From Text_s_ to Book_s_ Programme

« Du Texte au Livre, des Textes aux Livres »
‘From Text(s) To Book(s)’
Nancy, 21-23 Juin / June 2012
PROGRAMME
MERCREDI 20 JUIN / WEDNESDAY 20 JUNE
17h00
Rencontre informelle au Café Foy, Place Stanislas, pour celles et
ceux qui seront arrivés à Nancy la veille de l’ouverture du colloque / Informal gathering
at Café Foy on Place Stanislas for those who will have arrived in Nancy on the evening
before the conference
JEUDI 21 JUIN / THURSDAY 21 JUNE
8h15-9h00
Accueil des participants & café / Reception of Guests & Coffee (A104)
9h00-9h30
Ouverture du colloque / Opening Presentation (A104)
9h30-10h30 Invité d’honneur / First Keynote Address (A104)
CLAIRE PARFAIT, Université Paris 13, France
From Text(s) to Book(s) in 19th-Century America
10h30-11h00
Pause café / Coffee Break (A104)
11h00-12h45
Session 1 / Panel 1 (3 presentations) G04
Hanna KUUSELA (University of Tampere, Finlande/Finland)
The Materiality of Uncreative Writing: Turning Ordinary Texts into Literature
Kaja MARCZEWSKA (Durham University, Royaume Uni/UK)
Create by Erasure: Jonathan Safran Foer’s Tree of Codes and (Re)Conceptualisation
of Material Textuality
Anna MAZIARCZYK (Maria Curie-Skłodowska University, Lublin, Pologne/Poland) &
Grzegorz MAZIARCZYK (John Paul II Catholic University of Lublin, Pologne/Poland)
Split Textuality and Material Constraints in Raymond Federman’s The Voice in the
Closet/La Voix dans le cabinet de débarras
11h00-12h45
Session 2 / Panel 2 (3 presentations) G02
Brigitte FRIANT-KESSLER (Université de Valenciennes, France)
From Visual Imagination to Visual Editions and Beyond: the case of Laurence
Sterne’s Tristram Shandy (print, digitally-designed reading tool and audiobook)
Valeriu P. STANCU (Humboldt University Berlin, Allemagne/Germany)
Surfaces textuelles et enjeux esthétiques : formes de la méthexis dans le roman
moderne, du texte à l’œuvre
Nicolas MALAIS (Université Paris Ouest – Nanterre La Défense, France)
« Un voyage vraiment fait ensemble » : la production du Voyage d’Urien
11h00-12h45
Session 3 / Panel 3 (3 presentations) Maison de l’Etudiant
Goran PROOT (University of Antwerp, Belgique/Belgium)
Towards a Typographical Atlas of the Handpress Book Produced in the Southern
Low Countries in the Early Modern Period: Aims, Methodology and Results
Kristof SELLESLACH (Plantin-Moretus Museum, Antwerp, Belgique/Belgium)
Using Ornamental Initials in 16th-century Antwerp
Maartje DE WILDE (University of Antwerp, Belgique/Belgium)
Turning the page: the Design of Secular Songbooks from the Southern Netherlands
(16th-18th centuries)
12h45-14h30
Déjeuner sur le campus / Lunch on Campus (A104)
14h30-15h45
Session 4 / Panel 4 (2 presentations) G04
Robert RITER (University of Alabama, États-Unis/United States)
Boxed, Booked, and Scanned: Making Archival Books from Archival Texts
Shef ROGERS (University of Otago, Nouvelle Zélande/New Zealand)
Editing New Zealand Colonial Texts in 21st-Century Contexts
14h30-15h45
Session 5 / Panel 5 (2 presentations) G02
Sandro JUNG (Ghent University, Belgique/Belgium)
William Shenstone’s Editions of Poetry: Manuscript Album versus Printed Edition
Kwinten VAN DE WALLE (Ghent University, Belgique/Belgium)
The Portable Commodity Value of The Seasons: the Small-Format Editions of the
Minerva Press
14h30-15h45
Session 6 / Panel 6 (2 presentations) Maison de l’Etudiant
Emmanuelle PELARD (Université de Montréal, Canada)
Le livre d’artiste canadien (1949-2011) : une esthétique du collectif et de
l’expérimental
Alexandra IVANOVITCH (Université Paris IV – Sorbonne, France)
Du cuivre au papier : lire William Blake, poète, graveur et imprimeur
15h45
Rafraîchissements / Refreshments (G building lobby)
16h30
Visite guide de la ville de Nancy / Nancy city tour
18h00-20h00
Invité d’honneur, Bibliothèque Municipale de Nancy, et table ronde
en hommage à Hubert Nyssen, puis visite guidée de la Bibliothèque / Second Keynote
Address at the Nancy City Library, followed by Hubert Nyssen round table and library
tour
PASCAL DURAND, Université de Liège, Belgique / Belgium
Hubert Nyssen, Du texte au livre, les avatars du sens : entre accastillage et orchestration
TABLE RONDE / ROUND TABLE
Hommage à Hubert Nyssen / Homage to Hubert Nyssen
20h00
Dîner libre – Fête de la musique dans les rues de Nancy / Dinner on
your own – Music Night in Nancy
VENDREDI 22 JUIN / FRIDAY 22 JUNE
8h30-9h00
lobby)
9h00-10h45
Accueil des participants & café / Reception of Guests & Coffee (G building
Session 7 / Panel 7 (3 presentations) (G04)
Simon FROST (University of Southern Denmark, Danemark/Denmark)
One Million Per Year: Clavering Gunter, 19th-century Emigration and their
Materialisation of Texts
Matthew SMITH (Université de Lorraine, France)
Benedict Anderson’s Concept of ‘Print-Capitalism’ and the Novel as Cultural and
Technological Paradigm Shift
Jason ENSOR (Murdoch University, Australie/Australia)
A London style and an Australian persona: Angus & Robertson, National Duty
and the Commercial Pressures of Selling Australian Books Overseas
9h00-10h45
Session 8 / Panel 8 (3 presentations) (G02)
Annick BATARD (Université Paris 13, France)
E-books, liseuses, Kindle, iPad… : des terminaux électroniques pour lire, voire plus,
présentés par les journalistes français
Benoît BERTHOU (Université Paris 13, LABSIC, France)
Les technologies numériques : du livre au texte ?
Camille BRACHET (Université de Valenciennes, France)
Littérature et support numérique : remédiation et uniformisation
9h00-10h45
Session 9 / Panel 9 (3 presentations) (Maison de l’Etudiant)
Dumitru MIRONESCU (University Alexandru Ioan Cuza Jassy, Roumanie/Romania)
Inside a Poet’s Laboratory: the Editorial Controversies around Mihai Eminescu’s
Manuscripts
Simone MARSHALL (University of Otago, Nouvelle Zélande/New Zealand)
The Making of the Canon of Geoffrey Chaucer
Rémi VUILLEMIN (Université de Lorraine, France)
Ideas into Books: the Editorial Writing of Michael Drayton’s Love Sonnet Sequences
(1594-1619)
10h45-11h15
Pause café / Coffee Break (G building & Maison de l’Etudiant)
11h15-12h30
Session 10 / Panel 10 (2 presentations) (G04)
Joanna MERA-HERLIHY (University of Puerto Rico)
Cell-Phone Memoirs and Famous Last Tweets: E-Literatures, Linguistic Interfaces,
and New Writings of the Digital Age
Bernhard METZ (Freie Universitaet Berlin, Allemagne/Germany)
Readable Books, Unreadable E-texts: how Digital Reading Devices Change Literary
Texts and Reading Habits
11h15-12h30
Session 11 / Panel 11 (2 presentations) (G02)
Jeffrey HERLIHY-MERA (University of Puerto Rico)
Open-Source Peer-Reviews: a Paradigm Shift in Academic Publishing
Harvey QUAMEN (University of Alberta, Canada)
SEEDS: Integrating Discourses of Editing and Computer Science into One
Environment
11h15-12h30
Session 12 / Panel 12 (2 presentations) (Maison de l’Etudiant)
Sylvie DUCAS (Université Paris Ouest – Nanterre La Défense, France)
Ex-libris, ex libro. Quand le texte sort du livre : panorama d’une certaine littérature
française contemporaine
Cécile RABOT (Centre Européen de Sociologie et de Science Politiques,
CNRS/EHESS/Université Paris 1, France)
Quelles éditions de classiques en bibliothèque de lecture publique ?
12h30-14h15
Déjeuner sur le campus / Lunch on Campus (A104)
14h15-16h00
Session 13 / Panel 13 (3 presentations) (G04)
Michel MOREL (Université de Lorraine, France)
The Case of Hobbes's Leviathan: from Paratext as Polemic to Enduring
Misconstruction
Marianne MALLIA HOLOHAN (Duquesne University, États-Unis/United States)
Haunting the Master’s Library: the Bondwoman’s Narrative, Plantation Libraries,
and Transgressive Literary Practices of the Enslaved
Jeremy TRANMER (Université de Lorraine, France)
The Making of a Left-Wing Political Document: the Case of the Communist Party of
Great Britain and the Manifesto for New Times
14h15-16h00
Session 14 / Panel 14 (3 presentations) (G02)
Marie-Céline DANIEL (Université Paris IV – Sorbonne, France)
A Generall historie of France written by John de Serres (London, G. Eld, 1611) :
compilation de textes et composition de volumes au service d’une mémoire des
guerres de religion françaises
Paule DESMOULIÈRE (Université Paris IV – Sorbonne, France)
Des funérailles au temple : circulation et diffusion de l'éloge funèbre en vers, XVIeXVIIe siècles
Tiphanie DUVILLIÉ (Université de Lorraine, France)
Le droit de l'édition sous l'Ancien Régime : l'auteur numérique parviendra t-il à
s'émanciper de l'éditeur ?
14h15-16h00
Session 15 / Panel 15 (3 presentations) (Maison de l’Etudiant)
Frans RUITER (Utrecht University, Pays Bas/The Netherlands) & Laurens HAM
(Utrecht University, Pays Bas/Netherlands)
Author Pictures: from Book Cover to Facebook
Zuzanna LUDWA (Adam Mickiewicz University Poznań, Pologne/Poland)
The Death of the Publisher: Decontextualising Electronic Books on the Example of
“The Brief and Wondrous Life of Oscar Wao” by Junot Diaz
Peng YI (National Central University, Jhongli, Taiwan)
When Text Becomes Book
16h00
Rafraîchissements / Refreshments (G building lobby)
18h00-20h00
Place Stanislas
Invités d’honneur / Keynote Addresses at the Town Hall in Nancy,
DAVID FINKELSTEIN, University of Dundee, RU / UK
There and Back: A Book’s Voyage through Colonial India
DANIEL FERRER, ITEM, CNRS, France
From Avant-Texte to Text to Avant-Texte
20h00-22h30
Réception à l’Hôtel de Ville de Nancy / Reception at the Town Hall
in Nancy, Place Stanislas
22h45
Spectacle Son & Lumière sur la Place Stanislas / Sound & Light
Show on Place Stanislas
SAMEDI 23 JUIN / SATURDAY 23 JUNE
8h30-9h00
Accueil des participants & café / Reception of Guests & Coffee (A104)
9h00-10h00
Invité d’honneur / Final Keynote Address (A104)
ESPEN AARSETH, Center for Computer Games Research,
IT University of Copenhagen, Danemark / Denmark
Infinte Books from I Ching to Skyrim
10h00-11h15
Session 19 / Panel 19 (2 presentations) A 136
Cécile BEAUFILS (Université Paris 7 – Denis Diderot, France)
Disembodied Texts, Online Materiality: the Case of Granta
Camelia GRADINARU (University of Iasi, Roumanie/Romania)
The Text and its Space(s): Textual Practices in the Digital Culture
10h00-11h15
Session 20 / Panel 20 (2 presentations) A 120
Caroline ARCHER (Birmingham Institute of Art & Design, Birmingham City
University, Royaume Uni/UK)
Leonard Jay and the Advent of Technical Education in Book Design and Production
Amanda LASTORIA (Simon Fraser University, Canada)
Lewis Carroll, Author and Art Director?
10h00-11h15
Session 21 / Panel 21 (2 presentations) A 115
Eliza DEAC (Babeş-Bolyai University, Roumanie/Romania)
The Quest for the Ideal Edition of Mallarmé's Un coup de Dés
Elena REBOLLO-CORTÉS (University of Extremadura, Espagne/Spain)
From Text to Book to Myth: Exploring Sylvia Plath’s Ariel Editions
11h15-11h45
Pause café / Coffee Break (A104)
11h45-13h00
Session 22 / Panel 22 (2 presentations) A 136
Uraiwan KEODARA (University of New South Wales, Australie/Australia)
Science-Fiction Journalism and the English Reading Public of the Late Victorian and
the Early 20th Century
Will SLAUTER (Université Paris 8, France)
Material Form and Copy Right: Owning the News from Printed Ballads to
Telegraphic Dispatches and Beyond
11h45-13h00
Session 23 / Panel 23 (2 presentations) A 115
Leyla Burcu DUNDAR (Başkent University, Turquie/Turkey)
Knowing the Ropes of Textual Codes and Conventions: the Re-materialisation of
Yaşar Kemal’s Teneke in Different Genres
Richard WILLIAMS (Independent Scholar, États-Unis/United States)
From the Texts of Gardner to the Books of A. A. Fair
11h45-13h00
Session 24 / Panel 24 (2 presentations) A 120
La Fabrique du Texte, PANEL
13h00-14h30
Déjeuner sur le campus / Lunch on Campus (A104)
14h30-16h15
Session 25 / Panel 25 (3 presentations) A 115
Sarah BLAKE (York University, Canada)
Experiments in the Codex: Martial’s Xenia and Apophoreta and the Creation of the
Latin Epigram Book
Fabio CIOTTI (Università di Roma – Tor Vergata, Italie/Italy) & Maurizio LANA
(Università del Piemonte Orientale, Vercelli, Italie/Italy)
From Codices to Books to E-books: the Case of Late Latin Texts
Alexander LONEY (Duke University, États-Unis/United States)
Signs of the Written Book within the Oral Text: the Case of Archaic Greece
14h30-16h15
Session 26 / Panel 26 (3 presentations) A 120
Pip MULES (Auckland University of Technology, Nouvelle Zélande/New Zealand)
‘The Wonderland of Knowledge: an Up-To-Date Illustrated Encyclopaedia’: a Modal
Examination of the Knowledge Assumptions in an Encyclopaedia from the 1930s
Jeff LOVELAND (University of Cincinnati, États-Unis/United States)
Serialization and Encyclopedias
Cécile COTTENET (Université Aix-Marseille, France)
Printer/ Author "Co-Partnership" in American Printers' Manuals, 1890-1920
14h30-16h15
Session 27 / Panel 27 (3 presentations) A 136
Simon CAROLAN (Institut Régional de Communication et Cybernétique de Nantes,
France)
Self-Publishing: Opportunities and Threats in a New-Age of Mass Culture
Frank DE GLAS (Utrecht University, Pays Bas/The Netherlands)
Publishers’ Strategies in Building Long-term Œuvres: the Case of the Dutch Writer
Arthur van Schendel (1874-1946)
Christine EVAIN (Ecole Centrale de Nantes, France)
Transmedia Storytelling
16h15-16h30
Pause café / Coffee Break (A104)
16h30-18h15
Session 28 / Panel 28 (3 presentations) A 136
Bill ACRES (Huron University College, Canada)
From Secrecy to Publication: Manuscripts to Book on the Elizabethan State, 15931598
Linda MCGUIRE (Independent Researcher, États-Unis/United States)
Cicero’s Letters to Atticus: from Private Correspondence to History Text
James PLUMTREE (Central European University, Budapest, Hongrie/Hungary)
The Lives of La Estoire de Seint Aedward le Rei
16h30-18h15
Session 29 / Panel 29 (3 presentations) A 115
Pierre BANOS-RUF (Université Paris Ouest – Nanterre La Défense, France)
Ceci n’est pas un livre. Paradoxes de la mise en livre du texte de théâtre
contemporain, approches croisées française-anglaise-allemande
Jonathan LAMY-BEAUPRÉ (Université du Québec, Chicoutimi, Canada)
De la performance au livre : Temple of Confessions de Guillermo Gomez-Pena et
Roberto Sifuentes
Lorraine PIROUX (Rutgers University, États-Unis/United States)
Les Entretiens sur le fils naturel ou de la domesticité du texte dramatique
16h30-18h15
Session 30 / Panel 30 (3 presentations) A 120
Danae OTATZI (Université Jean Moulin – Lyon 3, France)
Repenser le texte : écriture et lecture dans un monde numérique
Matthieu SCHOESER (Université Paris 7 – Denis Diderot, France)
La fatalité du livre : des possibles à l'impossible
Anaïs GUILET (Université de Poitiers, France)
Le livre branché : la matérialité du texte à l’épreuve des dispositifs
transmédiatiques
20h00
Repas de clôture du colloque, Café Foy, Place Stanislas / Conference
Dinner at Café Foy, Place Stanislas, Nancy
SAMEDI 23 & DIMANCHE 24 JUIN / SATURDAY 23 & SUNDAY 24 JUNE
‘La Lorraine est formidable!’, Place Carrière, Nancy (visite libre / on your own)
http://lorrainedarts.fr/inclassables/542-la-lorraine-est-formidable-avec-lorraine-darts