITIONS INDIVIDUELLES
2015
Honeymoon Rehearsal, réalisé par Bjarne Melgaard, Rod Bianca Gallery, Oslo, Norvège
(à venir)
Number One Liners, Mandelbaum Booksellers, Los Angeles, CA (à venir)
2014
Law & Order, Harper’s Books, East Hamptons, NY, É.-U. (jusqu’en 2015)
I Didn't Retire I Surrendered, 8-11 Gallery, Toronto, ON
The Rope at the end of the Rope, Macaulay Fine Arts, Vancouver, C.-B.
2013
Sex Sex and Death, Louis B. James Gallery, New York, NY, É.-U.
For Mariah Carey and John Berryman, CSA Space, Vancouver, C.-B.
2011
Suicide Note Writer’s Block, The Residence Gallery, Londres, Royaume-Uni
Sex After Marriage, Monte Clark Gallery, Toronto, ON
Someone Write Me, Monte Clark Gallery, Vancouver, C.-B.
Seven Years in Vancouver, Galerie ZK, Berlin, Allemagne
My Swiss Gallery Closed, CSA Space, Vancouver, C.-B.
2010
Collection of the Artist, CSA Space, Vancouver, C.-B.
2009
Journey into Whatever, LaMontagne Gallery, Boston, MA , É.-U.
2008
Sentimental Breakdown, Groeflin Maag Galerie, Zurich, Suisse
No P.S., Monte Clark Gallery, Toronto, ON
No Comebacks, Monte Clark Gallery, Vancouver, C.-B.
2007
Day by Day, Wallspace, New York, NY, É.-U.
Knives & Flowers, Liste 07, The Young Art Fair, Basel, Suisse (avec Groeflin Maag
Galerie)
Groeflin Maag Galerie, Young Marriage, Old Problems, and Vancouver Mushrooms,
Basel, Suisse
2006
Personal Work, CSA Space, Vancouver, C.-B.
2005
On Feeling Better, Wallspace Gallery, New York, NY, É.-U.
1996, Groeflin Maag Galerie, Basel, Suisse
2004
Silver Springs, Greener Pastures Contemporary Art, Toronto, ON
Monte Clark Gallery, Vancouver, C.-B.
2002
Bailey Fine Arts, Toronto, ON
EXPOSITIONS EN DUO
2014
Needle in the Hey! Sojourner Truth Parsons and Brad Phillips, Working Title, Toronto,
ON
2007
The Great Depression: Brad Phillips and Rasool Sarangi, Allston Skirt Gallery, Boston,
MA, É.-U.
SÉLECTION D’EXPOSITIONS COLLECTIVES
2015 Taste This Sad Cream, Patrick Mikhail Gallery, Montreal, QC
2020 rue William │ Montréal │ Québec │ H3J 1R8 │ T. 514.938.3863 │ www.galeriedivision.com
GALERIE DIVISION
2014
2013
2012
2011
2010
2009
Situational Comedy, 247365, Brooklyn, NY, É.-U.
Shit! I'm an Artist's Artist, Galleri Benoni, Copenhague, Danemark
You won't believe(...), Galerie Division, Montréal, QC
WAVVYWAVVY, The Drain, Los Angeles, CA, É.-U.
Signs & Symbols, Jessica Bradley Gallery, Toronto, ON
Rear Window Treatment, Louis B. James Gallery, New York, NY, É.-U.
Buying Friends: The Kortman Collection, Urban Institute for Contemporary Arts, Grand
Rapids, MI, É.-U.
The Secret to Living, Jessica Bradley Gallery, Toronto, ON
How to Write an Artist's Statement, Mulherin, New York, NY, É.-U.
Mourning and Melancholy, Gallery Ostrakon, Milan, Italie
Storytelling, Museum London, London, ON
Summer Reading, The Hole, New York, NY, É.-U.
Apparatus, M + B, Los Angeles, CA, É.-U. (commissaire: Tim Barber)
Bad Religion, Paul Petro Contemporary Art, Toronto, ON
Tenth Anniversary Show, Wallspace, New York, NY, É.-U.
The White Album, Louis B. James Gallery, New York, NY, É.-U.
The Painting Project, Galerie de l'UQAM, Montréal, PQ (commissaires: Marie-Ève
Beaupré et Julie Bélisle), Cat.
Where I Lived, What I Lived For, Oakville Galleries, Oakville, ON, Cat.
Le Goût de la peinture, Galerie de l’UQAM, Montréal, QC (commissaires: Marie-Ève
Beaupré et Julie Bélisle)
Spill, The Drake Hotel, Toronto, ON
Vancouver Art Gallery, (commissaire : David Wisdom), Vancouver, C.-B.
20 Years, Monte Clark Gallery, Vancouver, C.-B.
Monte Clark Gallery, Vancouver, C.-B
Capture, Monte Clark Gallery, Toronto, ON
Le Goût de la peinture, Galerie de l'UQAM, Montreal, QC (commissaires: Marie-Ève
Beaupré et Julie Bélisle)
My Winnipeg, Maison Rouge, Paris, France
Hunter and Cook Launch, Khyber ICA , Halifax , N.-É.
Journey into Whatever, New Brunswick College of Craft and Design, Fredericton, N.-B.
1st International Chilliwack Biennale, Chilliwack, C.-B.
Triumphant Carrot - The Persistence of Still Life, Contemporary Art Gallery, Vancouver,
C.-B., Cat.
NeoIntegrity: Comics Edition, Museum of Comics and Cartoon Art, New York, NY, É.-U.
(commissaire: Keith Mayerson), Cat.
Restricted, Clark + Faria, Toronto, ON
Group Show, Monte Clark Gallery, Vancouver, C.-B.
What’s Bin Did and What’s Bin Hid, 106 Green Street, New York, NY, É.-U. (commissaire:
Ryan Steadman)
The Other Gallery pour Scotiabank’s Nuit Blanche, "Art moves", Toronto, ON
Assembly of Drawings, Monte Clark Gallery, Vancouver, C.-B.
Clark + Faria Presents, Clark + Faria Gallery, Toronto, ON
GALERIE DIVISION
2008
2007
2006
2005
Guy Maddin’s Keyhole Project, The Beursschouwburg, Bruxelles, Belgique
Staff Picks, Monte Clark Gallery, Vancouver, C.-B.
TV Books – Space 15 Twenty, Los Angeles, CA, É.-U.
LOCAL, The Apartment at Filip Office, Vancouver, C.-B. (commissaire: Lee Plested)
It Ain’t Fair, O.H.W.O.W. Gallery , Miami, FL, É.-U. (commissaire: Tim Barber)
Amber One Foot Below, Paul Petro Project Space, Toronto, ON (commissaire: Jay Isaac)
Art on Paper 2008: 40th Anniversary Biennial Exhibition, Weatherspoon Art Museum,
The University of North Carolina à Greensboro, NC, É.-U.
The Hungry Ghost, Paul Petro Project Space, Toronto, ON (commissaires: Jay Isaac et
Tony Romano)
News at 5ive, TIAF, Toronto, ON (commissaire: Rick Rhodes)
Various Photographs, NY Photo Festival, NY, É.-U. (commissaire: Tim Barber)
The Other Gallery presents Guy Maddin's Keyhole Project, University of Manitoba's ARCH
2 Gallery, Winnipeg, MB
Like Watching a Train Wreck, Groeflin Maag Galerie, Zurich, Suisse
DRAW, Stolenspace Gallery, Londres, Royaume-Uni
Portraits, Monte Clark Gallery, Toronto, ON
Paul Butler's Collage Party/The Keyhole Experiment (sous la supervision de Guy Maddin),
44 Princess, Winnipeg, MB
The Big Gift: Recent Acquisitions from the Glenbow Museum, Illingworth Kerr Gallery,
Calgary, AB
Collage Crimes: Carte Grise a Guy Maddin, Dazibao, Montréal, QC
Paul Butler's Collage Party/The Keyhole Experiment (sous la supervision de Guy
Maddin), Gimli, MB
Raise High the Roofbeam, Rainbo Club, Chicago, IL, É.-U. (commissaires: Melanie Schiff
et Kristen VanDeventer)
Paul Butler's Collage Party, Henry Art Gallery, Seattle, WA, É.-U.
Launch of Port-De-Suisse, Villa Lautengarten, Basel, Suisse (commissaire: Simon Baur)
On Line: Contemporary Drawing, The University Art Gallery, Sonoma State University,
CA, É.-U.
The Monty Hall Problem, Blum & Poe, Los Angeles, CA, É.-U. (commissaire: Slater
Bradley)
Art Vs. Real Life, Morgan Lehman Gallery, New York, NY, É.-U.
Tiny Vices, Spencer Brownstone Gallery, New York, NY, É.-U. (commissaire: Tim Barber)
Another Other, Cooper Gallery, University of Dundee Exhibition Department,
Jordonstone College of Art and Design, Dundee, Écosse
Darkness Ascends, Museum of Contemporary Canadian Art, Toronto, ON
Hello Sunday, Sixtyseven Gallery, New York, NY, É.-U. (commissaire: Holly Coulis)
Paul Butler's Collage Party, Antisocial, Vancouver, C.-B.
Toronto/Berlin Exchange, Galerie Jette Rudolph, Berlin, Allemagne
Exploding Plastic Inevitable, Bergdorf Goodman, New York, NY, É.-U.
Bucolica, Wallspace Gallery, New York, NY, É.-U.
The Terminal Show, Drake Hotel, Toronto, ON (organize par le Museum of
Contemporary Canadian Art)
GALERIE DIVISION
2004 RBC New Canadian Painting Competition, Edmonton Art Gallery, Brunswick Museum,
McMaster Museum of Art, Museum of Contemporary Canadian Art
Kids of the Black Hole, Stalke Gallery, Copenhague, Danemark
Under the Sun, Greener Pastures Contemporary Art, Toronto, ON
I, Assassin, Wallspace Gallery, New York, NY, É.-U. (commissaire: Slater Bradley)
2003 Hooters, Zsa Zsa Gallery, Toronto, ON
In My Solitude, Gallery Neubacher, Toronto, ON (commissaire: Wayne Baerwaldt)
Two Weeks In Autumn, Greener Pastures Contemporary Art, Toronto, ON
Fountain of Youth, TIAF, Toronto, ON
When Darkness Falls, Gallery 400, University of Illinois à Chicago, et
Midway Contemporary Art, St. Paul, Minnesota, MN, É.-U.
Summer Jam, Peres Projects, Los Angeles, CA, É.-U.
Future Species, d.u.m.b.o. Arts Center, Brooklyn, NY, É.-U.
2002 Steve Canaday, Brad Phillips, Luigino Valentin, Bronwyn Keenan Gallery, New York NY,
É.-U.
The Catholic Show, Art System, Toronto, ON
Don’t Fear the Reaper, Gallery 1313, Toronto, ON (en tant que Larry House avec Jay
Isaac)
Synthetic Psychosis, Museum of Contemporary Canadian Art, Toronto, ON
Mercer Living, Mercer Union, Toronto, ON
Wreck Room, Art System, Toronto and Helen Pitt Gallery, Vancouver, C.-B.
2001 Dark Movement, Art System, Toronto, ON
Glo, Archive Gallery, Toronto, ON
Grand Expectorant, West Wing Art Space, Toronto, ON
Weather is Here, Wish You Were Beautiful, Art System, Toronto, ON
More than a Feeling, Gallery 1313, Toronto, ON
Mercer Union: A Love Story, Mercer Union, Toronto, ON
2000 Glo, Archive Gallery, Toronto, ON
1999 Solo Exhibition (A Group Show), 286 Sherbourne Street, Toronto, ON
Open Juried Exhibition, Cambridge Galleries, The Library and Gallery, Cambridge,
Royaume-Uni
1996 This is it: Taku Dazai, Alex Morrison, Brad Phillips, Nora Vaughan Gallery, Toronto, ON
COMMISSARIAT
2015 Shit! I'm an Artist's Artist, Galleri Benoni, Copenhague, Danemark
2009 Alex Morrison, CSA Space, Vancouver, C.-B.
2005 My One And Only - Brad Phillips on Rasool Sarangi, Wallspace Gallery, NY, New York,
É.-U. (catalogue)
CATALOGUES & PUBLICATIONS
2015 Phillips, Brad. Personal Work. New York : 8 Ball Zine. Édition de 30.
Phillips, Brad. Suicidal Realism. Toronto: Swimmer’s Group.
2014 Phillips, Brad. Regular Creep. Toronto: Swimmer's Group, Toronto. Édition de 200.
GALERIE DIVISION
2013
2011
2010
2008
2007
2002
Phillips, Brad. Mother Nature Mother Creature. Toronto: Perish Publishing. Édition de
200.
Rogers, Bunny. My Apologies Accepted. (illustrations de couverture et de quatrième de
couverture) Berlin: Civil Coping Mechanisms.
Mcelroy, Aaron. The Devil May Care. (conception de la couverture) Barcelona: Éditions
Paralaxe.
Isaac, Jay et Fry, Sebastien éd. Fantasy Art Now. Toronto: Swimmers Group: p. 18.
Édition de 250.
Bélisle, Julie et Déry, Louise. The Painting Project: A Snapshot of Painting in Canada.
Montréal: Galerie de l’UQAM.
The New Collectors Book. NYC: Basak Malone: p. 10.
Taylor, Chris. The Life and Times of William Callahan. (illustration de couverture en
édition limitée), Italie: 0-100-0.
Paparano, Jennifer. Still Life. Vancouver: Contemporary Art Gallery.
NeoIntegrity: Comics Editions. New York: Museum of Comics and Cartoon Art.
Pussy, The Aurel Schmidt Purple Book, edition special pour Purple Fashion Magazine,
No.13.
Six Pages from TV Books. TV Books and Gallery Space: p. 32-38.
RBC Canadian Painting Competition: Ten Years. Toronto: Banque Royale du Canada: p.
64.
Urquhart, Jane and Roenisch, Clint. Carte Blanche - V.2 – Painting. Toronto: Magenta
Foundation: pg. 189, 321
Barber, Tim ed. Hope Against Reason – Brad Phillips. New York: TV Books
Suicide Note Writer's Block. Édition de 100, Stockholm: Cederteg Publishing
Liss, David. Synthetic Psychosis. Toronto: Museum of Contemporary Art, Toronto
ARTICLES DE PÉRIODIQUES ET DE JOURNAUX
2015 Scott Indrisek, “No More Taboos: Brad Phillips Paints Against the Puritans,” Blouin Art
Info, 30 novembre.
Renata Mosci, “An East Hampton Bookstore Pops Up in Manhattan,” New York Times
Magazine, 3 mars.
Andrew Berardini, “In Praise of Good Art Writing,” MOMUS, 6 janvier.
David Willis, “The Artist as Voyeur: Groups Show as Peep Show,” Art Critical, 6 janvier
2014 Leah Sandals, “Leah Sandals Top 3 of 2014: This Time, It’s Personal,” Canadian Art, 26
décembre.
Oliver Maxwell Kupper, “Live Love Die: A Short Interview Phillips, Autre Magazine, 4
décembre.
Jennifer Landes, “Reading is Fundamental,” – Review, Law & Order, Harper’s Books, The
East Hampton Star, 30 décembre.
Jerry Saltz, “Are There Banner Works of Art on Instagram?” Vulture, 2 décembre.
Harry Burke, “Brand New – Bunny Rogers,” Flash Art, novembre/décembre, p. 48.
Mark Mann, “The Miserable Quips of Brad Phillips,” Momus, 14 octobre.
Leah Sandals, "CanCon Highlights at New York's Frieze Week," Canadian Art, 15 mai.
Daniel Kunitz, "Opine! Opine! - Letter from the Editor," Modern Painters, mai 2014,
GALERIE DIVISION
2013
2012
2011
2010
2009
2008
p. 22.
Daniel Larkin, Harlem "Hot House" Reimagines Heaven and Hell," Hyperallergic, 9 mai.
Sky Gooden, "Canadians Among Harlem Fun for Frieze," Blouin Art Info, 8 mai.
Darby Milbrath, “Brad Phillips & Sojourner Truth Parsons,” The Editorial Magazine, avril,
p. 60-65.
“Agenda, British Columbia,” Canadian Art Magazine, p. 26, hiver 2013.
“100 Can’t-Miss Fall Gallery Shows From Around the Word,”Blouin Ar tInfo, octobre,
p. 94.
OTP, Illustrations, Vol. 1, No. 1, p. 71-78.
David Balzer, “Top 3 of 2013: Outside Exhibitions,” Canadian Art, en ligne, 23 décembre.
“Paint it White, the senseless 1960’s and beyond, Louis B. James Gallery,” Modern
Painters, janvier.
John Bentley Mayes, “Portraits and Tactics, Andre Ethier and the forces of unfreedom,”
Canadian Art Magazine, p. 96, hiver 2013.
Scott Indrisek, Interview “Brad Phillips on Sex, Sex and Death”, BlackBook, en ligne, 20
novembre.
Shayne Ehman, Interview, Millions, No. 4, novembre.
Aaron Peck, Interview, 01 Magazine, No. 8, juillet.
Emmy Lee, “Brad Phillips at CSA Space,” Here and Elsewhere Magazine, 14 janvier.
Rosemary Heather, “Write Me: Brad Phillips and the Art of Autobiography”, Canadian
Art Magazine, automne 2012, p. 132-137.
Melinda Battersby, “How to spot the next Damien Hirst”, The Independent, 17 janvier.
Beth Fox, Review, “Brad Phillips, Suicide Note Writer's Block, The Residence Gallery,
London UK,” Artists Insight, novembre.
Aaron Peck, Review, “Brad Phillips, Somebody Write Me, Monte Clark Gallery,”
Vancouver, Canadian Art Magazine, en ligne, 30 juin.
Robin Laurence, Review “Brad Phillips, Somebody Write Me, Monte Clark Gallery,
Vancouver,” The Georgia Straight, p. 42, 19 au 26 mai.
Coline Milliard, Review, “Brad Phillips, Suicide Note Writer’s Block,” Modern Painters,
février, p. 83.
Nicki Bahrampour, Interview, Document Magazine, Weeklies, en ligne, 1er avril.
“Our Glass - Brad Phillips,” Color 8.1, mars, p. 72-74.
“Alex Morrison: Politics and Partnership,” Canadian Art, en ligne, 20 juin.
Cate McQuaid, “Review, Brad Phillips, Journey into Whatever, Lamontagne Gallery,”
Boston Globe, 3 juin.
Noah Becker, “Brad Phillips in conversation with Noah Becker” Whitehot Magazine,
décembre.
Jay Isaac, “Brad Phillips Interview,” Hunter and Cook, No. 01, p. 3-7.
Selva Barni, “Fotografia/Melanie Schiff” Rodeo Magazine, septembre, No. 50, p. 85.
Gary Michael Dault, “Review, Brad Phillips, Monte Clarke Gallery, Toronto,” Globe and
Mail, avril , R14.
Lee Henderson, “The Glue Boy – Paul Butler and the Art of Collage”, BorderCrossings,
No. 07, p. 51.
Christopher Brayshaw, Visual Art – “Exponential Future,” Bordercrossings, No. 106,
GALERIE DIVISION
2007
2006
2005
2004
2003
p. 105.
Robert Enright, “An ‘orgy of slicing and pasting’”, The Globe and Mail, 21 avril.
Guy Maddin, "Keyhole Collages" Bordercrossings, No.104, p. 58-67.
Leanne Shapton, "The Modern Lovers - Ten contemporary artists who make images of
their loved ones” The Believer, novembre/décembre, p. 20.
Lee Henderson, "A Tale of Two Painters: The Art of Brad Phillips and Michael Lewis,"
Border Crossings, No. 103, p. 102-111.
Annette Hoffmann, "Brad Phillips: Ein Werk ausgewogener Bedingungen" Regioartline
Kunstmagazin, No.6, juillet, p. 24.
Renate Durst, "Review, 'Young Marriage, Old Problems, Vancouver Mushrooms' Groeflin
Maag Galerie, Basel,” Basler Zeitung, 10 mai, p. 25.
Ashley Johnson, “Review "Darkness Ascends" MOCCA,” Canadian Art, No. 04, hiver,
p. 82.
Sarah Milroy, "Finding Lite in Darkness" Review, “Darkness Ascends”, MOCCA, The
Globe and Mail, 7 juillet, R1.
"Space Oddities," Time Out Toronto, p. 185.
Tim Barber. “Salon Section,” The Journal, hiver, p. 53.
Phillips, Brad, “Dear Diary,” Purpose Webmag Photographique, Vol. 2, printemps.
“Portfolio,” Rasool Sarangi & Brad Phillips, Doppelganger Magazine, Vol. 6, juin.
Toro Magazine, mai, p. 62.
David Balzer, "Eye Candy," eye magazine, 8 juin, p. 47.
David Jager, “Review, "Darkness Ascends", MOCCA,” NOW Magazine, 8 au 14 juin,
p. 104.
Kevin Chong, "Painter's interest in bad things is turned inward," The Globe and Mail,
vendredi 14 avril, R6.
Eva Scharrer, “Review "Brad Phillips, Groeflin Maag Galerie, Basel" C Magazine, été
2005, p. 43.
Marianne Benz, “Dustere Aussichten, beklemmende Bilder einer orientierunglosen
Jugend des Kanadiers Brad Phillips in der Galerie Groeflin Maag,” Baz Kulturmagazin, 17
février.
Beverly Cramp, Galleries West, printemps, p. 8-9.
Brian Sholis, “Hip Parade”, artforum.com, 4 décembre.
Sarah Milroy, “Nothing is Perfect in Shangri-la,” Review, The Globe and Mail, Friday, 19
novembre, R23.
Julia Dault et J. Kelly Nestruck, “Brush Strokes of What’s to Come”, The National Post,
jeudi, 18 novembre, AL6-7.
Michael Wilson, Review “I, Assassin”, Frieze Magazine, Vol. 83, 2004, p. 107.
“Painting for Dollars,” The Georgia Straight, 30 septembre au 7 octobre, p. 49.
Fashion Magazine, Avril, p. 141.
New York Magazine, 23 février, p. 76.
“Cynical Suburbia,” Vancouver Sun, 29 janvier au 5 février, p. C3.
Russell Smith, “Rush Hour at the Art Fair.” The Globe and Mail, jeudi 13 novembre, R1.
Thomas Hirschmann, NOW Magazine, 23 au 29 octobr, p. 76.
Sarah Milroy, “Generation Next,” The Globe and Mail, 10 mai, V7, V9.
GALERIE DIVISION
Toro Magazine, printemps/été, p. 54.
The New York Times Magazine, 9 février, p. 72.
2002 Betty Ann Jordan, “Night Crawler.” Elm Street Magazine, décembre, T2.
Richard Rhodes, "Finding Inspiration in the Dark Side of Suburbia," The Globe and Mail,
samedi, 2 novembre, V6.
Carla Garnet, “Review of Synthetic Psychosis,” Canadian Art, automne, p. 136.
Milroy, Sarah, “Critic’s Choice: Synthetic Psychosis,” The Globe and Mail, 13 avril, R23.
2001 R.M. Vaughan, “Twenty Questions: Brad Phillips.” C Magazine, hiver, p. 18-19.
Sarah Minogue, “Brad,” Trucker, automne, p. 22.
Richard Rhodes, “Canadian Art: Brad Phillips,” Canadian Art, automne, p. 15.
Daniel, Borins, “The New Canadian Folk Art,” C Magazine, hiver, p. 15.
PRIX ET MENTIONS
2013 British Columbia Arts Council Grant
2011 Le Conseil des arts du Canada- Bourse de recherché et création
2008 Le Conseil des arts du Canada – Bourse de projet
2003 Western Canada Winner – RBC New Canadian Painting Competition
Ontario Arts Council Project Grant
2001 Toronto Arts Council Creation Grant
COLLECTIONS
Twentieth Century Acquisitions, New York
Schiff Art Projects, New York
The Capital Group, New York
Royal Bank of Canada (RBC), Toronto
Hauser & Wirth Collection, Zurich
The Glenbow Museum, Calgary
RÉDACTION
Éditeur – Editorial Magazine
Contributions - Adult Magazine, Artslant, Millions, Modern Painters, et The Art Book Review
2015 “A Week of Canadian Painting: Jay Isaac,” Editorial Magazine.
"Sympathy for the Forger," Editorial Magazine, Issue 14, pg 44-46
Essaie de catalogue dans Uh-Oh Frances Stark, 1991-2015, Los Angeles : Hammer
Museum, UCLA & DelMonico Books*Prestel, 2015
“Dear Sister,” Adult Magazine, en ligne, 23 juillet 2015.
“Suicidal Realism,” Novella, Toronto: Swimmer’s Group, 2015
2014 “Shitty Genius,” Editorial Magazine, Vol. 12: p. 27 – 31.
“Irrelevant Rivalry,” Artslant, 14 décembre 2014.
“What Is and What is Not, Review, Patrick Howlett, G Gallery,” Artslant, 17 août 2014.
“Cunny Poems Vol. 1, Review, Bunny Rogers,” The Art Book Review, 22 juillet 2014.
GALERIE DIVISION
2013
2012
2011
2010
2009
2008
“Static Schtick, Review, Owen Kydd,” Cooper Cole, Artslant, 10 juillet 2014.
“Mark Delong, Essay,” Editorial Magazine, Vol. 12, p. 6 – 11.
“Just Do It,” Millions, Vol. 5, p. 44 – 53.
“Arse Moriendi,” Adult Magazine, No. 2, p. 126-129.
“Daniel Arnold and the Dogs of the Moscow Subway,” Artslant, June 3, 2014
“Radical Papa - Mark Delong,” The Rusty Toque, Vol. 6, 30 mai.
“Portrait Relief, Review, Katie Lyle, Erin Stump Projects, Toronto,” Artslant, 23 mai 2014.
“Jolie Laide (quatrième de couverture), Review, Jay Isaac, The Sponges, Monte Clark
Gallery, Vancouver,” Artslant, 23 mai.
“The Quotational Pandemic,” Modern Painters, mai 2014, p. 33.
“Money Cubicle's The Beast,” The Enemy, Vol. 1, No. 2.
“From Deep and the Rise of the Dunkadelic Era, Review, Images Festival 2014,” Artslant,
26 avril 2014.
“Marilyn Minter, Betty Tompkins, and Others Gauge George W. Bush's Work,” Artinfo,
15 avril.
“Peter Doig on Sunday, Review, Peter Doig, "No Foreign Lands", Musée des beaux-arts
de Montréal,” Artslant, 27 mars.
“Ass Man,” Adult Magazine, 27 mars.
“Excellent Nostalgia, Review, "Casting the Negative", Daniel Faria Gallery, Toronto,”
Artslant, 27 février.
“Nadia Belerique – Interview,” Millions, No. 04.
“Lynn Crosbie understands me (and Big Daddy Kane),” Millions, No. 03.
“Smile! We like to hurt each other,” Future Caves, No. 01.
“Bunny Rogers for the New Century,” Millions, No. 01.
“Sean Landers – Interview,” Hunter and Cook, No.10.
“Bruce Bailey - Interview,” Hunter and Cook, No. 9.
“Jeff Wall - Interview,” Hunter and Cook, No. 7.
“Keith Mayerson - Interview,” Hunter and Cook, No. 6.
“Laura Owens – Interview,” Hunter and Cook, No. 5.
“Alex Morrison –Interview,” Hunter and Cook, No. 4.
“Jay Isaac – Interview,” Whitehot Magazine, 20 mai.
“Evan Lee – Interview,” Whitehot Magazine, 24 avril.
“Daniel Gordon – Interview,” Whitehot Magazine, 22 mars.
“Laverne in the Butt, Shirley in the Vagina: The Work of Kirsten Stoltmann, Interview,”
Hunter and Cook, No. 3.
“Melanie Schiff is What’s Up - Interview,” Hunter and Cook, No. 2.
FOIRES
2013 NADA Fair, New York, NY
The Dallas Art Fair, Dallas, TX
2012 The London Art Fair, Londres, Royaume-Uni
Toronto International Art Fair, Toronto, ON
Art LA, Los Angeles, CA
GALERIE DIVISION
2011
2010
2009
2008
2007
2006
2005
2004
2003
2001
The Armory Show, New York, NY
NADA Fair, Miami, FL
LISTE, The Young Art Fair, Basel, Suisse
Scope NY, New York, NY
MACO, Mexico, Mexique
Artissima, Turin, Italie
Aqua Art Fair, Miami, FL
Scope New York, NY
MACO, Mexico, Mexique
Preview, Berlin, Allemagne
Aqua Art, Miami, FL
Scope LA, Los Angeles, CA
NADA Fair, Miami,FL
Art Sante Fe, Sante Fe, Nouveau-Mexique

galerie division - Division Gallery

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