Sam Shepard and the Aesthetics of Performance

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Abramović, Marina, 148
Abstract Expressionism, 18–19
absurdism, 11–12, 25, 36, 107, 113–14,
123, 148–9, 166
Acconci, Vito, 147–8
actualisace (foregrounding), 9–10
Adorno, Theodor W., 12, 136
Albee, Edward, 44, 46, 149
A Delicate Balance (1966), 149
Who’s Afraid of Virginia Woolf
(1962), 44, 46
Almereyda, Michael, 23, 25, 79
American Place Theatre, The, 40,
109, 135, 143, 148
American Repertory Theatre,
The, 126
Antonioni, Michelangelo, 88
Apollinaire, Guillaume, 14, 26, 107, 113
Les Mamelles de Tirésias
(The Breasts of Tiresias)
(1903), 14, 107
Sky Blue (1918), 26
Aragon, Louis, 46–7, 113, 115, 120
Artaud, Antonin, 9–10, 22, 29–31,
36, 60, 106, 107, 113, 120–1,
143–4, 151
Le Jet de sang (The Jet of Blood)
(1927), 29
Theatre and its Double, The (1938),
120
Theatre of Cruelty, 9, 30–1, 60, 107,
120–1
August: Osage County (2013), 169
Barthes, Roland, 36, 104
Bataille, Georges, 4, 22, 32, 34–5, 74,
76, 137–61
on the absence of myth, 22, 34–5
“The Notion of Expenditure” (1933),
138–9, 144, 160
Baudrillard, Jean, 24, 59, 143
Beck, Julian, 85, 107
Beckett, Samuel, 8, 13, 15, 27, 77,
84, 105–34, 136, 144–5, 164,
166, 168–9
Breath (1969), 145
Echo’s Bones (1935), 113
Eleuthéria (1947), 113
Endgame (1957), 110, 113, 136,
145–6, 164
Film (1965), 84
Happy Days (1961), 84
How It Is (1964), 117–18, 131
Krapp’s Last Tape (1958), 164
Murphy (1938), 113
Nacht und Träume (1983), 106
Not I (1972), 110, 117, 131, 164
Piece of Monologue, A (1977), 131
Proust (1931), 15, 166
Rockaby (1980), 114, 130, 131
That Time (1974), 114
Waiting for Godot, 8–9, 119, 126,
130–1, 164
Bellmer, Hans, 65–6, 76–7
Benjamin, Walter, 47
Bigsby, Christopher, 3, 19, 33, 56, 58,
79, 107, 113–14
10.1057/9781137527417 - Sam Shepard and the Aesthetics of Performance, Emma Creedon
Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2016-09-29
Index
Index
Brecht, Bertolt, 9–12, 18, 40
The Rise and Fall of the City of
Mahagonny (1929), 11–12
Breton, André, 4, 18, 27, 69, 76, 95, 98,
106, 107, 113, 115–16, 120–4,
128, 134, 138, 143
Manifeste du surréalisme (1924), 113,
116, 120–1, 122–3
Qu’est-ce que le Surrealisme? (1934), 76
Breton, Simone, 69, 123
Brook, Peter, 107, 108
The Empty Space (1968), 108
Brothers (2009) (dir. Jim Sheridan), 13
Brown, Bill, 28
Buñuel, Luis, 79–104, 107, 119, 143,
149, 155
Belle de jour (1967), 101
La Charme Discret de la Bourgeoisie
(The Discreet Charm of the
Bourgeoisie) (1972), 80, 100–1,
103, 119, 149
Un chien andalou (1929), 79–104,
113, 117, 143
The Exterminating Angel (1962), 94
The Milky Way (1969), 99
Los Olvidados (The Young and the
Damned) (1950), 89, 101
The Phantom of Liberty (1974), 100,
101, 102–3, 155
Subida al cielo (Mexican Bus Ride)
(1952), 101
Burgess, Anthony, 37, 99
A Clockwork Orange (1971), 37, 99
Cage, John, 145
Carroll, Lewis, 37
Castaneda, Carlos, 111
Second Ring of Power, The (1977), 111
Chaikin, Joseph, 25, 105–34, 135, 150,
151, 163, 170
Open Theatre, The, 108–9, 111,
113, 125, 127, 131
The Presence of the Actor (1972), 108
Chekhov, Anton, 73
The Cherry Orchard (1904), 73
Cold in July (2014) (dir, Jim Mickle), 169
Cordier, Robert, 114
Crevel, René, 4, 113, 123
Dada, 106, 148
Dalí, Salvador, 4–8, 17–18, 28–9, 41,
79–104, 107, 113–14, 136, 142
Lugubrious Game (1929), 17
paranoiac-critical activity, 4–6
Premonition of Civil War (1936), 136
Swans Reflecting Elephants (1937), 5
de Chirico, Giorgio, 107, 113
Desnos, Robert, 123
Duchamp, Marcel, 14, 159
Bicycle Wheel (1913), 159
L.H.O.O.Q. (1919), 14
Dylan, Bob, 38, 39, 80, 84–6
(dir) Renaldo and Clara (1978), 85
Elam, Keir, 9–10, 12, 89
Eluard, Paul, 113
Thorns of Thunder (1936), 113
Emin, Tracy, 26
My Bed (1998), 26
Ernst, Max, 10, 18, 47, 48, 63, 113, 116
La Femme 100 Têtes (1929), 47, 116
Esslin, Martin, 11, 25, 56, 122, 123,
149. See also absurdism
Exposition Internationale du Surréalisme
(1938), 65
Fellini, Federico, 84
Field Day Theatre Company, 165
Fischl, Eric, 15
Bad Boy (1981), 15
Freud, Sigmund, 49, 58, 60–3, 66, 67,
76, 82, 83, 92, 93, 94, 100,
103, 122, 133, 143, 163–4
Heimlich, 49, 51
The Oedipus Complex, 13, 14, 15,
54, 61, 62, 102, 151, 160, 165
Totem and Taboo (1913), 60–1
Uncanny, The, 49, 83, 143
Garber, Marjorie, 71–2, 75
Gelber, Jack, 107
The Connection (1959), 107
196
Index
Happenings, The, 25, 107, 145, 148
Hegel, Georg W. F., 131
Phenomenology of Mind (1807), 131
Hinduism, 105, 122
Hitchcock, Alfred, 83
Vertigo (1958), 83
Hughes, Robert, 146, 147, 148, 170
Ibsen, Henrik, 44, 62
Ghosts (1882), 62
Ionesco, Eugéne, 166
Irigaray, Luce, 69
Jagger, Mick, 28, 38
Jakobson, Roman, 128–9
Jameson, Fredric, 137
Jarry, Alfred, 10, 14, 21, 23, 113
Ubu Roi (1896), 23
Johns, Jasper, 19, 145
Joyce, James, 151
Judson Poets’ Theatre, The, 107
Kandinsky, Wassily, 144
Kazan, Elia, 53
Killing Them Softly (2012)
(dir. Andrew Dominik), 169
Kubrick, Stanley, 99
La Mama Experimental Theatre
Club, 26
Lacan, Jacques, 4, 82, 91, 103
Lautréamont, Comte de, 27
Lehmann, Hans-Thies, 105, 153
Levy, Jacques, 108–9, 10, 13–14
Lichtenstein, Roy, 3–4
Limbour, Georges, 152
Living Theatre, The, 85, 107–8, 111
Lorca, Federico García, 79–80
Lyotard, Jean-François, 143
Magic Realism, 55–6
Magic Theatre, The, 87, 105, 109,
110–11
Magritte, René, 9, 29, 47, 64, 65, 66,
75–6, 96
L’Homme au journal (Man with a
Newspaper) (1928), 47
Les jours gigantesques (1928), 66
Le Musée d’une Nuit (1927), 96
Pleasure (1926), 65
La Reproduction Interdite (1937), 96
Rêve d’une petite fille qui voulut
entrer au carmel (1930), 47
The Treachery of Images
(1928–1929), 9
Une Semaine de bonté (1934), 47
Le Viol (The Rape) (1934), 75–6
Malina, Judith, 107
Malkovich, John, 3, 148
Mallarmé, Stéphane, 37
Mariën, Marcel, 136
Masson, André, 18, 65, 110
Matta, Roberto, 18
Mauss, Marcel, 138
McGinley, Seán, 164
Meckler, Nancy, 44, 45, 109
Merleau-Ponty, Maurice, 115
Miller, Arthur, 44, 46, 94, 141
All my Sons (1947), 141
Death of a Salesman (1949), 46
Miller, Lee, 142
Milton, John, 130
Paradise Lost (1667), 130
Morise, Max, 123
Mud (2012) (dir. Jeff Nichols), 169
Mulvey, Laura, 91
Nerval, Gérard de, 40
Nietzsche, Friedrich, 41, 112
Off-off Broadway, 25, 106–7
Oh! Calcutta, 13–14
Oldenburg, Claes, 19
Giacometti, Alberto, 65
Woman with her Throat Cut (1932), 65
Goffman, Erving, 72, 131
Presentation of Self in Everyday Life
(1959), 131
Goya, Francisco, 102
The Third of May, 1808 (1814), 102
Grotowski, Jerzy, 107
197
198
O’Neill, Eugene, 44, 46, 50
Long Day’s Journey into Night
(1956), 46
Oppenheim, Dennis, 147
Oppenheimer, Joel, 107
The Great American Desert (107)
Orlan, 149
Out of the Furnace (2013) (dir. Scott
Cooper), 169
Paris Colonial Exhibition (1931), 31
Paz, Octavio, 163
Performance Group, The (TPG), 40
Picasso, Pablo, 141
Guernica (1937), 141
Pollock, Jackson, 41
Pop Art, 4, 18–19, 21–2, 24, 37
postmodernism, 19, 21, 24–5, 29, 34,
37, 40–1, 69, 103–4, 137, 143
Presley, Elvis, 22, 39
Prigogine, Ilya, 138
Primitive Art, 60
Rauschenberg, Robert, 19, 145
Ray, Man, 69, 75, 142
Monument to D.A.F. de Sade
(1933), 75
Rea, Stephen, 2, 164, 165, 166
Reavey, George, 113
Rimbaud, Arthur, 40
Rockwell, Norman, 45–6, 50
Rolling Stones, The, 28
Sade, Marquis de, 75, 166
Schechner, Richard, 12, 40, 107, 108
Shepard, Sam
Plays
Action (1974), 109
Ages of the Moon (2009), 164–5
Angel City (1976), 79–104, 132,
144, 150, 151, 157, 167
Back Bog Beast Bait (1971), 40
Buried Child (1978), 43–7, 49–50,
55, 60–3, 66, 68, 70, 77, 78,
156, 169
Cowboy Mouth (1971), 19, 21, 22,
26, 28, 37, 40, 153, 156
Cowboys (1964), 4, 8, 13, 31
Cowboys #2 (1967), 6, 8–9, 133
Curse of the Starving Class (1977),
43, 50–3, 67, 73, 156, 158,
164, 165
Eyes for Consuela (1998), 163
Fool for Love (1983), 43, 55–6,
67–8, 78, 135, 156
Fourteen Hundred Thousand
(1966), 6, 10–11, 109
Geography of a Horse Dreamer
(1974), 84–5, 156, 166
The God of Hell (2004), 164
Heartless (2012), 156, 166–7
The Holy Ghostly (1969), 13, 32, 63
Icarus’s Mother (1965), 1–6, 7, 15,
46, 55, 88, 119
Inacoma (1977), 110–11, 156
Kicking a Dead Horse (2007), 164,
165, 166
Killer’s Head (1975), 109–10
La Turista (1967), 10, 12, 21, 25,
66, 75, 156
The Late Henry Moss (2000), 164
A Lie of the Mind (1985), 15, 43,
53–5, 56, 59, 70, 75, 78, 135,
156, 166, 167, 168
The Mad Dog Blues (1971), 19, 21,
22–4, 28, 29
Operation Sidewinder (1970), 19,
21, 22, 24–5, 26, 29–30, 32,
40, 66, 138, 164
A Particle of Dread (Oedipus
Variations) (2013), 165, 168
Red Cross (1966), 6–8, 10, 107,
109, 156
The Rock Garden (1964), 4, 10,
12, 13–18, 31, 45, 63
Savage/Love (1979), 105–34
Shaved Splits (1970), 21–2, 28, 30
Simpatico (1994), 135–61
States of Shock (1991), 135–61
Suicide in B-Flat (1976), 132, 133
Index
Tongues (1978), 105–34
The Tooth of Crime (1972), 10, 21,
25, 29, 36–42, 66, 160
True West (1980), 27, 35, 43, 44,
50, 56–8, 68, 77, 78, 144, 154,
156, 164
The Unseen Hand (1969), 10, 19,
21, 22, 25–6, 27, 32, 33–6,
145, 164
The War in Heaven (Angel’s
Monologue) (1985), 105–34
When the World Was Green (A
Chef ’s Fable) (1996), 163
Prose
Motel Chronicles (1982), 14, 77
Sheridan, Jim (director), 13
Slominski, Andreas, 159–60
Smith, Michael, 1, 31–2, 46
Smith, Patti, 21, 40, 75, 117, 165
Surrealism
acte gratuit (gratuitous act), 18, 136,
146–8
convulsive beauty, 43, 70, 98, 102
femme-enfant, 48, 64, 65, 72
le merveilleux, 19, 47
le objet surréaliste, 22, 27–9
le objet trouvé (the found object), 19
Poetic Surrealism, 106, 121
and women, 64–6, 69–70, 75–7
Synge, John Millington, 166
199
Tanning, Dorothea, 47, 48
La Chambre d’Amis (1950–52), 48
Eine Kleine Nachtmusik (A Little
Night Music) (1943), 48
Portrait de famille (Family Portrait)
(1953–54), 48
Theatre Genesis, 18, 31
Theatre of Cruelty, 9, 30–1, 60, 107,
120–1
see also Antonin Artaud
Ubersfeld, Anne, 133
Van Itallie, Jean-Claude, 127
Vermeer, Johannes, 82
The Village Voice, 31
Villon, Jacques, 40
Vitrac, Roger, 113
Wagner, Richard, 81
Walter, Sydney Schubert, 10, 11
Warhol, Andy, 22, 39–40
Weill, Kurt, 11
Weston, Edward, 152–3
Williams, Tennessee, 44
Yale Repertory Theatre, 50, 84
Zabriskie Point (1970) (dir. Michelangelo
Antonioni), 88
Index
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Sam Shepard and the Aesthetics of Performance

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