l - Schulich School of Music
Transcription
l - Schulich School of Music
General Bibliography on Gestural Control in Music A Abbott, C. 1982. "Remembering Performance Gestures." In Proceedings of the 1982 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 188193. Aikin, J. 1991. Review, "Buchla Lightning. Optical MIDI Controller". Keyboard 17(9):148-154 Akamatsu, M., I. S. MacKenzie, and T. Hasbrouc. 1995. "A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device." Ergonomics 38:816-827. Akamatsu, M., and I. S. MacKenzie.1996. "Movement Characteristics Using a Mouse with Tactile and Force Feedback." International Journal of Human-Computer Studies 45:483-493. Almeida, A. G. 1996. "Methodologies for Design and Evaluation of Interactive Musical Interfaces." In Proceedings of the 3rd Brazilian Symposium on Computer Music, pp. 68-73. Anderson, R. 2000. "Human Limits to HCI: A Conversation with Bill Buxton and Clifford Nass." Interactions 7(1): 63-80. Anderson, T., and D. Hearn. 1994. "Using Hyperinstruments for the Redistribution of the Performance Control Interface." In Proceedings of the 1994 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 183-184. Anderton, C. 1994. "STEIM: In the Land of Alternate Controllers." Keyboard 20(8): 54-62. Aono, Y., H. Katayose, and S. Inokuchi. 1995. "An Improvisational Accompaniment System Observing Performer's Musical Gesture." In Proceedings of the 1995 International Computer Music Conference. San Francisco: International Computer Music Association, pp.106-107. Appleton, J. 1989. "21st-Century Musical Instruments: Hardware and Software." New York: Institute for Studies in American Music, Brooklyn College of the City University of New York. Artaud, A. 1998. Review, "Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control." Electronic Musician 14(5):120-128. Arveiller, J., M. Battier, and G. Englert. 1976. A computer Music Repertory. Paris, Como (Italy): I quaderni dell’autunno musicale 4 and Artinfo/musinfo 23-24-25, Groupe art et informatique de Vincennes, 128 p. Auer, V., M. M. Maes, M. C. Bonfim, M. M. Wanderley, and M. V. Lamar. 1996. "3D Position Signal Acquisition System with Application in Real-Time Processing." In Proceedings of the ICSPAT'96 International Congress on Signal Processing Applications Technology, pp. 505-509. Azzolini, F., and S. Sapir. 1984. "Score and/or Gesture - The System RTI4I for Real Time Control of the Digital Processor 4I." In Proceedings of the 1984 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 25-34. B Baecker, R. M., and W. A. S. Buxton. 1987. Readings in Human-Computer Interaction: A Multidisciplinary Approach. San Mateo, Calif.:Morgan-Kauffmann Publishers, Inc. Baecker, R. M., J. Grudin, W. A. S. Buxton, and S. Greenberg. 1995. Readings in Human-Computer Interaction: Toward the Year 2000. San Mateo, Calif.:Morgan-Kauffmann Publishers, Inc. Reprint from : Trends in Gestural Control of Music, M.M. Wanderley and M. Battier, eds. © 2000, Ircam - Centre Pompidou 439 Bailey, N. J., A. Purvis, I. W. Bowler, and P. D. Manning. 1993. "Applications of the Phase Vocoder in the Control of Real-Time Electronic Musical Instruments." Interface 22:259-275. ———, and D. Cooper. 2000. "Sculptor: Exploring Timbral Spaces in Real Time" Journal of the Audio Engineering Society 48(3): 174-180. Balakrishnan, R., and I. S. MacKenzie. 1997. "Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control." In Proceedings of the CHI'97 Conference on Human factors in Computing Systems, Association of Computer Machinery, pp. 303-310. Bargar, R. 1997. "Authoring Intelligent Sound for Synchronous Human-Computer Interaction." In Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa: Associazione di Informatica Musicale Italiana, October 3-4, pp. 177-188. ———. 1998. "Multi-Modal Synchronization and the Automation of an Observer's Point of View." In Proccedings of the 1998 IEEE International Conference on Systems, Man, and Cybernetics (SMC'98), pp. 1107-1112. Battier, M. 1981. Les musiques électroacoustiques et l'environnement informatique. PhD thesis, University of Paris X. ———. 1995. "Une nouvelle géométrie du son." Cahiers de l'Ircam - Recherche musique 7:43-56. ———. 1995. "Entre l'idée et l'œuvre - Parcours de l'informatique musicale." In Louise Poissant, ed. Esthetique des Arts Mediatiques. Tome I, Sainte-Foy (Quebec): Presses de l'Université du Quebec, pp. 319-335. ———. 1997. Métamorphose de l’instrument de musique au XXe siècle: les étapes de la lutherie électronique (méthodologie et pensée musicale. Thèse d’habilitation à diriger des recherches, Université de Strasbourg II. ———. 1998. "La musique électronique au regard de la mécanisation." In Proceedings of the Seminaire Observatoire Musical Francais/AMEFA, 11/May/98, Université de Paris-Sorbonne (Paris IV). ———. 1999. "L'approche gestuelle dans l'histoire de la lutherie électronique. Etude de cas: le theremin." In H. Genevois and R. de Vivo, eds. Les nouveaux gestes de la musique. Marseille: Editions Parenthèses, pp. 139-150. Baudel, T. 1996. "L'Interaction gestuelle : définitions, état de l'art et perspectives d'industrialisation." In Nouvelles interfaces homme-machine. Paris: Observatoire français des Techniques Avancées. Bauer, W., and B. Foss. 1992. "GAMS: An Integrated Media Controller System." Computer Music Journal 16(1):19-24. Beaudoin-Lafon, M. 1997. "Interaction instrumentale: de la manipulation directe à la réalité augmentée." In Actes Neuvièmes Journèes sur l’Ingénierie des Interfaces Homme-Machine, IHM’97. ———. 1999. "Moins d’interface pour plus d’interaction." In H. Vinet and F. Delalande, eds. Interfaces homme-machine et création musicale. Paris: Hermes Science Publications, pp. 123-141. Berthoz, A. 1997. Le sens du mouvement. Paris: Editions Odile Jacob. ———, ed. 1998. Le cerveau et le mouvement. Science et Vie - Hors série, n. 204. Bertini, G., and P. Carosi. 1992. "Light Baton: a System for Conducting Computer Music Performance." In Proceedings of the 1992 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 73-76. Bobick, A. 1997. "Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion." MIT Media Laboratory Perceptual Computing Section. Technical report, 413. ———, and A. D. Wilson. 1997. "A State-Based Approach to the Representation and Recognition of Gesture." IEEE Transactions on Pattern Analysis and Machine Intelligence 19(12):1325-1337 Boie, R., M. Mathews, and A. Schloss. 1989. "The Radio Drum as a Synthesizer Controller." In Proceedings of the 1989 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 42-45. Bolas, M., and P. Stone. 1992. "Virtual Mutant Theremin". in Proceedings of the 1992 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 360361. Bongers, B. 1994. "The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments." In Proceedings of the 1994 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 171-174. Reprint from : Trends in Gestural Control of Music, M.M. Wanderley and M. Battier, eds. © 2000, Ircam Centre Pompidou 440 ———. 1998. "An interview with Sensorband." Computer Music Journal 22(1):13-24. ———. 1998. "Tactual Display of Sound Properties in Electronic Musical Instruments." Displays 18:129133. ———. 1999. "Exploring Novel Ways of Interaction in Musical Performance." In Proceedings of the Creativity & Cognition Conference, pp. 76-81. ———, J.H. Eggen, D.V. Keyson, and S.C.Pauwls. 1998. Multimodal Interaction Styles." HCI Letters 1(1): 3-5. Bonnet, M., Y. Guiard, J. Requin, and A. Semjen. 1994. "Mécanismes généraux de la motricité. " In M. Richelle, J. Requin, and M. Robert, eds. Traité de Psychologie Expérimentale. Paris: Presses Universitaires de France, pp. 587-656. Borchers, J.O. 1997. "WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit." In Proceedings of the CHI’97 Conference on Human Factors in Computing Systems. Association for Computer Machinery, pp. 131-138. ———, and M. Muhlheuser. 1998. "Design Patterns for Interactive Musical Systems." IEEE Multimedia 5(3):36-46 Bordegoni, M., and G. P. Faconti. 1997. "Architectural Models of Gesture Systems." In P. A. Harling and A. D. N. Edwards, eds. Progress in Gestural Interaction. Proceedings of Gesture Workshop'96. London: Springer-Verlag Limited, pp. 61-74. ———, and F. de Angelis. 1998. "Gesture-Based and Haptic Interaction for Human Skill Acquisition." In I. Wachsmuth and M. Fröhlich, eds. Gesture and Sign Language Recognition in Human-Computer Interaction. Heidelberg: Springer-Verlag, pp. 61-68. Boulanger, R., and M. V. Mathews. 1997. "The 1997 Mathews' Radio Baton and Improvisation Modes." In Proceedings of the 1997 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 395-398. Bowler, I., A. Purvis, P. Manning, and N. Bailey. 1990. "On Mapping N Articulation onto M SynthesiserControl Parameters." In Proceedings of the 1990 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 181-184. ———, P. Manning, A. Purvis, and N. Bailey. 1990. "New Techniques for a Real-Time Phase Vocoder." In Proceedings of the 1990 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 178-180. Braffort, A., R. Gherbi, S. Gibet, J. Richardson, and D. Teil, eds. 1999. Gesture-Based Communication in Human-Computer Interaction. Heidelberg: Springer Verlag. Brecht, B., and G. Garnett. 1995. "Conductor follower." In Proceedings of the 1995 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 185-186. Brennan, S. 1990. "Conversation as Direct Manipulation: An Iconoclastic View." In B. Laurel, ed. The Art of Human-Computer Interface Design. Reading, Mass.: Addison-Wesley, pp. 393-404. Brill, L. M. 1992. "Mark Trayle. Making space for virtual music." Keyboard 18(10):38-39. ———. 1993. "The Body Synth. Maximizing muscle music." Keyboard 19(5):15. Bromwich, M. A. 1997. "The Metabone: An Interactive Sensory Control Mechanism for Virtuoso Trombone." In Proceedings of the 1997 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 473-475. ———, and J. Wilson. 1998. "Bodycoder: A Sensor Suit and Vocal Performance Mechanism for Real-Time Performance." 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