Bibliography for Voices in Medieval French Narrative Group Ahern

Bibliography for Voices in Medieval French Narrative Group
Ahern, John, ‘Singing the Book: Orality in the Reception of Dante’s Comedy,’ Annals
of Scholarship, 2 (1981), 17-40.
Andrieux-Reix, Nelly, ‘Lors veïssiez, histoire d’une marque de diction’, in
“Linguistique de l’énonciation; Approche diachronique” ed. by Michèle Perret,
LINX, 32 (1995), 133-145.
Aragon, Aurora, ‘Statut et fonction du narrateur dans la chanson de geste’ in Au
carrefour des routes d’Europe. la chanson de geste. Xe Congrès International de
la Société Rencesvals pour l’étude des épopées romanes. Strasbourg. 1985.
Senefiance, 21 (Aix-en-Provence: Publications du CUERMA, 1987), pp. 197222.
Badel, Pierre-Yves, ‘Rhétorique et polémique dans les prologues de romans au moyen
âge’, Littérature, 20 (1975), 81-93.
Bakhtin, Esthétique de la création verbale, trans. by Alfreda Aucouturier (Paris:
Gallimard. 1984).
––––––––, Esthétique et théorie du roman, trans. by Daria Olivier (Paris: Gallimard,
1978).
––––––––, Marxism and the philosophy of language trans. by Ladislav Matejka and
I.R. Titunik (Cambridge, Massachusetts: Harvard University Press, 1986).
––––––––, Speech Genres and Other Late Essays, trans. by Vern W. McGee (Austin:
University of Texas Press, 1986).
––––––––, The Dialogic Imagination: Four Essays, trans. by Caryl Emerson and
Michael Holquist (Austin: University of Texas Press, 1981).
Bal, Mieke, Narratologie. Essais sur la signification narrative dans quatre romans
modernes (Paris: Klincksieck, 1977).
––––––––, ‘The Narrating and the Focalizing. A Theory of Agents in Narrative’,
Style, 17.2 (1983), 234-269.
Banfield, Ann, Unspeakable Sentences. Narration and Representation in the
Language of Fiction (London: Routledge and Kegan Paul, 1982).
Bauman, Richard, Story, Performance, and Event (Cambridge, Cambridge University
Press, 1986).
––––––––, Verbal Art as Performance (Prospect Heights: Waveland, 1977).
Baumgartner, Emmanuèle, ‘Les Techniques narratives dans le roman en prose’, in
The Legacy of Chrétien de Troyes, 2 vols., ed. by Norris J. Lacy, Douglas Kelly
& Keith Busby (Amsterdam: Rodopi, 1987), I, pp. 167-190.
Bäuml, F.H., ‘Varieties and Consequences of Medieval Literacy and Illiteracy’,
Speculum 55 (1980), 237-265.
Beck, Jonathan, ‘On Functional Multiplicity of Tense-Aspect Forms in Old French
Narrative’, Romance Philology, 42:2 (1988), 129-143.
Benveniste, Émile, ‘L’homme dans la langue’, in Problèmes de linguistique générale
(Paris: Gallimard, 1966), pp. 223-85.
––––––––, Problèmes de linguistique générale, tome I (Paris: Gallimard. 1966).
––––––––, Problèmes de linguistique générale, tome II (Paris: Gallimard, 1974).
––––––––, Problems in General Linguistics, trans. by E. Meek (Florida: University of
Miami Press, 1971).
Besamusca, Bart & Frank Brandsma. ‘Between Audience and Source: the FirstPerson Narrator in the Middle Dutch Lanceloet’, in Conjunctures: Medieval
Studies in Honor of Douglas Kelly, ed. by Keith Busby & Norris J. Lacy
(Amsterdam/Atlanta: Rodopi, 1994), pp. 15-29.
Bevington, David, Medieval Drama (Boston: Houghton Mifflin, 1975).
Bik, Elisabeth J., ‘Les Interventions d’auteur dans le Tristan de Béroul’,
Neophilologus, 56 (1972), 38-49.
Blanc, Michel A. H., ‘Time and Tense in Old French Narrative’, Archivum
Linguisticum 16. 2 (1964), 96-124.
Booth, Wayne 1983, The Rhetoric of Fiction, 2nd edn (Chicago: Chicago University
Press, 1983).
Brandsma, Frank, ‘Emergent direct discourse: a performer's nightmare?’, in ‘Por le
soie amisté’: Essays in honor of Norris J. Lacy, ed. by K. Busby and C. M. Jones
(Amsterdam/Atlanta: Rodopi: 1999), pp. 15-32.
––––––––, ‘“Et la roine... s’en sourist”: Dramatic Irony and the Narrative Technique
of Interlace’, Neophilologus, 73 (1989), 339-349.
––––––––, ‘La vérité vivifiée? Le discours direct aux débuts de la prose française’,
Faits de Langues, 19 (2002), pp. 37-49.
––––––––, ‘Medieval Equivalents of “quote-unquote”: the Presentation of Spoken
Words in Courtly Romance,’ The Court and Cultural Diversity: International
Courtly Literature Soicety, 1995, ed. by Evelyn Mullally and John Thompson
(Cambridge: D.S. Brewer, 1997, pp. 287-96.
Bright, William, ‘Literature: Written and Oral’, in Analyzing Discourse: Text and
Talk, ed. by D. Tannen (Washington D.C.: Georgetown University Press, 1982),
pp. 271-283.
––––––––, ‘Poetic Structure in Oral Narrative’, in Spoken and Written Language:
Exploring Orality and Literacy, ed. by D. Tannen (Norwood: Ablex, 1982),
pp.171-184.
Bruckner, Matilda Tomaryn, Shaping Romance: Interpretation, Truth, and Closure in
Twelfth Century French Fiction (Philadelphia: University of Pennsylvania Press,
1993).
Bruña-Cuevas, Manuel, ‘Le Style indirect libre chez Marie de France’, Revue de
Linguistique Romane, 52 (1988), 421-446.
Bullock-Davies, Constance, Ménestrellorum multitudoL Minstrels at a Royal Feast
(Cardiff, University of Wales Press, 1978).
Burns, E. Jane, Bodytalk: When Women Speak in Old French Literature
(Philadelphia: University of Pennsylvania Press, 1993).
––––––––, ‘The Teller in the Tale, the Anonymous Estoire del Saint Graal’, in
Assays, Critical Approaches to Medieval and Renaissance Texts, ed. by Peggy
Ann Knapp (Pittsburgh: University of Pittsburgh Press: 1985), pp. 73-84.
Busby, Keith, Codex and Context. Reading Old French Verse Narrative in
Manuscript (Amsterdam/New York, NY: Rodopi, 2002).
Butler, Judith, Excitable Speech: A Politics of the Performative (London: Routledge,
1997).
Calin, William, ‘L’Épopée dite vivante: Réflexions sur le prétendu caractère oral des
chansons de geste,’ Olifant, 8 (1980), 227-37.
––––––––, ‘Littérature médiévale et hypothgèse oral: Une divergence de méthode et
de philosophie,’ Olifant 8, 265-85.
––––––––, ‘Narrative Technique in Fourteenth-Century France: Froissart and his
Chroniques’, in Studies in Honor of Hans-Erich Keller, ed. by R. T. Pickens
(Kalamazoo: Medieval Institute Publications, Western Michigan University,
1993), pp. 227-236.
Carlson, Marvin, ‘Theatre Audiences and the Reading of Performance,’ in
Interpreting the Theatrical Past: Essays in the Historiography of Performance,
ed. by Thomas Postlewait and Bruce A. McConachie (Iowa City: University of
Iowa Press, 1989).
Carruthers, Mary, ‘Inventional Mnemonics and the Ornaments of Style: The Case of
Etymology.’ In Connotation, 2:2 (1992).
––––––––, The Book of Memory: A Study of Memory in Medieval Culture
(Cambridge: Cambridge University Press, 1990).
Cerquiglini, Bernard, ‘La Parole étrange’, Langue française, 40 (1978), 7-16.
––––––––, La parole médiévale (Paris: Minuit, 1981).
––––––––, Bernard, ‘Le Style indirect libre et la modernité’, Langages 73 (1984), 716.
Cerquiglini, Bernard and others, ‘L’Objet “ancien français” et les conditions propres à
sa description linguistique’, in Méthodes en grammaire française, ed. by JeanClaude Chevalier & Maurice Gross (Paris: Klincksieck. 1976), pp. 185-200.
Chase, Carol, ‘“Or dist li contes”: Narrative Interventions and the Implied Audience
in the Estoire del Saint Graal’, in The Lancelot-Grail Cycle, Text and
Transformation, ed. by William W. Kibler (Austin: University of Texas Press,
1994) pp. 117-138.
Chinca, Mark, and Christopher Young, eds., Orality and Literacy in the Middle Ages:
Essays on a Conjunction and its Consequences in Honour of D.H. Green
(Turnhout: Brepols, 2005).
Clanchy, M.T., From Memory to Written Record: England 1066-1307(London,
1979).
Cohn, Dorrit, Transparent Minds: Narrative Modes for Presenting Consciousness in
Fiction (Princeton: Princeton University Press, 1978).
Coleman, J., Public Reading and the Reading Public in Late Medieval England and
France, Cambridge Studies in Medieval Literature, 26 (Cambridge, 1996).
Crosby, Ruth, ‘Oral Delivery in the Middle Ages’, Speculum, 11 (1936), 88-110.
Culler, Jonathan, ‘Apostrophe’, in The Pursuit of Signs: Semiotics, Literature,
Deconstruction (Ithaca: Cornell University Press, 1981), pp. 149-171.
Dagenais, J., ‘That Bothersome Residue: Toward a Theory of the Physical Text’, in
Vox Intexta: Orality and Textuality in the Middle Ages, ed. by A.N. Doane and C.
Braun (Madison and London, 1991), pp. 246-259.
Delbey, Annie, ‘Les Connecteurs car, que, puisque et la justification en ancien
français’, Revue de linguistique romane, 52 (1988), 397-419.
Denoyelle, Corinne, ‘Aspect et pouvoir de la parole dans la Suite du roman de
Merlin’, Méthode !, 11(2006), 23-33.
––––––––, ‘Du reproche à la polémique : la mise en place de la violence verbale dans
quelques œuvres du XIIe et du XIIIe siècles’ in Études médiévales, n°8, ed. by D.
Buschinger (Amiens: Presses du centre d’études médiévales/ Université de
Picardie. Jules Verne, 2006), pp. 150-161.
––––––––, ‘Étude pragmatique des relations langagières entre les chevaliers des
lignages du roi Lot et du roi Ban : évolution entre la Mort le roi Artu et le Tristan
en prose’, Lignes et lignages dans la littérature arthurienne, actes du 3e colloque
arthurien de Rennes, ed. by C. Ferlampin-Acher et D. Hüe (Rennes: Presses
Universitaires, 2007), pp. 101-114.
––––––––, ‘Le Discours de la ruse dans les fabliaux’, Poétique, 115 (1998), 328-350.
––––––––, ‘L’emploi des particules adverbiales oui et non dans quelques textes
littéraires médiévaux’, L’Information Grammaticale, 112 (January, 2007), 3-8.
––––––––, ‘L’entrelacement des voix : les polylogues dans les romans en prose’, La
voix dans l’écrit, PRIS-MA, Recherches sur la littérature d’imagination au
Moyen Âge, vol. XXII: 1 et 2, 43-44 (January-December, 2006), p. 51-65.
––––––––, ‘Les Bergers : des ermites carnavalesques. Étude pragmatique du discours
des bergers dans quelques textes narratifs courtois des XIIe et XIIIe siècles’,
Cahiers de recherches médiévales, 10 (2003), 143-154.
––––––––, ‘Les jeux de casuistique amoureuse dans quelques dialogues du Lancelot
et du Tristan en prose’ Le Moyen Âge, 105 (February, 2009), 277-289.
Derrida, J., De la Grammatologie (Paris, 1967).
Doane, A.N., and Carol Braun Pasternack, eds., Vox Intexta: Orality and Literacy in
the Middle Ages (Madison: University of Wisconsin Press, 1991).
Dolar, Mladen, A Voice and Nothing More (Cambridge, MA and London: MIT Press,
2006).
Ducrot, Oswald, Dire et ne pas dire (Paris: Hermann 1972).
––––––––, Le dire et le dit (Paris: Minuit, 1984).
––––––––, Logique. structure et énonciation (Paris: Minuit, 1989).
Duggan, ‘La théorie de la composition orale des chansons de geste: Les faits et les
interprétations,’ Oliphant, 8 (1980), 238-55.
Duggan, Joseph J., ‘Le mode de composition des chansons de geste: Analyse
statistique, jugement esthétique, modèles de transmission,’ Oliphant, 8 (1980),
286-316.
––––––––, ‘Oral Performance of Romance in Medieval France’, in Continuations :
Essays on Medieval French Literature and Language in Honor of John Lambert
Grigsby, ed. by Norris J. Lacy & Gloria Torrini-Roblin (Birmingham, AL:
Summa, 1989), pp. 51-62.
––––––––, ‘Performance and Transmission, Aural and Ocular Reception in the
Twelfth and Thirteenth-Century Vernacular Literature of France’, Romance
Philology, 43:1 (1989), 49-58.
––––––––, ‘Social Functions of the Medieval Epic in the Romance Literatures,’ Oral
Tradition, 2:3 (1986), 728-66.
Ehrlich, Susan, Point of View: A Linguistic Analysis of Literary Style (London/New
York: Routledge, 1990).
Elliott, Alison G., ‘The Triumphus Sancti Remacli: Latin Evidence for Oral
Composition’, Romance Philology, 32:3 (1979), 292-298.
Enders, Jody, Rhetoric and the Origins of Medieval Drama (Ithaca: Cornell
University Press: 1992).
Enterline, Lynn, The Rhetoric of the Body from Ovid to Shakespeare (Cambridge:
Cambridge University Press, 2000).
Faral, Edmond, Les jongleurs en France au moyen âge (New York: Burt Franklin,
1970; originally 1910).
Felman, Shoshana, The Scandal of the Speaking Body: Don Juan with J. L Austin, or
Seduction in Two Languages, trans. by Catherine Porter (Stanford: Stanford
University Press, 2002). [Le Scandale du corps parlant: Don Juan avec Austin ou
la seduction en deux langues (Paris: Seuil, 1980).]
Ferrante, Joan, To the Glory of Her Sex: Women’s Roles in the Composition of
Medieval Texts (Bloomington: Indiana University Press, 1997).
Fine, Elizabeth C., The Folklore Text: From Performance to Print (Bloomington:
Indiana University Press, 1984).
Finnegan, Ruth, Literacy and Orality: Studies in the Technology of Communication
(Oxford: Blackwell, 1988).
––––––––, ‘Literacy versus Non-literacy: The Great Divide? Some Comments on the
Significance of “Literature” in Non-literate Cultures,’ in Modes of Thought:
Essays on Thinking in Western and Non-Western Societies, ed., by Robin Horton
and Ruth Finnegan (London: Faber, 1973), pp. 112-44.
––––––––, Oral Poetry, Its Nature, Significance and Social Context, rev. edn
(Bloomington: Indiana University Press, 1992).
––––––––, ‘The Poetic and the Everyday: Their Pursuit in an African Village and an
English Town’, Folklore, 105 (1994), 3-11.
––––––––, ‘What is Oral Literature Anyway?’ in Oral Literature and the Formula,
ed. by Benjamin A. Stolz and Richard S. Shannon III (Ann Arbour: University of
Michigan).
Fleischman, Suzanne, ‘A Linguistic Perspective on the laisses similaires: Orality and
the Pragmatics of Narrative Discourse’, Romance Philology, 43:1 (1989), 70-89.
––––––––, ‘Discourse as Space/Discourse as Time: Reflections on the Metalanguage
of Spoken and Written Discourse’, Journal of Pragmatics, 16 (1991), 291-306.
––––––––, “Evaluation in Narrative: The Present Tense in Medieval “Performed
Stories””. Yale French Studies. 70 (1986), 199-251.
––––––––, ‘Philology, Linguistics and the Discourse of the Medieval Text’,
Speculum, 65:1 (1990), 19-37.
––––––––, Tense and Narrativity : From Medieval Performance to Modern Fiction
(Austin: University of Texas Press, 1990).
Fludernik, Monika, ‘New Wine in Old Bottles? Voice, Focalization, and New
Writing’, New Literary History: A Journal of Theory and Interpretation 32:3
(2001), 619-638.
––––––––, The Fictions of Language and the Language of Fictions: The Linguistic
Representation of Speech and Consciousness (London: Routledge, 1993).
––––––––, Towards a “Natural Narratology” (London: Routledge: 1996).
Gallais, Pierre, ‘Recherches sur la mentalité des romanciers français du moyen âge’,
Cahiers de civilisation médiévale, 7 (1964), 479-93, and 13 (1970), 333-47.
Gaunt, Simon, ‘Fictions of Orality in Troubadour Poetry’, in Orality and Literacy in
the Middle Ages, ed. by Mark Chinca and Christopher Young (Tournhout:
Brepols, 2005), pp. 119-38.
––––––––, Gender and Genre in Medieval French Literature (Cambridge: Cambridge
University Press, 1995).
––––––––, Retelling the Tale: An Introduction to Medieval French Literature
(London: Duckworth, 2001).
Genette, Gérard, Fiction and Diction trans. by Catherine Porter (Ithaca/London:
Cornell University Press, 1993).
––––––––, Figures III. (Paris: Seuil, 1972).
––––––––, Nouveau discours du récit (Paris: Seuil, 1983).
––––––––, ‘Voice’, in Narrative Discourse: An Essay in Method, trans. by Jane E.
Lewin (Ithaca: Cornell University Press, 1980), pp. 212-60. [Figures III (Paris:
Seuil, 1972), pp. 65-282.]
Goody, Jack, ed., Literacy in Traditional Societies (Cambridge: Cambridge
University Press, 1968).
Green, David H., Irony in the Medieval Romance (Cambridge: Cambridge University
Press, 1979).
––––––––, Medieval Listening and Reading: The Primary Reception of German
Literature 800-1300 (Cambridge: Cambridge University Press, 1994).
––––––––, ‘On the Primary Reception of Narrative Literature in Medieval Literature’,
Forum for Modern Language Studies 20:4 (1984), 289-308.
Greene, Virginie, ed., The Medieval Author in Medieval French Literature (New
York: Palgrave-Macmillan, 2006).
Grigsby, John L, ‘Narrative Voices in Chrétien de Troyes: A Prolegomenon to
Dissection’, Romance Philology. 32:3 (1979), 261-273.
––––––––, ‘The Ontology of the Narrator in Medieval French Romance’, in The
Nature of Medieval Narrative, ed. by Minnette Grunmann-Gaudet & Robin F.
Jones, French Forum Monographs, 2 (Lexington: French Forum, 1980), pp. 159171.
Grunmann-Gaudet, Minnette & Robin F. Jones, eds., The Nature of Medieval
Narrative, French Forum Monographs, 2 (Lexington: French Forum, 1980).
Guthrie, Stephen, ‘Meter in Performance in Machaut and Chaucer’, in The Union of
Words and Music in Medieval Poetry, ed. by Rebecca A. Baltzer, Thomas Cable,
and James I. Wimsatt (Austin: University of Texas Press, 1991), pp. 72-100.
Haidu, Peter, Aesthetic Distance in Chrétien de Troyes: Irony and Comedy in Cligès
and Perceval (Geneva: Droz, 1968).
Hanning, R.W., ‘The Audience as Co-Creator of the First Chivalric Romances’,
Yearbook of English Studies, 2 (1981), 1-28.
Holquist, Michael, Dialogism: Bakhtin and His World (London/New York:
Routledge, 1990).
Huchet, Jean-Charles, Le roman médiéval (Paris: PUF, 1984).
––––––––, ‘Nom de femme et écriture féminine au Moyen Age: Les lais de Marie de
France’, Poétique, 48:12 (1981), 407-430.
Hult, David, ‘Author/Narrator/Speaker: The Voice of Authority in Chrétien's
Charrete’, in Discourses of Authority in Medieval and Renaissance Literature,
ed. by Kevin Brownlee and Walter Stephens (Hanover: Dartmouth University
Press of New England, 1989), pp. 307-16.
––––––––,
‘Closed Quotations: The Speaking Voice in the Roman de la Rose’, Yale
French Studies, 67 (1984), 248-269.
Huot, Sylvia,
‘“Ci parle l’auteur: The Rubrication of Voice and Authorship in
“Roman de la Rose” Manuscripts’, SubStance, 17.2 (1988), 42-48.
––––––––, From Song to Book: The Poetics of Writing in Old French Lyric and
Narrative Poetry (Ithaca: Cornell University Press, 1987).
––––––––, ‘Voices and Instruments in Medieval French Secular Music: On the Use of
Literary Texts as Evidence for Performance Practice,’ Musica Disciplina 43
(1989), 63-113.
Hymes, Dell, Ethnography, Linguistics and Narrative Inequality: Toward An
Understanding of Voice (London: Taylor and Francis, 1996).
Illich, Ivan, ‘A Plea for Research on lay Literacy’, in Literacy and Orality, ed. by
David R. Olson and Nancy Torrance (Cambrridge: University of Cambridge
Press, 1981), pp. 28-46.
Jacquin, Gérard, ‘Robert de Clari, témoin et conteur’, in Et c’est la fin pour quoy nous
sommes ensemble. Hommage à Jean Dufournet: Littérature, Histoire et Langue
du Moyen Age, 3 vols. (Paris: Champion. 1993), II, pp. 747-757.
Jakobson, Roman, Language in Literature, ed. by Krystyna Pomorska & Stephen
Rudy. (Cambridge, MA/London: The Belknap Press of Harvard University Press,
1987).
Jauss, Hans-Robert, Aesthetic Experience and Literary Hermeneutics, trans. by
Michael Shaw, Theory and History of Literature, 3 (Minneapolis: University of
Minnesota Press, 1982).
––––––––,
‘Littérature médiévale et théorie des genres’, Poétique, 1:1 (1970), 79-101.
––––––––,
Pour une esthétique de la réception (Paris: Gallimard, 1978).
––––––––, Toward an Aesthetic of Reception, trans. by Timothy Bahti, Theory and
History of Literature, 2 (Minneapolis: University of Minnesota Press: 1982).
Johnson, Barbara, ‘Apostrophe, Animation, and Abortion’, Diacritics, 16.1 (1986),
28-47.
Jonin, Pierre, ‘Le je de Marie de France dans les Lais’, Romania, 103 (1982), 170176.
Jousse, Marcel, The Oral Style, trans. by Engard Sienaert and Richard Whitaker (New
York: Garland, 1990 (Original French title: Le style oral rythmique et mnémotechnique chez les verbo-moteurs (Paris, 1925)).
Kay, Sarah, ‘Desire and Subjectivity’, in The Troubadours: An Introduction, ed. by
Simon Gaunt and Sarah Kay (Cambridge: Cambridge University Press, 1999),
pp. 212-27.
––––––––, Subjectivity in Troubadour Poetry (Cambridge: Cambridge University
Press, 1990).
Kelly, Douglas, The Art of Medieval French Romance (Wisconsin: University of
Wisconsin Press, 1992).
Kendrick, L., The Game of Love: Troubadour Wordplay (Berkeley/Los
Angeles/London, 1989).
Kennedy, Elspeth. 1972. “The Use of Tu and Vous in the First Part of the Old French
Prose Lancelot” in The History and Structure of French: Essays in Honour of T.
B. W. Reid, ed. by F.J. Barnett (Oxford: Blackwell, 1972), pp. 135-149.
Kerbrat-Orecchioni, Catherine, L’énonciation de la subjectivité dans le langage
(Paris: A. Colin: 1980).
Kittay, Jeffrey, ‘On Octo (Response to “Rethinking Old French Literature: The
Orality of the Octosyllabic Couplet,” Evelyn Birge Vitz),’ Romanic Review, 77:3
(1987), 291-98.
Knapp, Peggy Ann, ed., Assays, Critical Approaches to Medieval and Renaissance
Texts (Pittsburgh: University of Pittsburgh Press, 1985).
Krueger, Roberta L., ‘Textuality and Performance in Partonopeu De Blois’ in Assays,
Critical Approaches to Medieval an Renaissance Texts, ed. by Peggy Ann Knapp
(Pittsburgh: University of Pittsburgh Press, 1985), pp. 57-72.
––––––––, ‘The Author’s Voice: Narrators. Audience and the Problem of
Interpretation’, in The Legacy of Chrétien de Troyes, 2 vols., ed. by Norris J.
Lacy, Douglas Kelly & Keith Busby (Amsterdam: Rodopi, 1987), I, pp. 115-140.
Krueger, Roberta, Women Readers and the Ideology of Gender in Old French Verse
Romance (Cambridge: Cambridge University Press, 1993).
Kuperty-Tsur, Nadine, ‘Le moi, sujet de l’histoire’, Nouvelle revue du XVIe siècle,
19:1 (2001), 63-81.
Lacy, Norris, ‘Emergent Direct Discourse in the Vulgate Cycle’, Arthuriana, 4
(1994), 19-29.
Lanser, Susan Sniader, The Narrative Act: Point of View in Prose Fiction (Princeton:
Princeton University Press, 1981).
Le Gentil, Pierre, ‘Réflexions sur la creation littéraire au moyen âge,’ in Chanson de
Geste und Höfischer Roman (Heidelberg: Carl Winter / Universitätsverlag, 1961),
pp. 9-20.
Leech, Geoffrey and Michael Short, Style in Fiction: A Linguistic Introduction to
English Fictional Prose (London/New York: Longman, 1981).
Leupin, Alexandre, ‘Qui parle? Narrateurs et scripteurs dans la “Vulgate
Arthurienne”’, Digraphe, 20 (1979), 83-109.
López Muñoz, Juan Manuel, ‘Discours rapporté et subordonnée relative en ancien
français’, Faits de Langues, 19 (2002), 51-60.
––––––––, ‘Fórmulas señalizadoras de estilo indirecto en la Mort Artu’, Estudios de
Lengua y Literatura francesas, 12 (1999), 131-149.
López-Muñoz, Juan Manuel, Sophie Marnette, and Laurence Rosier, eds., ‘Formes et
stratégies du discours rapporté: Approches linguistique et littéraire des genres de
discours’, Estudios de Lengua y Literatura francesas, 14 (2003).
––––––––, eds., ‘Le Discours rapporté’, Faits de langue, 19 (2002), 211-220.
––––––––, eds., Le Discours rapporté dans tous ses états (Paris: L'Harmattan, 2004).
Lucken, Christopher, ‘L’Écho du poème (“ki sert de recorder che k’autres dist”)’,
Pour la vue et par l’ouïe: Littérature du Moyen Âge et de la Renaissance, ed. by
Michèle Gally and Michel Jourde (Fontenay-aux-Roses: ENS éditions, 1999), pp.
25-58.
Luttrell, Claude, the Creation of the First Arthurian Romance (Evanston:
Northwestern University Press, 1974).
Maingueneau, Dominique, Eléments de linguistique pour le texte littéraire, 3rd edition
(Paris: Dunod, 1993).
––––––––, L’Analyse du discours (Paris: Hachette, 1991).
––––––––, L’Enonciation en linguistique française, embrayeurs. ‘temps’, discours
rapporté (Paris: Hachette Supérieur: 1991).
Marchello-Nizia, Christiane, Dire le vrai. L’adverbe “si” en français médiéval: essai
de linguistique historique (Geneva:Droz, 1985).
––––––––, ‘L’Historien et son prologue’, in La Chronique et l’histoire au Moyen-Âge,
ed. by D. Poirion, Cultures et civilisations médiévales, 2 (Paris: Presses de
l'Université de Paris-Sorbonne, 1984), pp. 13-25.
––––––––, ‘Ponctuation et unité de lecture dans les récits médiévaux ou je ponctue, tu
lis, il théorise’, Langue française 40 (1978), 32-44.
––––––––, ‘Une Nouvelle poétique du discours direct: le Tristan et Yseut de Thomas’
in “Linguistique de l’énonciation; Approche diachronique” ed. by Michèle Perret,
LINX, 32 (1995), 161-171.
Marnette, Sophie ‘Aux frontières du discours rapporté’, Revue Romane, 37:1
(2001), 3-30.
––––––––, ‘Du discours insolite: Le discours indirect sans que’, French Studies, 55:3
(2001), 297-313.
––––––––, ‘Experiencing Self and Narrating Self in Medieval French Chronicles’, in
The Medieval Author in Medieval French Literature, ed. by Virginie Greene
(New York: Palgrave-Macmillan. 2006), pp. 115-34.
––––––––, ‘Il le vos mande, ge sui qui le vos di : Les stratégies du dire dans les
chansons de geste’, La Revue de linguistique romane, 63:251-252 (1999), 387417.
––––––––, ‘Je dis que … Je pense que … Le je narrateur, auteur, témoin et
personnage des chroniques’, in ‘Comme la lettre dit la vie: Mélanges offerts à
Michèle Perret’, ed. by Dominique Lagorgette and Marielle Lignereux,
LINX, special issue (2002), 271-284.
––––––––, ‘La Ponctuation du discours rapporté dans quelques manuscrits de romans
en prose médiévaux’, Verbum, 28:1 (2008), 29-46.
––––––––, ‘La Signalisation du discours rapporté en français médiéval’, Langue
française, 149 (2006), 31-47.
––––––––, Narrateur et points de vue dans la littérature française médiévale: Une
approche linguistique (Bern: Peter Lang, 1998).
––––––––, ‘Narrateur et points de vue dans les chroniques médiévales: une approche
linguistique’, in The Medieval Chronicle: Proceedings of the 1st International
Conference on the Medieval Chronicle, Utrecht 13-16 July 1996, ed. by E.
Kooper (Amsterdam/Atlanta: Rodopi, 1999), pp. 174-90.
––––––––, ‘Réflexions sur le discours indirect libre en français médiéval’, Romania,
114 (1996), 1-49.
––––––––, ‘Sources du récit et discours rapportés : L’art de la représentation dans
les chroniques et les romans français des 14e et 15e siècles’, Le Moyen
Français 51-53 (2002), 435-459.
––––––––, Speech and Thought Presentation in French: Concepts and Strategies
(Amsterdam/NY: John Benjamins, 2005).
Mehler, Ulrich, Dicere und cantare: Zur musikalischen Terminologie und
Auffuhrungspraxis des mittelalterlichen geistlichen Dramas in Deutschland
(Regensburg: Bosse, 1981).
Meiller, Albert, ‘Le Problème du “style direct introduit par que” en ancien français’,
Revue de linguistique romane, 30 (1966), 353-373.
Nichols, S.J., ‘The Early Troubadours: Guilhem IX to Bernart de Ventadorn’, in The
Troubadours: an Introduction, ed. by S. Gaunt and S. Kay (Cambridge, 1999),
pp. 68-82.
Notopoulos, James A., ‘Mnmosyne in Oral Literarure’, Transactions of the American
Philological Association, 69 (1938), 465-93.
Nouvet, Claire, ‘Les Inter-dictions courtoises: le jeu des deux bouches’, Romanic
Review, 76.3 (May 1985), 233-250.
Olsan, Lea, ‘Latin Charms of Medieval England: Verbal Healing in Christian Oral
Tradition’, Oral Tradition, 7:1 (1992), 116-42.
Ong, Walter J., Orality and Literacy: The Technologizing of the Word (London:
Methuen, 1982).
Page, Christopher, Voices and Instruments of the Middle Ages: Instrumental Practice
and Songs in France 1100-1300 (Berkeley: University of California Press, 1986).
Parkes, M.B., ‘The Literacy of the Laity’, in Literature and Western Civilisation, ed.
by D. Daiches and A. Thorlby, vol. 2: The Medieval World (London, 1973), pp.
555-577.
Pemberton, Lyn, ‘Authorial Interventions in the Tristan en Prose’, Neophilologus, 68
(1984), 481-497.
Perret, Michèle, ‘A la fin de sa vie ne fuz-je mie…’, Revue des sciences humaines, 55
(1981), 17-37.
––––––––, ‘De l’espace romanesque à la matérialité du livre: L’espace énonciatif des
premiers romans en prose’, Poétique, 50 (1982), 173-182.
––––––––, ‘Façons de dire: Les verbes de paroles et de communication dans La Mort
le Roi Artu’, in La Mort du roi Arthur ou le crépuscule de la chevalerie, ed. by
Michèle Perret (Paris: Champion, 1994), pp. 181-195.
––––––––, “Histoire, nomination, référence” in “Linguistique de l’énonciation;
Approche diachronique” ed. by Michèle Perret, LINX, 32 (1995), 173-191.
––––––––, ‘Le discours rapporté dans Le bel inconnu’, L’Information
grammaticale, 72 (1997), 13-18.
––––––––, Le Signe et la mention, adverbes embrayeurs ci, ça, la, iluec en moyen
français XIVe-XVe siècles (Geneva: Droz, 1988).
––––––––, ed., ‘Linguistique de l’énonciation; Approche diachronique’, Lynx, 32
(1995).
Pickens, Rupert T., ‘Historical Consciousness in Old French Narrative’, French
Forum, 4:2 (1979), 168-184.
Poirion, Daniel, ‘Les Paragraphes et le pré-texte de Villehardouin’, Langue
Française, 40 (1978), 45-59.
Prince, Gerald, ‘Introduction to the Study of the Narratee’, Poetics, 14 (1973), 17796.
Rabatel, Alain, La construction textuelle du point de vue (Paris: Delachaux et Niestlé,
1998).
––––––––, ‘Les Représentations de la parole intérieure’, Langue française, 132
(2001), 72-95.
––––––––, ‘Les Verbes de perception en contexte d'effacement énonciatif: du point
de vue représenté aux discours représentés’, Travaux de Linguistique, 46 (2003),
49-88.
––––––––, ‘Les Verbes de perception, entre point de vue représenté et discours
représentés’, in Le Discours rapporté dans tous ses états, ed. by J. M. LópezMuñoz, S. Marnette and L. Rosier (Paris: L'Harmattan, 2004), pp. 81-96.
Rejhon, Annalee C., ‘Symposium: The Effects of Oral and Written Transmission in
the Exchange between Medieval Celtic and French Literatures: A Physiological
View’, Oral Tradition, 5:1 (1990), 131-48.
Rimmon-Kenan, Shlomith, Narrative Fiction (London: Methuen, 1983).
Rosier, Laurence, Le Discours rapporté; Histoire, théories, pratiques (Paris: Duclot;
Bruxelles: De Boeck, 1999).
––––––––, ‘Le Moyen français revisité par l’énonciation “signes et mentions” du
discours rapporté’, L'Information Grammaticale, 87 (2000), 24-32.
Rossman, Vladimir R., Perspectives of Irony in Medieval French Literature (The
Hague/Paris: Mouton, 1975).
Roulet, Eddy, La Description de l’organisation du discours. Du dialogue au texte
(Paris: Didier, 1999).
Roy, Bruno and Paul Zumthor, eds., Jeux de mémoire: aspects de la mnémotechnie
médiévale, (Montréal/Paris: Université de Montréal, 1985).
Rubin, David C., Memory in Oral Traditions: the Cognitive Psychology of Epics,
Ballads, and Counting-out Rhymes (Oxford: Oxford University Pres, 1995).
Rychner, Jean, La chanson de geste: Essai sur l’art épique des jongleurs (Geneva:
Droz, 1955).
––––––––, La Narration des sentiments, des pensées et des discours dans quelques
oeuvres des douxième et treizième siècles (Geneva: Droz, 1990).
––––––––, ‘La Présence et le point de vue du narrateur dans deux récits courts. Le Lai
de Lanval et la Châtelaine de Vergi’, Vox Romanica, 39 (1980), 86-103.
––––––––, ‘Le Discours subjectif dans les Lais de Marie de France. A propos d’une
étude récente’, Revue de Linguistique Romane, 53 (1989), 57-83.
––––––––, ‘Messages et discours doubles’, in Studies in Medieval French and
Literature Presented to Brian Woledge in Honour of his 80th Birthday, ed. by S.
Burch-North (Geneva: Droz (1980), pp. 145-161.
Saenger, Paul, ‘Silent Reading: Its Impact on late Medieval Script and Society,’
Viator, 13 (1982), 367-414.
––––––––, Space Between Words: The Origins of Silent Reading (Stanfodr, 1997).
Scholz, Manfred Günter, Hören und Lesen: Studien zur primären Rezeption der
Literatur im 12. und 13. Jahrhundert (Wiesbaden: Franz Seiner Verlag, 1980).
Schøsler, Lene, Les Temps du passé dans Aucassin et Nicolette, Etudes Romanes de
l’Université d’Odense, 5 (Odense: Odense University Press. Odense, 1973).
Scott, Clive, The Riches of Rhyme: Studies in French Verse (Oxford: Clarendon,
1988).
Solterer, Helen, The Master and Minerva: Disputing Women in French Medieval
Culture (Berkeley: University of California Press, 1995).
Soutet, Olivier and Claude Thomasset, ‘Des Marques de la subjectivité dans les
Mémoires de Commyne’, in La Chronique et l’histoire au Moyen-Âge, ed. by D.
Poirion, Cultures et civilisations médiévales, 2 (Paris: Presses de l'Université de
Paris-Sorbonne, 1984), pp. 27-44.
Southworth, John, The English Medieval Minstrel (Woodbridge, Boydell, 1989).
Spearing, A.C., Textual Subjectivity: The Encoding of Subjectivity in Medieval
Narratives (Oxford: Oxford University Press, 2005).
Spitzer, Leo, ‘Sur le discours direct lié (DDL)’, Bulletin linguistique, 14 (1946), 1745.
Staines, David. 1993. “Chrétien de Troyes and His Narrator/s”. in Robert A. Taylor,
James F. Burke et alii (éds.). The Center and its Compass. Studies in Medieval
Literature in Honor of Professor John Leyerle, ed. by Robert A. Taylor, James F.
Burke, and others, Studies in Medieval Culture, 33 (Kalamazoo: Medieval
Institute Publications, Western Michigan University 1993), pp. 415-456.
Stevens, John, Words and Music in the Middle Ages: Song, Narrative, Dance and
Drama, 1050-1350 (Cambridge: Cambridge University Press, 1986).
Stewart, Joan Hinde, ‘Some Aspect of Verb Usage in Aucassin et Nicolette’, French
Review, 50:3 (1977), 429-436.
Stock, B., Listening for the Text: On the Uses of the Past (Philadelphia, 1996).
––––––––, The Implications of Literacy: Written Language and Models of
Interpretation in the Eleventh and Twelfth Centuries (Princeton: Princeton
University Press, 1983).
Suard, François, ‘L’Utilisation des éléments folkloriques dans le lai du “Frêne”’,
Cahiers de civilisation médiévale, 21 (1978), 43-52.
Suleiman, Susan R., ‘Introduction: Varieties of Audience-Orientated Criticism’, in
The Reader in the Text: Essays on Audience and Interpretation (Princeton:
Princeton University Press, 1980).
Sutherland, D.R., ‘L’élément théâtral dans la canso chez les troubadours de l’époque
classique’, Revue de Langue et de Littérature d’Oc 12-13 (1962-63), 95-101.
Swift, Helen J., Gender, Writing, and Performance: Men Defending Women in Late
Medieval France (1440-1538) (Oxford: Oxford University Press, 2008).
––––––––, ‘Points of Tension: Performing Je in Jean Bouchet’s Jugement poetic de
l’honneur femenin (1538)’, Visualizing Medieval Performance: Perspectives,
Histories, Contexts, ed. by Elina Gertsman (Aldershot: Ashgate, 2008).
Tannen, Deborah, ‘Oral and Literate Strategies in Spoken and Written Narratives’,
Language, 58 (1982), 1-21.
––––––––, ‘Relative Focus on Involvement in Oral and Written Discourse’, in
Literacy, Language and Learning: The Nature and Consequences of Reading and
Writing, ed. by D. R. Olson, N. Torrance and A. Hildyard (Cambridge:
Cambridge University Press, 1985), pp. 124-147.
––––––––, Talking Voice, Repetition, Dialogue, and Imagery in Conversational
Discourse (Cambridge: Cambridge University Press, 1989).
––––––––, ‘The Oral/Literate Continuum in Discourse’, in Spoken and Written
Language: Exploring Orality and Literacy, ed. by D. Tannen (Norwood: Ablex,
1982), pp. 1-16.
Taylor, Andrew, ‘The Myth of the Minstrel Manuscript’, Speculum, 66:1 (1991), 4373.
Tedlock, Dennis, ‘On the Representation o Discourse in Discourse’, Journal of
Anthropological Research, 43:4 (1987), 343-44.
––––––––, The Spoken Word and the Work of Interpretation (Philadelphia: University
of Pennsylvania Press, 1983).
Tedlock, Dennis and Bruce Mannheim, eds., The Dialogic Emergence of Culture
(Urbana: University of Illinois Press, 1995).
Thompson, James Westfall, The Literacy of the Laity in teh Middle Ages (Berkeley:
University of California Press, 1939).
Tuomarla, Ulla, ‘La Parole telle qu’elle s’écrit ou la voie de l’oral à l’écrit en passant
par le discours direct’, in Le Discours rapporté dans tous ses états, ed. by J. M.
López-Muñoz, S. Marnette and L. Rosier (Paris: L’Harmattan, 2004), pp. 328334.
Turner, R.V., ‘The Miles Literatus in Twelfth- and Thirteenth-Century England: How
Rare a Phenomenon?’, American Historical Review 83 (1978), 928-945.
Tydeman, William, The Theatre in the Middle Ages: Western European Stage
Conditions, c.800-1576 (Cambridge: University of Cambridge Press, 1978).
Van Coolput, Colette-Anne, Aventures quérant et le sens du monde. Aspects de la
réception productive des premiers romans du Graal cycliques dans le “Tristan en
Prose” (Leuven: Leuven University Press, 1986).
Van Vleck, A., Memory and Re-Creation in Troubadour Lyric (Berkeley, 1991).
Vance, Eugene, From Topic to Tale: Logic and Narrativity in the Middle Ages
(Minneapolis: University of Minnesota Press, 1987).
Verschoor, Jan Adriaan, Etudes de grammaire historique et de style sur le style direct
et les styles indirects en français (Groningen: V.R.B., 1959).
Vinaver, Eugène, A la Recherche d’une poétique médiévale (Paris: Nizet, 1970).
––––––––, The Rise of Romance, 2nd ed. (Cambridge: Brewer, 1984).
Vincent, Diane, and Laurent Perrin, ‘On the Narrative vs Non-Narrative Functions of
Speech: A Socio-Pragmatic Study’, Journal of Sociolinguistics, 3 (1999), 291313.
Vitz, Evelyn Birge, ‘French Medieval Oral Traditions’, in Teaching Oral Traditions,
gen. ed.: John Miles Foley (New York: Modern Language Association, 1998), pp.
373-81.
––––––––, ‘From the Oral to the Written in Medieval and Renaissance Saints Lives’,
in Images of Saints in Medieval Europe, ed. by Renate Blumenfeld-Kosinski and
Timea Szell.
––––––––, Medieval Narrative and Modern Narratology: Subjects and Objects of
Desire (New York: New York University Press, 1989).
––––––––, ‘Minstrel Meets Clerk in Early French Literature: Medieval Romance as
the Meeting-Place between Two Traditions of Verbal Eloquence and
Performance Practice,’ in Cultures in Context, ed. by Richard Gyug (New York:
Fordham University Press), pp. 169-88.
––––––––––––––––, Orality and Performance in Early French Romance (Cambridge:
D. S. Brewer, 1999).
––––––––, ‘Paul Zumthor and Medieval Romance’, Dalhousie French Studies, 44
(1998), 3-11.
––––––––, ‘The Apocryphal and the Biblical, the Oral and the Written, in Medieval
Legends of the Life of Christ: The Old French Evangile de l’Enfance’, in Satura:
Essays on Medieval Satire and Religion, ed. by Ruth Sternglanz and Nancy Reale
(Stamford, UK: Paul Watkins, 1998), pp. 129-55.
––––––––, ‘Vie, légende, littérature: traditions orales et écrites dans les histoires des
saints’, Poétique, 72 (1987), 387-402.
Zaerr, Linda Marie and Mary Ellen Ryder, ‘Psycholinguistic Theory and Modern
Performance: Memory as a Key to Variants in Medieval Texts’, Mosaic, 26
(1993), 21-35.
Zink, Michel, La Subjectivité littéraire autour du siècle de Saint Louis (Paris: Presses
Universitaires de France, 1985).
––––––––,
The Invention of Literary Subjectivity, trans. by David Sices (Baltimore:
Johns Hopkins University Press, 1999). [La Subjectivité littéraire, Paris, PUF,
1985.]
Ziolkowski, Jan M., Talking Animals: Medieval Latin Beast Poetry, 750-1150
(Philadelphia: University of Pennsylvania Press, 1993).
Zumthor, Paul, Essais de poétique médiévale (Paris: Seuil, 1972)
––––––––, Histoire de la littérature française (Paris: Presses Universitaires de France,
1954).
––––––––, Introduction à la poésie orale (Paris: Seuil, 1983).
––––––––, Paul, La lettre et la voix: De la “littérature médiévale, (Paris: Seuil, 1987).
––––––––, La poésie et la voix dans la civilisation médiévale (Paris: Presses
Universitaires de France, 1984).
––––––––, Langue, texte, énigme (Paris: Seuil, 1975).
––––––––, ‘L’Ecriture et la voix, Le Roman d’Eracle’ in The Craft of Fiction. Essays
in Medieval Poetics, ed. by Leigh A. Arrathoon (Rochester, MI: Solaris, 1984),
pp. 161-209.
––––––––, ‘Poésie et vocalité au Moyen Age’, Cahiers de culture orale, 36 (1994),
23-34.
––––––––, ‘Qu’est-ce qu’un style médiéval?’ in Pour une anthropologie des voix, ed.
by Nicole Revel and Diana Rey-Hulman (Paris: L’Harmattan/Centre de recherche
sur l’oralité, 1993), pp. 35-47.