A Guided Tour of the Textbook - McGraw Hill Higher Education
Transcription
A Guided Tour of the Textbook - McGraw Hill Higher Education
sis97546_fm_27 11/21/01 4:17 PM Page xxvii mac83 Mac 83:1st_shift: Débuts A Guided Tour of the Textbook D ébuts, the textbook, is clearly organized and easy to use. The chapters are coordinated with the individual episodes of the film. Each of the twenty-two main chapters consists of the following selfcontained teaching modules, which maximize flexibility in course design. The preliminary chapter, containing a slightly different structure, introduces students to basic vocabulary and provides an overall framework for using the film. Chapter Opener Vocabulaire en contexte Chapter learning goals prepare students for what is to come in the chapter and in the accompanying movie episode. C h a p it re 2 Vocabulair e en contex OBJECTIFS Bonjour! you will In this episode, Leclair and • meet Camille on a Paris her coworkers Pour parler TV show ent of the TV • watch a segm ” show “Bonjour! French • learn about the dmaking brea of tion tradi you will In this chapter, le and things • describe peop of frequency • use adverbs ns of agree• use expressio reement ment and disag production • talk about TV yday actions • talk about ever French define • learn how the their culture importance • read about the France of television in folio spelled out in French Thematically grouped vocabulary is presented in culturally informative contexts with drawings and scenes from the movie. It is accompanied by activities that promote vocabulary development. te des pe rson nes° Pour... Talk ing about peo ple Selon° Ya Le trava smine, papa est il° commen de Rachid est grand° et trè s intellig cer.° M intéres ent. ais° il est inqu sant. Il est pr According êt iet° po to / tall Comm ur Yasm à ent est° work ine. Bruno Bruno? est un prêt... rea bo dy to star Il est... n° journ t / But / aliste pa worried risien à capable Comment e Ca na . i a l H... What is... ne su ai! (P Br7.uno dy like? rong! Jena miqtue pas vr at’s wgood n’es . No, th e rta imC po . . nt usant. Selon la st fa.ux dicule C’e est am produc uno est ri trice,° t faux! Il souven — Br esuno est... t° amuson, c’Br gant. sympath — N ds su ique.* se wor heureu producer Choo x.° ople? parfois° oftees n e pe th di . 씮 fficile Selon le oice scribe et ridicu le, ?) public, you de of your ch le. ridicu ique. il est... és es super. happy th would gent, intelli t et sympa tivit ons. Howother adjectiv ransom d,etim magnifiq Ac ti es or lligen .. (g ue. escrip rentheses Il n’est re est. and, inte D er . Pi gr pas sansA in pa re est ° ch ed er st arm formid Pi e. able.°ge Et il n’e ÈLE: MOD st Selon Ca jamais ennuye without ux mille, Br bon am uno est .° terrific i. un vrai Français° *The adj boring et un ective sym 39 39 40 pa, which quarante you lea rned in vrai... true Chapter 1, is a sho rtened form of Frenchm an sympa thiqu e. t... per, ent es ssant, su présid tére 3. Le usant, in (am iet, ?) est... d, inqu icolas 2. N ficile, gran (dif ?) 41 et ante quar un ?) pide, u est... ichel eureux, st h an-M 1. Je amique, (dyn xxvii sis97546_fm_xxviii 11/12/01 10:45 AM Page xxviii Mac 54 Mac 54:1st shift: Vocab ulair rela e tif à l’epis ode le pain bread artisan al Now w handma industri at de el lookin ch Episode g for th 2. factor y-m le boula e follo See if you nger ade • W are rig wing cl (male) vingt et here do ht abou ues. baker es Rach t Rach • unièm twentyWhat id go id’s im e first do after dr es portan siècle he do centur y opping t day by Remem there? Yasmin Camille e off at unders ber— Don’t ta school expect cherch Camille questio nd only th ? e to is un e basic de ns that looking plot st rstand ever may as follo for Observez Visionnement 1 This section provides pre- and postviewing activities that supplement those found on-screen in the movie episode, as well as vocabulary needed for comprehension and questions that focus students’ attention on what to watch and listen for in the story. 5 __ u et ___ su r l’__ » est clair jour! le __ ille su ille Le o. dans t Cam et Cam Brun lmée c Bruno » son ille et est fi jour! Cam voir sion «Bon 7 adore peut l’émis _ le 7, el __ al et __ sion, À Can e. Le ir b l’émis la nt popu penda ission régie une ém » est can see jour! c peut... «Bon b during té w ru y k additio you to wat the episode, cture and ch word in th e ch the nal to episod you have un aracters. If episode; you ols an in Vis d will you ca io e agai dersto need to n la be n an od help, to nnement 2 in the able to unde ter in the ch enough. Yo swer the o. text an rstand ur apter. d in th By then instructor more of the e Wor kbook details , you’ll have . and La borato The activities ry Man ual will A. Que l travai l? (Whi each jo ch job? b to th ) e pers on you Now that you saw in the vide have watch ed Ep o. isode 2, mat ch «Bon a bro Après le t1 emen n n o i s i V adcast ed her se becau luck ge father ing exchan w h e follo ner ue. e wis ision 1, Yasmin hy, read th the dialog de tw up de v Episo nd ou sums vant t the end of y too. To fise that best A ! vision neme nt 1. Cam ill e 2. Brun o d A da e. a jour. ave a big the respon script t? and h emen ole, la Un gr going to d choose t Nic c ménag en?b an as r ... E le dé he w pisode 2 vas bi réalisateu lors, A u E T : e , le from TINE cile... r MAR Roger Diffi là, su C’est ID: d) Et RACH mm. Rachi : M r. . ... (à TINE onjou MAR hazid on : B r. there, id Bou u d h jo ICOLE An ac e N Et... ,R Bon R ET tor achid ID: ROGE ga ordina RACH ’est R d script co artin : C an, ... e is st c TINE director c. H job. l’écr MAR well? e you b Tu... Ar c. new ting ar st e) is e idenc e b. H ses at th new res (to a a as move g b. cl ersity. sayin niv hid is re b. u a. Rac bye befo od . ay go aw a. oving a. m 3. Mar tine 4. Hél ène 43 s te-troi an quar 44 quaran te-quatr e 5. Ra chid a. la pr oductr ice b. un report er cana c. un dien nouvea u (new d. un ) repo journa rter liste fr e. une ançais journa liste fr ançais e Structure Three grammar points per chapter are introduced through clear and concise explanations and examples from the movie. Grammar points are accompanied by a wide range of practice, from controlled and formfocused to open-ended and creative communicative activities. Chapitre Structure Monsieur el-Diah vient du Maroc. Hélène vient du Canada. —Vous venez des Pays-Bas? —Non, nous venons des États-Unis. To ask where someone comes from, use D’où venez-vous? or D’où vienstu? —D’où viens-tu, Seth? —Je viens des États-Unis. 11 venir Lerevessrinbge movement Exp id et tu Bouhaz st ça? Rachid , c’e — Tu es de Marseille ns vie uno. t ça, Br — C’es Activités A. À l’Alliance française. The following students are at the Alliance française in Paris. Based on where they live, say what country or region they are from. Vocabulaire utile: l’Algérie, l’Allemagne, l’Angleterre, le Canada, la Chine, l’Espagne, les États-Unis, le Japon, le Québec MODÈLE: id, he When from. Bruno ch eets Ra mes e he co k wher to as venir e verb uses th first m (to co venir ens je vi ens tu vi vient on elle, me) venons nous venez vous ennent es vi ils, ell ’t you? e, aren with m coming together. You’re studio e to the m co ar e ) n? W rn e moi, no ensemble. ck, retu s avec come ba io . nir (to Tu vien au stud lks away d reve venons t and wa me) an en co Nous sil be es nir (to e becom s deve Camill chid. e verb like venir. lk to Ra ta et 1. Th e to ed at back encieus conjug comes ent sil But she e devi à Camill rt. and † d parler r cities an elle pa t pour r de. Fo e countries e revien used. e veni ell s us , ai m asculin M des) is . mes fro ded. For m le (du or co . Rachid on tic clu rs the ar de Paris e a pe article is in th nt er wi ne wh s de en ine. expres untries,* no raction of uno vi Ch Br et de 2. To nt e s e co ine co Camill , je vien femin ies, th seille et France. Moi countr de Mar plural de artinez vient : Les M ennent exique Rachid uno vi is le M e et Br is rule Camill line. n to th il, scu ceptio are ma One ex than -e inine. other are fem vowel g in -e t or a es endin nsonan . countri itten co *Most du Mexique g with a wr t din en en nn vie untries † Most co 76 xxviii soixant e-seize 3 1. 2. 3. 4. 5. 6. Lisa habite à New York. Elle… 씮 Elle vient des États-Unis. J’habite à Londres (London). Je… Nous habitons à Alger. Nous… Tu habites à Madrid. Tu… Mitsuko habite à Tokyo. Elle… Linda et Ford habitent à Montréal. Ils… Vous habitez à Berlin. Vous… B. À Canal 7. Complete these sentences with a form of the verbs venir, revenir, and devenir. 1. Le vrai pain français _____ de plus en plus (more and more) difficile à trouver. 2. Et les Français _____ de moins en moins (less and less) capables de reconnaître un bon pain. 3. «Hélène _____ du Canada. D’où est-ce que tu _____, Rachid?» 4. «Et Camille et toi, d’où est-ce que vous _____, Bruno?» 5. «Rachid, où est-ce que tu vas? Nous devons (need to) parler.» «Un instant, Martine, je _____ tout de suite.» 6. Canal 7 _____ une station de télévision importante. 7. Hélène _____ en France après une longue absence. 8. Après beaucoup de travail, Camille _____ la star de Canal 7. C. Questions. Hélène is interviewing the employees of Canal 7. Working with a partner, use the elements to formulate her questions and her colleagues’ answers. 1. 2. 3. 4. HÉLÈNE: BRUNO: HÉLÈNE: RACHID: Bruno, tu / venir de / la région parisienne? Oui, mes parents / habiter à / Paris. Et Rachid, vous / venir de / Toulouse? Non, je / arriver de / Marseille. soixante-dix-sept 77 sis97546_fm_xxix 11/12/01 10:46 AM Page xxix Mac 54 Mac 54:1st shift: . Liste: grande le est llac. É1: El la Cadi : C’est LE: MODÈ Regards sur la culture É2 ure r la cult egards su R ople e pe s of th are a lités custom ere et réaout the valuesosaneddto describede.byThthe French tions uch ab ey are supp at are shar th ercepually tell us as emwh om th e French P os th us out th types about Stereo them as ab ereotypes st e not. who us th American others are y or em few N es, but man th k of lv n thin sted in themse le ofte re ch peop icularly inte ting it. • Fren t precia as part selves d gifted at ap ncerned abou co an lly le food od fo cia e espe truly the stap ten ar ey ea Th is which ne. Bread is at every d, ea br ch cuisi n ery dish of Fren th nearly ev n food eate s ai wi n’ along d it is the m ost childre an d for m meal, tradikfast an ade in the tisanal) ea br m at pain ar . Bread snacks aft sense (le because it cr ht daily es and dries tional tiv be boug d has to no preserva duced brea e ns ro ai s-p nt availabl co Mas is also ickly. le are out qu industriel) ch peop ge in in en pa Fr t only t ga (le ver, bu t to en es. Mos ity , howe le in France in stor any momen t the qual h food op ou at ting ric is, most pe rretes ab ready l not co is the es as ea ed deba ea lv ay at m se m im ch an y. t it en them This d toda eat, bu ink of pical Fr k with fries). of brea the ty not th like to ch do asked what k-frites (stea ch people en Fr e en ea hen • Th what Fr er le st od. W good fo obably answ ican ideas of pr er th Am would to Nor spond 50 A cultural note and its accompanying critical thinking question deepen students’ awareness and understanding of cultural issues raised in the movie episode or chapter vocabulary. kin quic d of m k d eal Th inn tha e ta the Eiffe er. Fre m in l To nch ven we trav s t u eler Tow res ome s r reall • mig er in of a ense y is Th ht his rural . A hil a land eF thin hig roo bec ren ario ma ko c h a m rk h u u w f fir s a a li sym se t t st w hey ke to t hom y toll 1999 hat th b o the l of coll film e F thin hen e. are he alw one v this cleve k of His dr ector , Le V rench or sen illa ays r an the eam wit oya th she s g ms eo able e t d is t h hu ge à ink o nee Par ov n to o hat h f iden quick elves ds d is, f as r isit red .T as a t utw as n ot b ity. H he po the li Paris s of m recou eprese it t e n he n pow een co is a G pular ttle gu and s odels ts the ting er o nqu aul* com ys w ee th of t adh ic e fC h e aes red b who, char o alw real e Eiffe ar a y th in thin l an acte ays nd e his Rom cient r Asté win o g. u r a tro ops n legio times, ix is a t . liv ns. Ast es in érix is • ante cinqu Cha pitre 2 ©2 • 001 —L es For Édit ion it lo eigner sA lber bac oks o s ofte tR ené/ n k ld Go Th wardn -fash think scin eF nyio e of s n Ud s obs ren erzo ch . Bere ed an the be e s s d ar Itali ed ts r • ans with e ofte are n remin et as t Fre . ot a ds ypic lov n su nch t e h a r c . ll p e o tur As mm m o y Fr pe e far rised f o e in p s con ople a t n as t ld enc o s he find sight erly h. To ma ercep ider t re als p Fre y cla tion hem o a nch out th in Par eople the Fr sto s sh , fa is. e are at o wit , and rude. nishe rm nch, Co c o ing h h y nsid nce ther p No ou w Late d to life oweve e rne r rth d ére To , an r d, t ople t Am ill also in this iscove z d , he h eric com vouch r lo c rea ink o our tha ok an l lo tp f s int me le for th a e s t t , t h e ver ere o s ar em a oty other you’ll ople fr Wh Engli pain e kind e th s pes asp le . ect arn r om so acc at con sh? W . Doe ness o e s s ord c of F easo me o ed lusio hat w this e f som ren ns fo the ou to b ns eo x ch r rea can ld be pressio ne, a cult r this culd in you *In F t n ure g Fra dra he nea mak rench atta ancien tha ap nce w fr res e an per t had cked t tim t s o y a o m t Eng R es nd sen nm Fra succee ome , Fra h in li s ig is e s n a nce h No of th , B ded in nd ev ce wa rth differ equiv when ht say en sp e R elgiu :I tr art Am enc a m turn tua hin eric e ab lent o ansla l est e R , Lux ing th lly sw of an ep te b iver em o an f bou e tide t fart area k . cult ut th this d lite on n rg, a h ure e im expr rally and nd ha er ea own s? por essio the d co st. A as G tan part nqu roun aul. In ce n? ered d 5 so • f th 39 0 e N all of B.C., Ju 0 B.C., eth G erla aul, lius C its inh nds an a a a and rea esar a bitants , Ger that nd h com is R called ma ny o tha prised man Gauls t are arm , w sou hat is y th and now wes t Visionnement 2 cin qua nte et u n 51 Visionnement 2 An optional second viewing section encourages students to watch the episode again, this time to concentrate on cultural information. Avant de visionner A. Points de repère. (Landmarks.) This map shows the southeastern edge of Paris and the adjacent suburbs, where the Canal 7 studios are located. This whole area, on both banks of the Seine, became rather run-down after World War II, but recently, it has been attracting new development and prestige projects like the national library (la Bibliothèque nationale de France). Les environs de Canal 7 le Palais Omnisports de Bercy le boulevard p riph rique le zoo de Vincennes 3 Place de la Nation in Ja rde s d te s P la n Gare de Lyon Gare d Austerlitz S 2 I 1 in e A 5 le Se P R la Place d Italie 7 4 Bo is de V in ce nn 6 l Autoroute de l Est (A4) Apr ès cinquante-huit 2 le v isio nne 58 pitre erv ez! IVRY-SUR-SEINE C ANAL 7 Cha Obs es CHARENTON-LE-PONT la Biblioth que nationale de France Loo tha k care t on full e w y at ould th a. un see e map ma ko b. n ut and in un in o tigr uscrit c. rde dicat e de un r to e th la R m d. ena fin e nu des atch dt issa d e. a he mber nce une rbres e foot foll ball et d f. r ow and n o u Cam es f (s ing te a am B. leu occer) : eo u il t le Les f th Lec our d rs (tr e la ees lair e (a pic pain ndm and s en rou et B tur fl ark n e r ow . d) P uno Fra a. aris ers) m nce G all . agn Ma if iqu tch es the des crip tion of t he ___ bre b. _ ad ___ _ 1. wit Un __ ht e he 2. cor Un bague rec tte pain t est de cam long pag ue e tm ne Co in (c n oun ce (t wat sider tr h y in ch t ) es Epis he cu t co ). • urt ode ltura Wh et é 2 a l info y • pais gain Wh is Bru , an rmatio (sho at is no da rt a em n the e n nd swe xpla con barra thic r th ine sse nec k). e fo d in tion d at ll R t ow h bet ing egard wee e end s Do que nt he of the the stio sur la b ns. s act ere cult t an how? ivit ure y fo dt . Th he rV en top isio ic o nn f th em ent e sh 2 in ow ? the Wo rkb ook and Lab ora tor yM anu al. me nt xxix sis97546_fm_xxx 11/21/01 1:06 PM Page xxx Mac 54 Mac 54:1st shift: Synthèse Synthèse: Lecture Mise en contexte The chapter culminates in a synthesis section, which alternates between cultural presentations and readings, many of which are literary selections. Prereading strategies and postreading comprehension activities help students develop reading skills. A writing activity follows in the Workbook and Laboratory Manual. The notion of family in France has for centuries been the traditional dual-parent household and a closely knit extended family. In this tradition, husbands support the family, wives stay at home and raise the children, the whole family sits down to meals together, the children cooperate rather than compete, and so on. Marriage, children, and family are almost synonymous in this tradition, and it is, of course, a generalization. Stratégie pour mieux lire Recognizing cognates Scientific texts tend to use a vocabulary that is high in cognate forms. This text draws on sociological terminology that may be familiar to you because of its similarity to English. Skim the passage, paying particular attention to familiar words and cognates. Then predict which of the following sentences will best summarize the gist of the entire text. 1. L’institution de la famille reste (remains) très importante pour la majorité des Français. 2. La diversité de la famille française résulte en une déstabilisation de la société. 3. La famille française assume (takes on) une multiplicité de configurations. Now read the whole text through and see if your prediction is correct. Other features cent trois Langage fonctionnel La This feature provides useful phrases for carrying on conversations in particular situations. Vocabulaire relatif à l’épisode Unfamiliar vocabulary items needed for comprehension of the episode are provided in Visionnement 1. Notez bien! These marginal notes highlight important details about grammar and vocabulary that students should learn. Pour en savoir plus These marginal notes contain optional information about culture, vocabulary, and grammar. fam Intr odu ctio La fa mil n 104 cen t qu atre ille fran çais ed u le fr la ce an mère llule 2 d çaise e s, fê e la v 3 se car te d ie so acté La… es p The ères) ciale e rise par Réfl Fren . Mai t on la ch fa exio mily con tradit s on in th tinu ion La fa n au e 21 e e rait de st ce ntur tort 4 à céléb t la nou dive mille fr la s y an rs veau de gé rer la ocié éco ité de çaise té. 1 fa néra n s re té liser. mille (fê Elle re enti omique condit flète la ste io è te d s con re. Sou de la ns soc e s so d s iotran itions d l’influe ciété nce sf e vie inte orme. d rn Il y , elle se es a de géné es et le s plus rations. s confl crises it L in les e dépen a femm s entre en p nfants s’ dante q e a une lus tô éman u’au vie cipe trefois 5 t. 6 nt d ; e plu La s tran s Dep form Un u 7 déje des is tren atio uner d un pl n ré libre ivorces te ans, ein le n air cen omb Con ou coh augme te n re ab sé hors 8 quenc itatio te. Autr des m n e e mon maria de ce . Ce so phéno ariages ge n mèn o dim très parenta . Il fau phénom t près in e u réc e. t de è diffé le rente s. Ces ajouter 9 ne: 30% 17% d ent: le Parallèle déve es dé m s de de au 1 la vie veloppe ssi la m s naiss couple loppe ent, le n chan ge 2 9 famil ments ultipli ances s qui c ment d ombre Il… sont ohab iale. e l’ One nucleus 3 révè catio mus n le lif t ad e 4on des des nai itent. union nt la d … on fa ssan c m o e wou il exis ces ld be tenc les mist e de aken Apr 5 c o th n ès la an be cepti Ada fore 6 ons pté A. lect du N de… Con ouve earli ure er an au G prere firmati d ea uide rlier 7 o Fran para ading n. N ce For 8 stra o p ou w h ts tegy that chec rase ide of to a you k for co summ ctivity you ha ve n an gn a B. Tra otice as ates b rize th d see if read th e ef ditio e y g y o o se o is re u re trad no ad th readin t of th u would lection it nou ional u nouv e wh g the e artic still , go b fa e vell a le ole e fa mily (C auté? artic entire p . How choose ck to th 1. L mil th m le? assa e a fe le), ’est la Tell w ge? uch d e same mm or b heth fam id Wh e re o th (C ille tr er ea at n it hel ste à ew co p yo e so adit ch se la m u to nten nt le ion gna aiso n te ce s e s ll n. deu d did x). e), the escrib 2. L “new es th es en e ” fa fants mily s’ém (C’e anci st la pen t plu s tô t. XX I s iècl e° Program Components As a full-service publisher of quality educational products, McGraw-Hill does much more than just sell textbooks to students; we create and publish an extensive array of print, video, and digital supplements to support instruction on your campus. Orders of new (versus used) textbooks help us to defray the substantial cost of developing such supplements. Please consult your local McGraw-Hill representative to learn about the availability of the supplements that accompany Débuts. Books and Multimedia Materials Available to Adopters and to Students Student Edition The Débuts textbook is correlated with the individual episodes in the film, Le Chemin du retour, and contains vocabulary presentations and activities; pre- and xxx postviewing activities; grammar explanations and practice activities; cultural, historical, and literary readings; and pre- and postreading activities. 103 sis97546_fm_xxxi 11/12/01 10:47 AM Page xxxi Mac 54 Mac 54:1st shift: Listening Comprehension Audio CD or Cassette Le Chemin du retour The listening comprehension audio CD or cassette contains the vocabulary list from the end of each chapter of the textbook. The complete film broken into episodes, each with on-screen pre- and postviewing activities. Workbook and Laboratory Manuals Director’s Cut The Workbook and Laboratory Manual accompanies the main textbook. Each chapter is divided into sections that follow the organization in the main textbook; and each section, as appropriate, may contain both laboratory and workbook exercises. All chapters provide practice in global listening comprehension, pronunciation, speaking, vocabulary, grammar, reading, writing, and culture. Available in either VHS or DVD format, the entire film can be viewed uninterrupted. The DVD version allows inclusion of French or English subtitles. Student Audio Program For use with the laboratory exercises in the Workbook and Laboratory Manual, the audio CDs or audiocassettes offer hours of listening, oral communication, and pronunciation practice. Student Viewer’s Handbook Ideal for those courses in which Le Chemin du retour is used to supplement other course materials than Débuts, the Handbook offers a variety of pre- and postviewing activities for use with the film. Student CD-ROM This multimedia CD-ROM allows students to interact with the film while practicing vocabulary and grammar skills, listening comprehension, and reading and writing skills in a highly interactive format. Online Learning Center A complete learning and teaching resource center for both students and instructors, this website brings the French and Francophone worlds to student’s fingertips and allows them to work with film clips for enhanced comprehension. Instructor resources are available to aid in building a complete online French course. Books and Multimedia Materials Available to Adopters Only Instructor’s Edition The Instructor’s Edition is identical to the Student Edition except that it contains annotated suggestions, cultural information, additional vocabulary, activity extensions and variations, and so on. Instructor’s Manual / Test Bank The Instructor’s Manual provides additional background information on the film as well as sample lessons, syllabus planning and scheduling suggestions, and an answer key for the Student Edition. It also offers suggestions for working with videos in the classroom. The Test Bank consists of two sets of tests for each chapter of Débuts, as well as quarter and semester exams. Instructor’s Audio Program The Instructor’s Audio Program, available on audio CD or audiocassette, contains the same material as the Student Audio Program, but the package includes an Audioscript. Audioscript Packaged with the Instructor’s Audio Program, the Audioscript contains the complete recording script of the Audio Program. Picture File The Picture File contains fifty color photographs from the film and textbook and is designed to stimulate conversation in the classroom. Distance Learning Faculty Guide The Distance Learning Faculty Guide contains useful information on how to implement a distance learning course and how to incorporate the film and print materials in that environment. xxxi