3D Computer Artwork - Anne-Sarah Le Meur

Anne-Sarah LE MEUR (1968, France), lives in Paris
[email protected]
http://aslemeur.free.fr
3D COMPUTER ARTWORKS
2001 - 2012
2003 - 12
Into The Hollow of Darkness, research project composed of :
Beyond-Round, interactive real time 3D image, 360 degrees panorama, sensor, silence
(ZKM / LeCube / Interface-Z)
2010 - 2011 Red to Come, Bluent, Creased Stria, performances, generative 3D image
2009
Grey-Moire, performance, generative 3D image, variable musics and durations
2005 - 07 Eye-Ocean, generative real time 3D image, projection/performance, silence (LeCube / Interface-Z)
2001
Where It Wants To Appear/Suffer, animation, 14 minutes, silence
(CICV / University Paris 1)
1994
In-Bees-Tw’, animation, 8 minutes
(Brouillard-Précis / Paris 8 University / ATI)
1991-1993
Outgest, still images
(LCPC - Paris 8 University / ATI)
1990
Aform, Some Skin Is Still Spreading, animation, 30 seconds
(Paris 8 University / ATI)
EXHIBITIONS – PRESENTATION
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
Slick Art Fair, Galerie Charlot, Paris; To Look at and To See, group exhibition, RuArts Gallery,
Moscow, Russia; Aform, in Penetrating Surfaces, Xenis Kino, Zurich, Switzerland;
Between-worlds, Chine-France exhibition, Patronage Laïque Jules Vallès, Paris; Visions, at
Peytavi-Blondet's Studio, Paris; Variation Show-Off, Media Art Fair, Paris; Prints and
projections, Galerie Charlot, Paris; Penetrating Surfaces, The Austrian Film Museum,
Vienna, Austria;
Red to come, editing projection, CrisisRus, FUZ Festival, The Generator, Gentilly ; Eyeocean, group show, ArtAddict collection, Envie d'art Gallery, Paris;
Beyond-round, Light-Thresholds, Mantes-la-Jolie; Prints and projections, Charlot Gallery, Paris;
Beyond-Round / Outre-ronde, interactive cylindrical installation, ZKM_Kubus, Karlsruhe,
Germany; Red to Come, performance, sound creation Sigolène Valax, IRL evening Mercoeur, Paris; Red to Come, Montparnasse Museum, Paris;
Bluent, performance, Madatac, Madrid, Spain; Grey-Moire, performance, invited by Maria
Cosatto, Studios Opening, Helium/Vallée de Chevreuse; Digital Art, Orangerie des
Célestins, Marcoussis; Creased Stria, performance, Enlarge your Sax, P. Bittencourt
Concert, Kubus, ZKM, Karlsruhe, Germany; In-Bees-Tw'..., The Computer in Abstraction,
Iota Salon, UCLA, Los Angeles, USA;
Grey-Moire, Cimatics, Brussels; International Market of Digital Art, Brussels; BeyondRound, Work in progress, La Générale en Manufacture, Sèvres; Art VideoFest, Hungarian
Museum ofTourism, Budapest, Hungary; Grey-Moire, Kumiko Omura Concert, ZKM_Kubus,
Karlsruhe, Germany; Solo Performance and Laptopsrus Tournament, Vision'R, Paris;
World View, Kosmos, View Worlds, Bergkamen, Germany;
Art, Media and Contested Space, Belfast, Northern Ireland; World view, Kosmos, View worlds,
Gladbeck, Germany; Eye-ocean, Observatoire Critique, http://www.observatoire-critique.org/;
Croisées d'Artistes Festival, Salle de la Légion d'Honneur, Saint-Denis; Nuit Blanche,
Abbaye de Maubuisson, Centre of contemporary art, Saint-Ouen l'Aumône;
Digital Ways # 3, Digital Nature, Centre Saint-Exupéry, Reims, France; Thinking Pr!nts
Gallery (Bruxelles), ArtParis, Grand Palais, Paris;
Eye-Ocean, « 1rst Jubilee of cybernetic art », ANSI, Villa des Arts, Paris;
Art oriented programm, Immanence, Paris;
Ichim 03, Videoclub, Paris; Festival of Anti-Nature Images, Marseille; International
Women’s Films Festival, Maison des Arts, Créteil;
cv / Le Meur / 2016 / p. 1
2002
2001
1999
1997
1996
1995
1994
1993
1992
1991
1990
Electronic Theatre, ISEA2002, Nagoya, Japon ; Paris of Futur, Adac Galerie, Paris;
Different Movies Festival, Cinema La Clef, Paris ; Art and Technology Festival, J. Legendre
Theatre, Compiègne;
Corporal resemblance, Web Bar, Paris;
Intimate Computer, solo exhibition, Hanover, Germany; Cybergirls, Paris Cinematheque;
Computer World 3, collection of videos, Film and Video Umbrella, London;
Imagina, Monaco; Women’s Film Festival, Maison des Arts, Créteil;
Exhibition of the residencies' (Orlan, G. Toti...), Brouillard-Précis, Marseille;
Computer Art, Alliance Française, Hong-Kong, Centre Culturel Français, Seoul (South Korea)
Second Computer Art Exhibition, Art3000/Palais de Tokyo, Paris; Digital Gallery, Imagina,
Monaco; Plastic and Synthetic, Le Corbusier Fondation, Paris;
Computer Art Exhibition, Art3000/Centre Georges Pompidou, Paris;
Young Creations, Artifices n° 1, Salle de la Légion d'Honneur, Saint-Denis;
RESIDENCES
2006-2010
Sept 2009
09.03-01.06
Summer 2001
10.93-06.94
- ZKM, Institute for Visual Media, Karlsruhe, Germany
- Les Pixels Transversaux, La Générale en Manufacture, Sèvres, France
- Art 3000 - Le Cube, Issy-Les-Moulineaux, France
- CICV, Hérimoncourt, France
- Brouillard-Précis, Marseille, France
PRESS - QUOTATIONS - INTERVIEWS
Catalogues :
* Between-worlds, Chine-France exhibition, Patronage Laïque Jules Vallès, Paris, 2014;
* Digital Art, Michael Gaumnitz - Anne-Sarah Le Meur, Marcoussis, France, 2010, 22 p.;
* Weltbild, Kosmos, Bildwelten, 'Golden Plotter - Computer Art' Competition of
Gladbeck City, Germany, 2008, 84 p.;
* Création Numérique – Tendances, lieux, artistes, Anne-Cécile Worms, Musiques &
Cultures Digitales, M21 Editions, September 2008, 330 p.;
Essays :
* A. Lioret, P. Berger, To Play God... A Right? A Duty?, L’Harmattan., 2012, p.76 ;
* Re-Imagining Animation, P. Wells, J. Hardstaff, D. Clifton, AVA Academia, 2008, 192 p.;
Articles :
* Bruno Trentini, « La distraction esthétique : l’enjeu d’un danger », in Le risque
esthétique, Droit de Cité, n° 1, October 2009;
* Lioret, Sellam, Tombeur, « Art(s) Numérique(s) », in Création Numérique/Pixel, nº 118,
Oct 2006, p. 34;
* M. Rackham, « Wonderland - A Manifesto for 21st Century Immersive Works », in
Experimenta Vanishing Point, Mesh Issue #18, Australia, 2005;
* J.-P. Fargier, « Images des origines », in Le Monde, 14 Juin 1994;
* C. Courty, interview, « Etres-en-tr… », in Nov’Art, January 1995;
* Journal de l’Alliance Française, January 1993;
* Hong Kong Economic Journal, March 1993;
* South China Morning Post, March 1993;
Conferences : * C. Martin, « La culture de l'écran. Etude de modèles d'interaction écran-public alternatifs », in
« Expanded Cinema et art médiatique. Quelle politique du sensible ? », Université Lyon 2, 2013 ;
* S. Valax, « Numbers, abstraction, sensuality. Eye-Ocean by Anne-Sarah Le Meur », in
Siana, International Week of Digital Arts, Evry, March 2009;
Radio :
* France Culture, 1rst Edition, P. Assouline, phone interview, 7th December 2000;
Web :
* ArtsHebdoMedias, Marie-Laure Desjardins, « Red-funambulist », June 2014;
* Abstract Temporality, A-S Le Meur's interview with N. Smolianskaïa, in [Re]Thinking Art Languages, dir. Natalia Smolianskaïa, e-magazine Rue Descartes, n° 80,
2014/1;
cv / Le Meur / 2016 / p. 2
* ArtsHebdoMedias, « To Learn to See the World », written interview, in « Art-Sciences
Relation », e-magazine, October 2013;
* ArtsHebdoMedias, Marie-Laure Desjardins, « The sensitive intersection », February 2012;
* Beyond-Round, Anne-Sarah Le Meur, ZKM, english online interview, July 2011,
http://zkm.de/media/video/beyond-round-interview-mit-anne-sarah-le-meur
* Sklunk number 2, P. Bongiovanni, online interview, December 2005;
* M. Rackham, http://www.realtimearts.net/rt53/rackham.html, « ISEA Nagoya: The
delightful slowness of being », 2002;
* E. Couchot, M.-H. Tramus, « Gesto y calcul », www.geocities.com/Athens/8478/ardila.htm
CONFERENCES
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
Artist Talk, Proekt Fabrika, Moscow, Russia; « 3D Image in Love », Le Cube, Issy-lesMoulineaux; « To Look at or To Move-Act. Temporality and Pictoriality in Interactive Art
Pieces », in Slow Down Paintings, 2e Studyday, UMR Acte, Paris 1 University; « Text
Presence in Digital Art », MUDO, Oise Museum, Beauvais ;
« My Approach. 3D Image and Corporeality », Michel Sicard's seminar, Paris 1 University;
« For an Absurd Way to Create 3D Image! », Arts & Design University, Karlsruhe, Germany ;
« 3D Image and Programming : Artistic Diversion », Paris-Est Marne-la-Vallée University ;
« Beyond-Round.For a Counter-Intuitive Interaction », Fictions and Interactions Seminar,
Acte Institute, Paris 1 University;
« Digital Creation », talk-discussion, AS Le Meur and M. Cosatto, Mantes-la-Jolie;
« Beyond-Round, To Dance with the Image », Workshop on Movement Qualities and Physical
Models Visualizations, Ircam-Centre Pompidou and LIMSI-CNRS, Paris ;
« From Eye-Ocean to Beyond-Round, Plays on Gazes » NCCA, Moscow, Russia; « Creation,
Exhibition and Conservation of an Interactive Cylindrical Installation », Inha, Paris ;
« Beyond-Round », Friday OpenLab, Medialab Prado, Madrid, Spain; « To See and to
Watch. Abstract Temporality », by Natalia Smolianskaia and Anne-Sarah Le Meur, Collège
International de Philosophie, Paris.
« Beyond-Round », Goldsmiths Thursday Club, University of London, London; « BeyondRound, a Counter-Intuitive and Sensitive Interaction », ISEA2009, Belfast, Northern Ireland;
« Body, Numbers, Light : Colour Phenomena of Eye-Ocean », in Digital Art, direction Alain
Lioret, VRIC Conferences, Laval Virtual, Laval;
« Eye-Ocean, Experimental Realtime 3D Image », Ulster Festival of Art & Design, Belfast,
Northern Ireland; « Image, Device, Interaction. Perception Games in Beyond-Round », in
MOBIL/and, Superior Art and Design School, Saint-Etienne; « 3D Experimental Image. From
Painting to Programming », Superior Art School, Aix-en-Provence; « Body-Number-Colour :
Light Phenomena of Eye-Ocean », CREATE, Charleville-Mézières;
« To Programm the Image : Dynamic and Dangers for the Artistic Invention », Eureka, The
Moment of Invention, University of Paris 8 / ESPCI;
« Artistic Real-time 3D : Exploration of Non-realistic Light Phenomena », Research day
« Signal Image and Arts », CNAM, Paris; « Realising and Diffusing a Real-time 3D
Panorama - Artist's Way », demo-conference, Pierre Mendes France Space, Poitiers;
« In the Darkness of the Screen », i>medias, visioconference, Paris-Annecy; « Eye-Ocean
and Into the Hollow of Darkness », Performance-conference, Le Cube, Issy-LesMoulineaux ; « 3D : Real-time/Animation/Experimentation », in « Digital Creation :
Concepts, Tools, Analysis », Fresnoy, National Studio of Contemporary Arts, Tourcoing;
« The Line Alternative by Computergenerated Art », in « Drawing without Paper », Abbaye
de Maubuisson, Saint-Ouen-l'Aumône; « Another Computer-generated Image », Louise
Poissant's seminar, Uquam, Montreal, Canada;
« Digital Art », Round table organised by Xavier Perrot, Grande Halle, Digital Villette
Festival, Paris; « Another Aesthetic of 3D Computergenerated Image », Charles Cros
Institute, Marne-La-Vallée University;
cv / Le Meur / 2016 / p. 3
2003
2002
2000
1999
1997
« 3D Image and Sexuality », Féminin-Masculin, Geneva University, Switzerland; « Code-art.
What Approach ? », The tools forge, European School of Visual Art, Poitiers;
« Into the Hollow of Darkness, Realising a 3D Interactive Environment », ISEA2002,
Nagoya, Japan;
« 3D Image and Sexuality », ISEA2000, Paris;
« Computer Art : Resistance of the Body », ISEA1999, Sao Paulo, Bresil;
« Kann die Programmiersprache künstleriche Arbeit ermöglichen », in « 9th Film and
Television Symposium », Weimar, Germany;
ARTICLES
« Body, Numbers, Light : Colour Phenomena of Eye-Ocean », (russish version) in Media: Between Magic
and Technology. Edited by N.Sosna and K.Fedorova. Moscow-Ekaterinburg: Armchair Scientist, Russie,
2013. pp. 19-37. ---(english version) in Digital Art, direction Alain Lioret, VRIC Conferences, Laval
Virtual, France, April 2009, 414 p. --- (french version) in Communication, Organisation, Symboles, MEI n°
29, direction Claudine Batazi and Céline Masoni Macroix, Editions L'Harmattan, March 2009, 216 p.
« Beyond-Round / Outre-ronde », in Devices that Alter Perception, Carson Reynolds Editor, Japan, 2011.
« Image, Device, Interaction. Perception Games in Beyond-Round », in From Split-screen to Multi-screen. Spatially
Distributed Video-cinematic Narration, dir. M. Sobieszczanski with C. Lacroix, Peter Lang, novembre 2010.
« The Stroke Alternative by Computer-generated Art », in Drawing without Paper, direction Richard Conte,
Abbaye de Maubuisson / Cerap, Publications de la Sorbonne, March 2009, p. 206-218.
« To Programm the Image : Dynamic and Dangers for the Artistic Invention », in Eureka, The Moment of
Invention, direction Ivan Toulouse et Daniel Danétis, University of Paris 8 / ESPCI, Collection « Arts 8 »,
L’Harmattan, November 2008, p 103-112.
« 3D Bilder und Sexualitaet », in « Das Alte und das Neue », Frauen und Film, n° 64, Germany, 2004, p. 145-153.
« Into the Hollow of Darkness, Realising a 3D Interactive Environment », in Leonardo, Vol. 37, No. 3, USA,
2004, p. 204-209, 215.
« In-Bees-Tw'…, A 3D Computer Artwork », in Spatialisation en art et sciences humaines, direction Marcin
Sobieszczanski, Peeters Publishers, 2004, p. 171-210.
« Experimenting with Computergenerated Images », in Les cahiers du numérique, direction Jean-Pierre
Balpe, vol 1-n°4, Hermès, 2000, p. 145-165.
« The Representation of the Human Being in 3D Images », in Anomalie, n° 1, 2000, p. 82-90.
« Programming : Can it be Art ? » in 9th Film and Television Symposium, direction Britta Neitzel, 1997,
Bauhaus-University Weimar, p. 328-334.
« The Systematic Garden », in Wachsen, n° 2, summer 1996, Bauhaus-University Weimar, p. 33-39.
« Still Image, Animation, Virtual Reality : the Decay », in Nov'Art, n° 9, janv. 1993, Paris p. 14-15.
TEACHING EXPERIENCES
2000 2004 - 2008
2001
1995-1997
03, 97-98, 93
- Assistant Professor in digital art, Pantheon-Sorbonne Paris 1 University;
- Lecturer, Master of Arts and Technologies, European School of Visual Art, Poitiers
- « The body in Computergenerated Image : from Aspect to Space », Image analysis
workshop, European School of Visual Art, Poitiers;
- Lecturer, Gestaltung Department, Bauhaus-University, Weimar, Germany;
- « Creativity of Dataprocessing », Workshops and Conferences : European School of Visual
Art, Poitiers; School of Fine Arts, School of Architecture, Rennes; The Media Department,
Bauhaus-University, Weimar, Germany; Sciences and Technics University of Hong Kong;
EDUCATION
1999
1990
1988
P.H.D in 3D digital art, ‘Programming and Bodily Expression’, University of Paris 8
M.A in Art and Technology, University of Paris 8
B.A in Sciences, University of Rennes 1
cv / Le Meur / 2016 / p. 4