Identification and Creation Object Number

Identification and Creation Object Number

© President and Fellows of Harvard College
© President and Fellows of Harvard College
Identification and Creation
Object Number
1 of 9
1943.387
People
Edouard Manet, French (Paris 1832 - 1883 Paris)
Title
Race Course at Longchamp; verso: Section of
grandstand area
Classification
Drawings
Work Type
drawing
Date
1864
Culture
French
Location
Level 3, Room 3600, University Research Gallery
View this object's location on our interactive map
Physical Descriptions
Medium
Watercolor and gouache over graphite on white wove
paper on two sheets, joined; verso: graphite
Dimensions
22.1 x 56.4 cm (8 11/16 x 22 3/16 in.)
Inscriptions and Marks
2 of 9
Signed: l.l., black ink: Manet 1864
inscription: verso, center, graphite: 76 x 114[?]
Provenance
Édouard Manet sale, Hôtel Drouot, Paris, February 5,
1884, no. 137 bis (Fr 480); purchased at that sale by
Henri Guérard; Auguste Pellerin, Paris; BernheimJeune, Paris, 1908; Baron Denys Cochin, 1908; his sale,
Galerie Georges Petit, Paris, March 26, 1919, no. 16 (Fr
28,000); purchased at that sale by Monsieur Gradt;
Jules Strauss, Paris, by 1922; acquired through Martin
Birnbaum by Grenville L. Winthrop, October 1931 (Fr
440,000); his bequest to the Fogg Art Museum, 1943.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of
Grenville L. Winthrop
Accession Year
1943
Object Number
1943.387
Division
European and American Art
Contact
[email protected]
Publication History
Theodore Duret, Histoire d'Edouard Manet et de son
oeuvre [1st ed.], Henri Floury (Paris, France, 1902), pg.
3 of 9
134
Etienne Moreau-Nélaton, Delacroix, raconté par lui-
même (2 vol.), H. Laurens (Paris, 1916), vol. 1, pg. 64, fig.
73; vol. 2, appendix p. 130, no. 120
Émile Henriot, "Le décor de la vie sous le Second
Empire", Gazette des beaux-arts (July-August 1922),
ser. 5, 64, pg. 97, repr.
Adolphe Tabarant, Manet: Histoire Catalographique,
Ed. Montaigne (Paris, France, 1931), pp. 133-34
Paul Colin, Édouard Manet, Henri Floury (Paris, 1932),
pg. 27
Paul Jamot and Georges Wildenstein, Manet, Les
Beaux-Arts, Paris (Paris, France, 1932), vol. 1, pg. 127,
under no. 86
Agnes Mongan, "Before and After Impressionism", Art
News (January 1, 1944 - January 14, 1944), vol. XLII, no.
16, pp. 22, 31, pg. 23, repr.
Marcel Guérin, L'oeuvre gravé de Manet, Henri Floury
(Paris, 1944), under no. 72
Michel Florisoone, Manet, Documents d'art (Monaco,
1947), pg. 101, pl. 52
Adolphe Tabarant, Manet et ses oeuvres (Paris, France,
1947), pp. 100, 605, fig. 101
Louise S. Richards, "Prints of Edouard Manet", Bulletin
of the Cleveland Museum of Art (Cleveland, OH,
October 1957), 44, pg. 190
Kurt Martin, Édouard Manet: Aquarelle und Pastelle,
Phoebus-Verlag (Basel, 1958), no. 7, repr.
John Richardson, Édouard Manet: Painting and
Drawings, Phaidon Press (London, 1958), pg. 121, under
no. 25
Alain De Leiris, "Manet: 'Sur la plage de Boulogne'",
Gazette des beaux-arts (January 1961), pp. 59-60, n. 6
4 of 9
Jacques Mathey, Graphisme de Manet (Paris, France,
1963), p. 32, no. 119, detail illustration
Jean C. Harris, "Manet's Race-Track Paintings", Art
Bulletin (March 1966), 48, pp. 78-82, fig. 5
Anne Coffin Hanson, Edouard Manet, 1832-1883 , exh.
cat., Philadelphia Museum of Art (Philadelphia, 1966),
pg. 87, under no. 68, fig. 5
Merete Bodelson, "Early Impressionist Sales",
Burlington Magazine (London, June 1968), 110, pp. 33148
Dorothy W. Gillerman, Gridley McKim-Smith, and Joan
R. Mertens, Grenville L. Winthrop: Retrospective for a
Collector, exh. cat., Fogg Art Museum (Cambridge, MA,
1969), cat. no. 117, repr.
Alain De Leiris, The Drawings of Edouard Manet,
University of California Press (Berkeley and Los
Angeles, CA, 1969), pg. 110, no. 203, fig. 233
Denis Rouart and Daniel Wildenstein, Edouard Manet:
Catalogue Raisonné, La Bibliothèque des Arts
(Lausanne, Switzerland and Paris, France, 1975), vol. 2,
pp. 194-95, no. 548, fig. 548 (recto and verso)
Marjorie B. Cohn, Wash and Gouache: A Study of the
Development of the Materials of Watercolor, exh. cat.,
Fogg Art Museum (Cambridge, MA, 1977), p. 57, detail
repr. p. 56 as fig. 20, cat. no. 37 p. 102
Theodore Reff, Manet and Modern Paris, exh. cat.,
National Gallery of Art (Washington, D.C, 1982), pp.
132-33, under no. 42, figs. 69 (recto), 70 (verso)
Françoise Cachin and Charles S. Moffett, Manet, 1832-
1883 , exh. cat., The Metropolitan Museum of Art (New
York, NY, 1983), p. 263, under no. 99, fig. a
Kristin A. Mortimer, Harvard University Art Museums: A
Guide to the Collections, Harvard University Art
Museums/Abbeville Press (Cambridge, MA; New York,
5 of 9
NY, 1985), no. 287, p. 245, repr. (recto)
Jay McKean Fisher, Prints of Edouard Manet, exh. cat.,
International Exhibitions Foundation (Washington, DC,
1985), pg. 96, under no. 56, fig. 11
Richard Wollheim, Painting as an Art [The A.W. Mellon
Lectures in the Fine Arts, 1984], Bollingen Series
(Princeton, NJ, 1987), XXXV.33, pg. 232
Colta Ives, "French Prints in the Era of Impressionism
and Symbolism", Metropolitan Museum of Art Bulletin
(New York, NY, Summer 1988), 46, no. 1, pg. 8, repr.
Robert L. Herbert, Impressionism: Art, Leisure, and
Parisian Society, Yale University Press (U.S.) (New
Haven, CT and London, England, 1988), pp. 155, fig.
153, 158
Jean C. Harris, Edouart Manet, the Graphic Work: A
Catalogue Raisonné, ed. Joel M. Smith, Alan Wofsy Fine
Arts (San Francisco, 1990), p. 202, under no. 66
Robin Spencer, "Manet, Rossetti, London and Derby
Day", Burlington Magazine (London, April 1991), 133,
pp. 231 (fig. 3, 232-33, 235 (fig. 7 [detail])
Nicholas Wadley, Impressionist and Post-Impressionist
Drawing, Dutton Studio Books, New York (New York, NY,
1991), pg. 86, under no. 6, pl. 2a
Eric Darragon, Manet, Editions Citadelles (Paris,
France, 1991), pg. 386, fig. 287
Juliet Wilson-Bareau, Manet by Himself:
Correspondence and Conversation, Paintings, Pastels,
Prints and Drawings, Little, Brown (Boston, 1991), pp.
132-33, fig. 92
Christopher Finch, Nineteenth-Century Watercolors,
Abbeville Press (New York, NY, 1991), pp. 233-34, fig.
313
Richard Kendall, Degas Landscapes, exh. cat., Yale
University Press (U.S.) (New Haven, CT, 1993), pp. 70,
6 of 9
71(fig. 56), 281 n. 41
Daniel Elias, "Works on Paper: The Agnes Mongan
Center for the Study of Prints, Drawings, and
Photographs Opens at Harvard", Art New England
(June-July 1994), pg. 12, repr.
John Fairley, The Art of the Horse, Abbeville Press (New
York, NY, 1995), pp. 91 (fig. 59), 92
Michael Fried, Manet's Modernism; or, The Face of
Painting in the 1860s, University of Chicago Press
(Chicago, IL, 1996), pp. 321-23, pl. 15
Ruth Russell, Pastimes: the context of contemporary
leisure, Brown & Benchmark Publishers (Madison, WI,
1996), repr. fig. 1.5
Jean Sutherland Boggs, Degas at the Races, exh. cat.,
National Gallery of Art (Washington, D.C., 1998), p. 154,
fig. 87
Richard R. Brettell, Impressionism: Painting Quickly in
France, 1860-1890, exh. cat., Yale University
Press/Sterling and Francine Clark Art Instiitute (New
Haven, 2000), pp. 74, 76 (fig. 35), 77
Anne Bertrand, "Winthrop: le dessein d'une collection",
L'Oeil (March 2003), no. 545, p. 48
Stephan Wolohojian, ed., A Private Passion: 19th-
Century Paintings and Drawings from the Grenville L.
Winthrop Collection, Harvard University, exh. cat., The
Metropolitan Museum of Art and Yale University Press
(New York, NY, 2003), cat. no. 86, repr. (color)
Christopher Riopelle, Harvard's Winthrop Collection:
Nineteenth-Century Paintings and Drawings from the
Grenville L. Winthrop Collection, exh. cat., National
Gallery Company Limited (London, 2003), p. 42, cat.
29, ill.
Stephan Wolohojian, Ingres, Burne-Jones, Whistler,
Renoir... La Collection Grenville L. Winthrop, exh. cat.,
7 of 9
Musée des Beaux-Arts de Lyon and Réunion des
Musées Nationaux (Paris, France, 2003), no. 86, repr.
Ross King, The Judgment of Paris: The Revolutionary
Decade That Gave the World Impressionism , Walker
and Company (New York, 2006), p. 134, pl. 6A
Ross King, Zum Frühstück ins Freie: Manet, Monet und
die Ursprünge der Modernen Malerei [translation of
"The Judgment of Paris: The Revolutionary Decade
That Gave the World Impressionism", Albrecht Knaus
Verlag (Munich, 2006), color plate 11
Stephan Wolohojian, ed., Harvard Art Museum/
Handbook, Harvard Art Museum (Cambridge, MA,
2008), p. 155, repr.
Exhibition History
Éxposition des oeuvres de Édouard Manet, École
Nationale des Beaux-Arts, Paris, 01/01/1884 01/31/1884
Le décor de la vie sous le Second Empire, Palais du
Louvre, Pavillon de Marsan, Paris, 05/27/1922 07/10/1922
Exposition d'oeuvres de Manet au profit des "Amis du
Luxembourg", Bernheim-Jeune, Paris, 04/14/1928 05/04/1928
Unidentified Exhibition, Galerie Briant, Paris, 1929,
Galerie Briant, Paris, 01/01/1929 - 01/01/1929
Chinese sculpture, bronzes, jades, paintings and
drawings, Egyptian and Persian sculpture, PreColumbian art : selected from the collection of
Grenville Lindall Winthrop, Fogg Art Museum,
Cambridge, 10/01/1943 - 02/28/1944
Grenville L. Winthrop: Retrospective for a Collector,
Fogg Art Museum, Cambridge, 01/23/1969 03/31/1969
8 of 9
Wash and Gouache, Fogg Art Museum, Cambridge,
05/12/1977 - 06/22/1977
A Private Passion: 19th-Century Paintings and
Drawings from the Grenville L. Winthrop Collection,
Harvard University, Musée des Beaux-Arts de Lyon,
Lyon, 03/15/2003 - 05/26/2003; National Gallery,
London, 06/25/2003 - 09/14/2003; The Metropolitan
Museum of Art, New York, 10/23/2003 - 01/25/2004
Drawing: The Invention of a Modern Medium , Harvard
Art Museums, Cambridge, 01/21/2017 - 05/07/2017
This record has been reviewed by the curatorial staff
but may be incomplete. Our records are frequently
revised and enhanced. For more information please
contact the Division of European and American Art at
[email protected]
Generated on February 14, 2017 at 08:26pm
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