d Biography EN - Jeanne Bucher Jaeger

Espace Marais 5 & 7 rue de Saintonge 75003 Paris T. +33 (0)1 42 72 60 42
Espace St Germain 53 rue de Seine 75006 Paris T. +33 (0)1 44 41 69 65
[email protected] www.jeannebucherjaeger.com
BIOGRAPHY
YANG JIECHANG
Born in 1956, Foshan, Guangdong Province, PR China
Lives and works in Paris and Heidelberg since 1989
EDUCATION
2008
Sterling visiting Professorship at the Stanford University Medical School, Department of
Chemical and Systems Biology, Stanford, California, USA
2005
Visiting artist at Stanford University Medical School, Stanford, California, USA
2003
Residency at the Kunst Werke, Berlin, Germany
1992 - 93
Fellowship of the Pollock-Krasner Foundation, New York, USA
1984 - 86
His studies of Chinese art and its theories lead him to get in contact with Zen Buddhism
Tao. Study of the Tao with Master Huangtao at Mount Luofu, Canton and study of Zen
Buddhism at Guangxiao Temple, Canton, China
1982 - 88
Teacher at the Fine Arts Academy of Canton, China
1978 - 82
Study of the traditional Chinese painting at the Academy of Fine Arts in Canton, China
1974 – 78
Study of paper mounting, folk-art and the traditional Chinese painting at the Foshan Folkart Institute in Canton, China
SOLO EXHIBITIONS (selection)
2015
Good Morning Hong Kong, exhibition for the French May, Hong Kong Central Library,
Hong Kong, China
2014
Yang Jiechang: Die Rechnung bitte, Solo show, Galerie ARNDT, Berlin, Germany
This Is Still Landscape Painting, Solo show, curator: Britta Erickson, Ink Studio, Beijing,
China
2012
Yang Jiechang, Museum of OCT Art and Design Gallery, Shenzhen, China
Yang Jiechang: King of Canton, Hanart TZ, Hong Kong, China
2011
Yang Jiechang: Tale of the 11th day, Galerie Jaeger Bucher, Paris, France
Yang Jiechang: Stranger than Paradise, La Criée, Centre d’art contemporain, Rennes,
France
Yang Jiechang - Tale of the 11th Day, Tang Contemporary, Beijing, China
2010
Yang Jiechang, Gallery Conrads, Düsseldorf, Germany
2009
On Ascension, Galerie Jaeger Bucher, Paris, France.
Territoria, special project, Associazione Culturale Cantiere d’Arte Alberto Moretti-Galleria
Schema, Prato, Italy
2008
No : Shadow Kick, Duolum Museum, Shanghai, China
Venice Biennale, Tibetan Pavilion, Edicola Notte, Rome, Italy
In God We Trust, Stanford University Medical School, Stanford, California, USA
2007
The Most Beautiful Country of China, HanArtTZ Gallery, Hong Kong, China
2006
Tomorrow Cloudy Sky, HanArtTZ Gallery, Hong Kong, China
Idylls, Grace Li Gallery, Zürich, Switzerland
2005
Memorandums, Galerie Jaeger Bucher, Paris, France
Hei Ji Sheng Xiang, Shenzhen Painting Institute, China
Who Occupies the Space?, Isola d’Arte, Milan, Italy
2003
Lookchat, Centre A, Vancouver, BC, Canada
For Emily, 4A Gallery, Sydney, Australia
2002
Der längste Tag, Kunstverein Nürtingen, Nürtingen, Germany
2001
French May, Hong Kong University Museum, Hong Kong, China
Enlightened Blackness, Alice King Gallery, Taipeh, Taiwan
Double View, Gallery Jeanne Bucher, Paris, France
100 Layers of Ink, Cherng Piing Gallery, Taipeh, Taiwan
Institut Français, Frankfurt, Germany
2000
You - Double view, Project Room, ARCO 2000, Madrid, Spain
1999
Another Turn of the Screw, Gallery of the Central Academy of Fine Arts, Beijing, China
Rebuild Dong Cunrui, Cherng Piing Gallery, Taipeh, Taiwan
1998
Your Customs – Our Customs, Altes Zollamt, Frankfurt, Germany
1996
Galerie Jeanne Bucher, Paris, France
1995
Gallery Samuel Lallouz, Montreal, Canada
Gallery Alice Pauli, Lausanne, Switzerland
1994
Cut the Fingernails from My Body, Espace d'Art Contemporain Le Faubourg, Strasbourg,
France
Galerie Jeanne Bucher, Paris, France
1993
Rencontres dans un couloir, private appartment of Hou Hanru, Paris, France
Gallery Lauter, Mannheim, Allemagne
1992
Troisième demeure mondiale, Frankfurt, Germany
Galerie Jeanne Bucher, Paris, France
Gallery Turbulences, New York, USA
1991
Works on Paper, Frith Street Gallery, London, UK
1990
Salon de Mars, booth of the Galerie Jeanne Bucher, Paris, France
Galerie Jeanne Bucher, Paris, France
Voyage au Mexique, Centro Cultural Arte Contemporaneo, Mexico City, Mexico
1988
Milky Way Exhibition Nº 9, Central Park Gallery, Canton Artists4 Association, Canton,
China
GROUP EXHIBITIONS (selection)
2015
La Chine ardente, contemporary monumental sculptures, for Mons 2015 – European
Capital of Culture, Les Anciens Abattoirs, Mons, Belgium
Art Saint-Germain-des-prés, Galerie Jeanne-Bucher, Paris, France
ART BRUSSELS, with Galerie Jaeger Bucher
DRAWING NOW, with Galerie Jaeger Bucher
ART DUBAI, with Galerie Jaeger Bucher
China’s changing landscape, Amos Anderson Art Museum, Helsinki
Group Show, Galerie Jaeger Bucher, Paris
2014
China’s changing landscape, Nordiska Akvarellmuseet, Skärhamn, Suède
Group Show, Galerie Jeanne Bucher/Jaeger Bucher, Paris
ART BRUSSELS, with Galerie Jaeger Bucher
ART DUBAI, with Galerie Jaeger Bucher
Advance through Retreat, Rockbund Art Museum, Shanghai, China
Changing Landscape : China Ink Today, Nordiska Akvarellmuseet (Nordic Watercolor
Museum), Skärhamn, Sweden
2013
Zizhiqu: Autonomous Regions, Times Museum Guangzhou, China
Yuandao, Hong Kong Museum of Art, Hong Kong, China
From Gesture to Language, Rockbund Art Museum, Shanghai, China
Ink Art: Past as Present in Contemporary China, Metropolitan Museum, New York, USA
Les aventures de la vérité, curator : Bernard-Henri Lévy, Fondation Maeght, Saint-Paul-deVence, France
ART BRUSSELS, with Galerie Jaeger Bucher
ART DUBAI, with Galerie Jaeger Bucher
FIAC 2013, with Galerie Jaeger Bucher
Armory Show, New York, with Tang Contemporary (Beijing, China)
2012
Sehnsucht : an unquenchable desire, Château de Gaasbeek, Belgium
Clouds, Skissernas Museum (Musée des Esquisses), Lund, Sweden
ART BRUSSELS, with Galerie Jaeger Bucher
FIAC, with Galerie Jaeger Bucher
Armory Show, with Tang Contemporary (Beijing, China)
2011
The World Belongs to You, Palazzo Grassi, Fondation François Pinault, Venice, Italy
Hong Kong International Art Fair 2011, Hong Kong
FIAC – L’espace Lumière, with Galerie Jaeger Bucher
2010
Underground Flowers, Muséum d’Histoire Naturelle de Rouen, Festival Automne en
Normandie, France
FIAC – Homage to Mark Tobey, with Galerie Jaeger Bucher
Hareng Saur : Ensor et l’art contemporain, MSK and S.M.A.K., Ghent, Belgium
L’Océan, Espace Bellevue, Biarritz, France
Le Jardin Emprunté, Jardin du Palais-Royal, Paris, France
2009
Against Exclusion - 3rd Moscow Biennial, Garage, Moscow, Russia
FIAC – Homage to Mark Tobey, with Galerie Jaeger Bucher
Lyon Biennial, Museum of Modern and Contemporary Art, Lyon, France
Qui a peur des artistes ? Une sélection d’œuvres de la Fondation François Pinault, Musée
de Dinard, France
Time versus fashion, Kunstverein Nürtingen, Adel Abdessemed, Jiang Zhi,
Becoming Intense, Becoming Animal, Becoming…, Heidelberg University and city of
Heidelberg, Germany
2008
Expansion : Résonance, Galerie Jaeger Bucher, Paris, France
Onda Anomala – Manifesta 7, Trento, Italy
Too early for vacation, RV&A, Limerick, Ireland
3rd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
Our future, special project, UCCA, Beijing, China
Eurasia, ShContemporary 2008, Shanghai Artfair, Special Project, together with
Santomatteo, Shanghai, China
2007
Istanbul Biennial, Istanbul, Turkey
Metamorphosis: The Generation of Transformation in Chinese Comtemporary Art,
Tampere Art Museum, Tampere, Finland
Made in China, Louisianna Museum, Kopenhagen, Denmark
Gu Dexin, Yang Pei-Ming, Yang Jiechang, Red Mansions Foundation, London, UK
New Wave ’85, UCCA, Beijing, China
2006
Liverpool Biennial, Liverpool, UK
Laboratoires pour un avenir incertain : La Force de l’Art, 1st Paris Triennial, Grand Palais,
Paris, France
La revoluzione siamo noi, Isola Art Center, Milan, Italy
Micro-Macro Politics, Macao Art Museum, Macao
Taste, 5th Shenzheng International Ink Painting Biennial, Shenzheng, China
Capolavoro, Palazzo di Primavera, Terni, Rome, Italy
Infiltration: Idylls and Visions, Guangdong Museum of Art, China
Surplus Value, Tang Contemporary Art Centre, Beijing, China
Accumulation, Tang Contemporary Art Centre, Beijing, China
2005
Beyond, Second Guangzhou Triennial, Guanzhou, China
Layered Landscapes: Works by Yan Lei and Yang Jiechang, Stanford Art Gallery,
Stanfort, USA
Biennial of Emergency, Palais de Tokyo, Paris, France
Experimental Ink, Museum of the University of Science, Taipei and Taichung, Taiwan
2004
La Nuit Blanche, Paris, France.
Stop over Hong Kong, HanArtTZ Gallery, Hong Kong, China
Le moine et le démon, Musée d'Art Contemporain de Lyon, Lyon, France
A l’est du sud de l’ouest, Villa Arson, Nice/Credac Sète, France
GAP, Heidelberger Kunstverein, Heidelberg, Germany
Odyssey(s) 2004, Shanghai Gallery of Art, Shanghai, China
All Under Heaven, Muhka, Antwerpen, Belgium
2003
Zone of Urgency, Venice Biennial, Venice, Italy
Shenzhen Ink Painting Biennial, Shenzhen Painting Institute, China
The Fifth System, 5th International Shenzhen Sculpture Exhibition, China
2002
Guangzhou Triennial, Guangzhou, PR China
Pause, Kwangju Biennial, Kwangju, South Korea
Variations of Ink, Chambers Fine Arts, New York, USA
First Chengdu Biennial, Chengdu, China
2001
20 Main Chinese Painters, National Gallery Beijing, Bejing; Shanghai Art Museum,
Shanghai; Chengdu Art Museum, Chengdu; Canton Art Museum, Canton, China
China: 20 Years of Ink Experiment, Guangdong Museum of Art, Guangsong, China
Centre de Refuge, Centre International de Poesie, Marseille, France
2000
Paris pour Escale, Musée d’art Moderne de la Ville de Paris, Paris, France
Continental Shift, Musée d’art Moderne et d’art Contemporain, Liège, Belgium
A Portrait, Agnès B. Gallery, New York, USA
Fuori Uso : The bridges, Pescara, Italy
1999
Art in March - Legend 99, Nantou, Taiwan
Asiart 99, Biennale d’arte contemporanea, Museum of Contemporary Art Genova, Italy
1998
Les magiciens de la terre, Anina Nosei Gallery, New York, USA
2nd International Biennial Shanghai, China
1997
In Between Limits, Sonje Museum of Contemporary Art, Kyongju, South Korea
Uncertain Pleasure, Art Beatus Gallery, Vancouver, Canada
1996
Heidelberger Kunstverein, Heidelberg, Germany
1995
West-östliche
Kontakte:
Yang
Jiechang,
Young-Hyang
Lee,
Teruko
Hiramatsu,
Heidelberger Kunstverein, Heidelberg, Germany
Hölderlinturm (Happening with Andreas Schmid), Hölderlinturm, Tübingen, Germany
Art Cologne, Cologne, Germany, with Galerie Jaeger Bucher
FIAC, with Galerie Jeanne-Bucher
1994
Out of the Centre, Museum of Modern Art, Pori, Finland
1993
Coalition, Centre for Contemporary Arts, Glasgow, UK
Silent Energy, Museum of Modern Art, Oxford, UK
Construction in Process Nr. 4: My Home is your Home, The Artists' Museum, Lodz, Poland
Museum für Kunsthandwerk, Frankfurt am Main, Germany
1992
The Artists' Museum, Lodz, Poland
History of the Rocket: The Tree of Life: A Journey to Asian Contemporary Art, Saitama
Museum of Modern Art, Saitama, Japan
1991
Exceptional Passage, Museum City Project, Fukuoka, Japan
1990
Centro Cultural Arte Contemporaneo, Mexico City, Mexico
Chine demain pour hier, Pourrières, France
FIAC, with Galerie Jeanne-Bucher
1989
Blackness, Hanart Gallery 2, Hong Kong, PR China; Taipei, Taiwan
China/Avantgarde, National Gallery, Beijing, China
Les magiciens de la terre, Centre Georges Pompidou, Paris, France
FIAC, with Galerie Jeanne-Bucher
Today, Gallery Tokyo, Japan
PUBLICATIONS
1981
Qingzhu dang 50 zhounian de meishu zuopinzhan, Artist Association of the Province of
Canton.
1985
“Yang Jiechang Xizang xiesheng zuopin”, in : Hualang 17.
1986
"Shiwuren lianzhan zuopinxuan", in : Hualang 19, p. 9.
1987
"Yang Jiechang“, in : Jiangsu Huakan 6, p. 39, p. 47.
1989
China/Avant-Garde, China Art Gallery, Beijing.
Shigeo, Chiba, “Modern Chinese Art”, in : Today, Tokyo Art Gallery.
Les magiciens de la terre, Editions Centre Georges Pompidou (ed.), Paris, p. 265.
Chen, Yingde, "Guanyu canzhan de san wei Zhongguo dalu yishujia", in : Yishujia/ Artist
Magazine 7, p. 161.
1990
Yang Jiechang, ex. cat., Galerie Jeanne Bucher, Paris.
Art Chinois 1990 : Chine demain pour hier, Les domaines de l'art (ed.), Edition Carte
Segrete, p. 56 - 59.
"Yang Jiecang zhongguohua zuopin", in : Huajia 12.4, p. 36.
"Yang chieh-ch'ang", Lexikon der Kunst, Malerei, Architektur, Bildhauerkunst, Herder,
Freiburg/Basel/Wien, vol. 12, p. 310.
1991
Chen, Tong (ed.), "Xinchao meishu yundong ? 25 huida", in : Huajia, 16.
Gebrochene Bilder, Junge Kunst aus China, Drachenbrücke (ed.), Horlemann Verlag, Bad
Honnef, p. 82 - 85.
Fei, Dawei "Exceptional Passage", in : Atelier, Art For Life, Life With Art, December, p. 77.
Masae Tadokoro, "Exhibtion of Modern Chinese Art", in : Sansai 11, p. 60.
Köppel-Yang, M., "Von der Notwendigkeit die Kunst zu töten" in : Das Neue China, 2, p.
11.
Fei, Dawei, "Exceptional Passage", in : d - Art # Xo, 2, p. 32.
Guttman, Cynthia, "Mao's Children Fly Avant-Garde Flag", in : International Herald Tribune,
October 26-27.
Macdonald, Robert, "Yang Jiechang", in : Time Out, April 3-10.
1992
Encres de Chine, ARTE, Prestige Video.
Yang Jiechang, ex. cat., Galerie Jeanne Bucher, Paris.
Fei, Dawei, "Exceptional Passage", in : Bijutsu Techo, 44/ n° 650/2, p. 142.
Shingo Yamano, "Chinese Avant-garde Artists Exhibition, Contact with a Developed Other
Culture", in : Fukuoka Style, vol.3, p. 89.
Yang Jiechang, ex. cat., Galerie Turbulences, New York.
Dagen, Philippe, "Noir d'encre, les compositions d'un jeune peintre chinois", in : Le
Monde, May, 8.
1993
China Avant-garde, Haus der Kulturen der Welt (ed.), Edition Braus, Berlin, p. 290 - 291.
Silent Energy, Museum of Modern Art Oxford (ed.), p. 22 - 23.
New Art from China, Moma Oxford.
Die Horen, Zeitschrift für Literatur, Kunst und Kritik, 38/1, p. 132 - 133.
Cai, Guoqiang, "Gu Wenda, Huang Yongping, Yang Jiechang", in : Music Today, Biannual
Series For Music & Art, 19, p. 114.
Hou, Hanru, "Benwen de huanyu huozhe qigong. He liuwei zhongguo yishujia de tanhua",
in : Xiongshi meishu, 266/4, p. 50.
Fei, Dawei, "Liumang wenhua, minzuxing, zhi Li Xianting de yifeng xin", in : Ershiyi shiji,
15/2, p. 93.
Maos ungezähmte Kinder, ex. cat., Museum für Kunsthandwerk, Frankfurt.
Irmtraut Schaarschmidt-Richter, "Klingelnde Kassen lähmen den großen Bären : 'Maos
Kinder' - Frankfurter Ausstellung zeigt moderne chinesische Kunst", in : Frankfurter
Allgemeine Zeitung, December, 6.
"Five Ways to see Chinese", in : South China Morning Post, march, 7.
1994
Out of the Centre, Jari-Pekka Vanhala (ed.), Pori Art Museum Publications 25, Pori, p. 48.
1995
Hou, Hanru, "Yang Jiechang, Art of the real", in : West-östliche Kontakte, Heidelberger
Kunstverein (ed.), Heidelberg.
Art Cologne, ex. cat., Cologne.
"Yang Jiechang", in : J-Wave Art Gallery, 88/December.
Harris, Claire-Elise, "Les souvenirs encrés de Yang Jiechang", in : Le Nouveau Vendredi,
21 - 23 July.
Jaunin, Francoise, "Chez Pauli, Yang Jiechang change le noir en lumière", in : 24 Heures,
5 July.
Tauvel-Dorsaz, Hélène, "Une peinture grise et noire pour conjurer le rouge de Mao", in :
Journal de Genève, 7 July.
1996
Yang Jiechang, ex. cat., Galerie Jeanne Bucher, Paris.
Hou, Hanru, "Yang Jiechang zhenshi zhong de yishu", in : Yishujia/ Artist Magazine,
258/11, p. 450.
1997
In Between Limits, Sonje Museum of Contemporary Art, Kyongju, p. 88.
Uncertain Pleasure, Hou Hanru (ed.), Art Beatus Gallery, Vancouver.
Pour un jubilé: 1947 - 1997, éd. Galerie Jeanne Bucher, Paris.
My Dream, ex. cat., Hong Kong.
1998
Between the Sky and the Earth, Annie Wong Leung Kit-Wah Art Foundation, Hong Kong,
p. 60.
Binks, Hilary, "No Longer One Language", in : Asian Art News 8/4, p. 70.
"A Curator's View", Interview of Hou Hanru with Hilary Binks, in : Asian Art News 8/4, p. 73.
Li, Xianting "4696/1998 : 5 Contemporary Chinese Artists", in : 4696/1998, Yvonne Force
Inc. (ed.), New York/Vancouver.
The First International Shenzhen Biennial of Contemporary Ink Painting, ex. cat.,
Shenzhen.
Shanghai Biennale 1998, ex. cat., Shanghai Art Museum, p. 153.
"Yang Jiechang, lizu yu zhong xi wenhua zhi jian", in : Tin Tin Daily, Hong Kong, 6/28.
"He yong zhizhuo zicheng Zhongguoren", in : Ming Pao Daily, 6/25.
Hou, Hanru/Gao, Minglu, "Strategies of Survival in the Third Space", in : Inside Out, New
Chinese
Art,
Gao
Minglu
Angeles/London, p. 183.
(ed.),
University
of
California
Press,
Berkeley/Los
Köppel-Yang, M., "Yang Jiechang", in : Uncontrolled Contacts, ex. cat., Frankfurt.
1999
Hou Hanru, “Cuowei : Yang Jiechang de ‘Zaizao Dong Cunrui’”, in : Yishujia/Artsits
Magazine, 9, p. 429 - 431.
Hou Hanru, “Malpositioning : Yang Jiechang’s ‘Revising Dong Cunrui’”, in : Yang Jiechang
: Dong Cunrui, Cheerngpiin Gallery, Taiwan.
Köppel-Yang, Martina, “Remolding Icons”, in : Yang Jiechang : Dong
Cunrui,
Cheerngpiin Gallery, Taiwan.
Chen Tong, “The Central Colour : A talk with Yang Jiechang on ‘Dong Cunrui’”, in : Yang
Jiechang : Dong Cunrui, Cheerngpiin Gallery, Taiwan.
Yu Hsiao-hwei, “Zhuanfang – Zaizao Dong Cunrui”, in : CANS/ Chinese Art News, 25/
September, p. 90 - 91.
Huang Hai-ming, “A Close Dialogue With Art in March : Legend 99”, in : Yishu Douzhen/
Art in March, Council for Cultural Affairs, Taiwan, p. 52.
Zhang Zhaohui, “Yang Jiechang at the Gallery of the Central Academy of Fine Arts”, in :
Asian Art News, March/April, p. 74 - 75.
“Yang Jiechang : Fence of Defence”, in : Yishu Douzhen/ Art in March, Council for Cultural
Affairs, Taiwan, p. 127 - 133.
2000
Paris pour escale, Musée d’art moderne de la ville de Paris, Paris, p. 110 - 113.
Hanru, Hou /Jouanno, Evelyne, “Il résident en mouvement“, in : Paris pour escale, Musée
d’art moderne de la ville de Paris, Paris, p. 12 - 15.
“Yang Jiechang”, in : Fuori Uso, The Bridges, Giancarlo Politi Editore, Milano, p. 124 127.
The Second Shenzhen International Ink Painting Biennial, Shuimo yu dushi, Shenzhen shi
renmin zhengfu, Shenzhen, p. 183.
2001
Domino, Christophe, “Enlightened Writings”, in : Asian Art News, vol.11/4, July/August, p.
64 - 65.
Köppel-Yang, Martina, “Yang Jiechang – Chaoyue shijue de huihua”, in : Yishujia/ Artist,
318/November, p. 500 - 502.
Köppel-Yang, Martina, “Yang Jiechang. Painting beyond the Visual”, in : Enlightened
Blackness : Ink Paintings by Yang Jiechang, French May, Alisan Fine Arts, Hong Kong,
and Chinese-art.com, artist of the week.
Yan Shanchun, “Chengshi shanshuihua jiduo mianxiang”, in : Diancang, 100/January, p.
126 - 128.
Yang Jiechang : Double Vue, Galerie Jeanne Bucher, Paris.
Kwong, Kevin, “Beneath Black and White”, in : South China Morning Post, June, 1th.
“Yang Jiechang”, in : Dongfang shikong program, Chinese Television, July/August.
Köppel-Yang, Martina, “Remolding a Hero, Remolding Icons”, in : Chinese Art at the
Crossroads : Between Past and Future, Between East and West, Wu Hung (ed.), New art
Media, Hongkong, p. 44 - 47.
“Yang Jiechang”, in : China : 20 Years of Ink Experiment : 1980 – 2001, Guangdong
meishu guan (eds.), Guangzhou, p. 38 - 39, p. 156 - 157.
“Yang Jiechang”, in : Towards A New Image : 20 Years of Contemporary Chinese
Painting, Beijing Contemporary Visual Art Development Co. ltd., Beijing, p. 158 - 167.
Li Xianting, “Three Generations of Art Since the Policies of Opening and Reform”, in:
Towards A New Image : 20 Years of Contemporary Chinese Painting, Beijing
Contemporary Visual Art Development Co. ltd., Beijing, p. 36 - 45.
Enlightened Blackness : Ink Paintings by Yang Jiechang, Alisan Fine Arts, Hong Kong.
Yang Chuntang, “Yang Jiechang”, in : Enlightened Blackness : Ink Paintings by Yang
Jiechang, Alisan Fine Arts, Hong Kong.
Huang Hai-ming, “Shuimo chuantong de linglei bianzheng xuanxue : Yang Jiechang de
shuimo yu shufazhuangzhi”, in : Yang Jiechang Solo Exhibition : Re-vision, Cherngpiin
Gallery, Taipei.
“Yang Jiechang”, in : Chengdu Biennale 2001, Sichuan Fine Arts Publishing House,
Chengdu, p. 148 - 151.
Zheng Shengtian/Hou Hanru/Fei Dawei/ Köppel-Yang Martina, “You jian Bali, you jian Bali
: huaren yishujia zai Bali de shiji bianqian”, in : Diancang/Art And Collection, 104/May, p.
36 -51.
Cherngpiin Gallery, “Re-vision Yang Jiechang chuangzuo ershi nian”, in : Yishujia/Artist,
317/October, p. 537.
Huser, France, “La Nouvelle Seine des artistes migrateurs”, in : Le Nouvel Observateur,
1889/January 18 - 24, p. 106.
Joly, Adrienne, « MAMVP Paris », in : art actuel, 12/January/February, p. 20 - 21.
2002
Xu Wenrui, “Baofengyan de liqi shizhong : Yang Jiechang de huaiyi”, in : Yishu dangdai/
Art China, 4, p. 82 - 87.
Chen Tong, ”Gongzuoshi : jiaoliu kongjian yu zuopin : Yang Jiechang, Martina KöppelYang tan ‘Mühlgasse 40’”, in : Yishu dangdai/ Art China, 4, p. 78 - 81.
“Yang Jiechang”, in : Gwangju Biennale 2002, Project 1, Pause Conception, Gwangju, vol.
1, p. 262 - 263, vol. 2.
Guo Xiaoli, “Haode zhuangtai jiushi buduandi chaoyue”, at :
cn.cl.2000.com/visit/
yangjicang/wen.shtml, January, 18.
Yu Hsiao-hwei, “Yangqi mingxing pai gaoju shiyan feng”, in : Jin yishu/ Art Today, May, p.
62 - 67.
Wu Hung, “Variations of Ink : A Dialogue With Zhang YanYuan”, in : Yishu : Journal of
Contemporary Chinese Art, August, p. 86 - 90.
Köppel-Yang, M., “Zaofan Youli/Revolt is Reasonable : Remanifestations of the Cultural
Revolution in Chinese Contemporary Art of the 1980s and 1990s”, in : Yishu : Journal of
Contemporary Chinese Art, August, p. 66 - 75.
Erickson, Britta, "Changing Places, Changing Meanings : Chinese Contemporary Art in a
Global Environment," in : Regionalism and Networks : Research on Chinese Art History of
the Past Millennium, Taiwan National University Department of Art, Taipei, p. 727 - 748.
Project/Pause – Conception/Pause – Realization, Gwangju Biennale, Korea, p. 262 – 263,
p. 322 - 323.
2003
Dreams and Conflicts : The Dictatorship of the Viewer, La Biennale di Venezia, 50th
International Art Exhibition, Venice, p. 212.
Geczy, Adam, “On Yang Jiechang”, in : Art Asia Pacific, 38, p. 77.
2005
Yang Jiechang : Memorandums, Galerie Jeanne Bucher, Paris.
Beyond, Second Guangzhou Triennial, Guangzhou, Chine, p. 248 - 249.
Hei Ji Sheng Xiang, Shenzhen Fine Art Institute, Shenzhen.
2006
International 06 Liverpool Biennial, Liverpool Biennial, Liverpool, p. 106 - 109.
Spector, Rosanne, “So you want to be a rock 'n' roll star? Study molecular pharmacology”,
in : Stanford Report, March, 15.
Chiu, Melissa, Breakout : Chinese art outside China, Edizioni Charta, Milano, p. 23 - 27.
Beaux Arts Magazine, 263/May, p. 74.
Infiltration : Idylls and Visions, Guangdong Museum of Art, Guanzhou.
Surplus Value, Tang Contemporary, Beijing.
Accumulation : Canton Express : The Next Stop, Tang Contemporary, Beijing.
Ink – Life – Taste, 5th Shenzhen International Ink Painting Biennial, Shenzhen.
2007
“Yang Jiechang a Dialogue with Angelo Capasso”, in : Opere d’arte a parole, dialoghi
sull’arte contemporanea, Meltemi editore srl, Roma, p. 75 - 79.
La Force de l’art, Paris.
”Yang Jiechang : Six Established Paris-Based Chinese Artists”, in : Visual Production,
vol.3, p. 46 - 57
Erickson Britta, “A Cultural Revolution”, in : The Atlantic, July/August.
Istanbul Biennial, ex. cat., Istanbul.
2008
“Artists continue to try hard : a dialogue between Yang Jiechang and Fée Hu Qihong”, in :
Life Magazine (Shenghuo), Issue 34/September, p. 153 - 159.
Li Jianchun, “An Eurasian Artist : The Discovery of Contemporary Chinese Art”, vol. 3, in :
Life Magazine (Shenghuo), Issue 34/September, p. 148 - 152.
No yet time for Vacation, ev&a, Limerick.
No Shadow Kick, ex. cat. Shanghai, Tang Contemporary.
Frogier, Larys, “Yang Jiechang : Making Beyond… Beyond Making… Be… Make…
Maybe… Y…,” in : Yang Jiechang : On Ascension, éd. Galerie Jaeger Bucher, Paris.
Qiu Jiahe, “Yang Jiechang : Art needs inspiration and self-cultivation” (en Chinois), in :
Shanghai Zhengquan Bao, September, 6.
“Multimedia Microbes and Music in Dec.9 Performance Piece at Stanford”, in : The Wall
Street Journal/ Market Watch, Decembre, 29, http://www.marketwatch.com/news/story
/Multimedia-Microbes-Music-Dec-9/story.aspx?guid=%7B1DF88988-BEAF-44D7-B2B035DD49E94900%7D.
Wool, E.Lauren, “News : 2008 Sterling Visiting Professorship explores art-science
interface”, in : Biotechniques, December, 10, http://www.biotechniques.com/default
.asp?page=news&subsection=article_display&id=444.
2009
Angelika Heinick, “Sei zärtlich geküsst, Elefantenmensch”, in : Frankfurter Allgemeine
Zeitung, March 11/62, p. 44.
Lydia Harambourg, “Yang Jiechang : On Ascension”, in : La Gazette de Druot, 9/ March,
6, Paris.
Becoming
Intense,
Becoming
Animal,
Becoming
…,
(Köppel-Yang/Trede
eds.),
Heidelberg, Kehrer Verlag, p. 110 - 119.
Time vs Fashion, ex. cat., Kunstverein Nürtingen, April.
Qui a peur des artistes : Une sélection d’œuvres de la François Pinault Foundation, Paris,
Skira Flammarion, p. 76 - 79.
Le spectacle du quotidien : Xe biennale de Lyon, Paris, Les Presses du Réel.
Against Exclusion : 3rd Moscow biennale of Contemporary Art, Moscow Biennale,
Moscow, p. 188 - 189, 217.
2010
Art for the World : The City of Forking Paths, JGM Gallery, Paris/ Shanghai, p. 154 -155.
Joan Kee “The Curious Case of Contemporary Ink Painting”, in : artjounal, Fall, p.92 - 94.
Hareng Saur, Ensor and Contemporary Art, (SMAK/MSK Gent ed.), De Keure, Brugge, p.
184 - 185, p. 210 - 211.
2011
Hein-Norbert Jocks “Yang Jiechang”, Galerie Conrads, Düsseldorf, 3.9.2010 –
16.10.2010, in : KUNSTFORUM International, 206/January/February, p. 312 - 316.
Karen Wright, “Yang Jiechang : The big Learning”, in : BRIC, april, 14-15, Phillips de Pury
& Company, Londres, p. 48 - 53.
Eleonora Galasso, “Arte Senza Frontiere” (entretien avec Yang Jiechang), in : Onpaper
EXIBART, Italie, May/June, p. 59.
Christophe Domino, “Paroles d’artiste : Yang Jiechang : L’art est une manière d’agir”, in :
Journal des arts, 348, may, 27 – june, 2.
Valerie de Maulmin, “Yang Jiechang : L’ode à la nature, dans Connaissance des arts”,
697/october.
Judith Benhamou, “Déferlante des blockbusters de l’art contemporain sur Paris”, in :
blogs of Judith Benhamou, site web of Les Echos, posted October, 21.
Yang Jiechang, Galerie Jeager Bucher, Officiel des arts, November/december.
2012
Mondadori Electra,The World Belongs to You, ex. cat., Palazzo Grassi, Fondation François
Pinault, Venise.
Yang Jiechang : King of Canton, ex. cat., Hanart TZ, Hong Kong.
2013
Bernard-Henri Lévy, Les aventures de la vérité, ex. cat., Fondation Maeght, edition
Grasset, Saint-Paul-de-Vence.
Maxwell K. Hearn, Ink Art: Past as Present in Contemporary China, ex. cat., Metropolitan
Museum, New York.
From Gesture to Language, ex. cat., Rockbund Art Museum, Shanghai.