Né en 1970, à Perth, Australie. Vit et travaille à New York

Né en 1970, à Perth, Australie. Vit et travaille à New York

James Angus
Né en 1970, à Perth, Australie. Vit et travaille à New York.
EXPOSITIONS PERSONNELLES (sélection)
2008 Triple V, Dijon
Gavin Brown’s enterprise, New York
Roslyn Oxley9 Gallery, Sydney
2007 Art Galley of Western Australia, Perth
Institute of Contemporary Art, Brisbane
2006 “Three Sculptures,” Gavin Brown’s enterprise, New York ;
Museum of Contemporary Art, Sydney
2004 Gavin Brown’s enterprise, New York «Truck Corridor,» Art Gallery of New South Wales, Sydney
2002 Roslyn Oxley9 Gallery, Sydney
2000 Roslyn Oxley9 Gallery, Sydney
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Australian Center for Contemporary Art, Melbourne
1999 Gavin Brown’s enterprise, New York
1997 Gavin Brown’s enterprise, New York
1995 Roslyn Oxley9 Gallery, Sydney
Perth Institute of Contemporary Arts
1994
200 Gertrude St, Melbourne
1993 Galerie Dusseldorf, Perth, as part of the Festival of Perth
1991
Perth Institute of Contemporary Arts, Perth Australia
EXPOSITIONS COLLECTIVES (sélection)
2007 “The Freak Show,” Musee d’Art Contemporain, Lyon, France (cat.), commissaires Vincent Pécoil & Olivier Vadrot (La salle de bains)
2006 “21st Century Modern,” Adelaide Biennial, Art Gallery of South Australia
‘Scape Biennal of Art in Public space,’ Christchurch, New Zealand
2004 “Gridlock: cities, structures, spaces,” Govett-Brewster Art Gallery, New Plymouth, New Zealand
2003 “Strange Days,” Museum of Contemporary Art, Chicago
“Still Life,” Art Gallery of New South Wales, Sydney
“Inaugural Exhibition,” GBE (Modern), New York
“Face Up,” National Galerie im Hamburger Bahnhof, Berlin
TrÔle V • 24 rue Louise Weiss, 75013 Paris, France • +33 (0)6 07 66 02 79 • info@trÔle-v.Ï • www.trÔle-v.Ï
James Angus
“20th Anniversary- Welcome home,” Gavin Brown’s enterprise, New York
2002 “Biennale of Sydney,” Sydney 2001
“Never Never Land”, USF Contemporary Art Museum, College of Fine Arts, Tampa
2000 “New Urban Sculpture”, Public Art Fund, New York
«Age of Influence: Reflections in the Mirror of American Culture», curated by Francesco Bonami and Elza-
beth Smith, Museum of Contemporary Art, Chicago
1998 «Unfinished History» curated by Francesco Bonami, The Walker Art Center, Minneapolis
1997 «Fischli and Weiss, Hans Accola, and James Angus», Gavin Brown’s enterprise, New York
1996 «Adelaide Biennial of Australian Art,» Art Gallery of South Australia
«Transformers», Auckland City Art Gallery, New Zealand
«Out of Australia,» Perth Institute of Contemporary Arts, Perth
«Vernacular Signs», Art Gallery of Western Australia, Perth
1993 «115 degrees 58 minutes East, 91 degrees 56 minutes South», Roslyn Oxley9 Gallery,Sydney
«Movement and Light», Museum of Contemporary Art, Sydney
1992 «Primavera,» Museum of Contemporary Art, Sydney
«ARX3 (Artists’ Regional Exchange)», Lawrence Wilson Gallery, University of Western Australia, Perth
PUBLICATIONS (sélection)
Charles Robb and Wes Hill, `James Angus, Museum of Contemporary Art, Sydney,’ Eyeline, number 64, pp
56-57
“James Angus,” National Sculpture Prize and Exhibition (exh. cat.), National Gallery of Australia, Canberra,
2005, p.13 59
James Angus, Art and Australia, 2006 (published to accompany the exhibition of James Angus curated by Rachel Kent at the Museum of Contemporary Art)
Angus, James, “Manta Ray: In search of perfect ambiguity,” Art & Australia, 40th Anniversary Issue, Winter,
vol. 40, no. 4, 2003, p. 580, 581
Barrett-Lennard, J. Artlink, Summer 1991/2
Berlino, A, “Face Up. L’arte australiana va forte,” Arte, December 2003
Bogle, A. Transformers cat. Auckland Art Gallery, 1996
Bonami, Francesco Unfinished History cat. Walker Art Center 1998
Boyd, Chris `Both literal and figurative’, The Weekend Australian Financial Review, September 2 - 3, 2006,
pp. 32 - 33
Burns, Karen, “About Face,” Monument, no. 58, January 2004, p. 38
Chapman, C. Eyeline, October, 2000
Cook, Robert, `James Angus’, 21st Century Modern, 2006 Adelaide Biennial of Australian Art catalogue,
curated by Linda Michael, published by Art Gallery of South Australia,
Adelaide, 2006 pp. 18-19
Delaney, Max, “Skeletons in the closet: from the monument to the model - sculpture in the Collection,” Monash University Collection: Four Decades of Collecting, ed.
Duncan, Jenepher, “James Angus,” Wall Power (exh. cat.), Art Gallery of Western Australia, Perth, Australia,
2005 (unpaginated)
Duncan, Jenepher and Linda Michael, Monash University and Monash University Museum of Art, Victoria,
2003, p. 45 - 51
Engberg, Juliana, `The Body in the Box: Callum Morton and James Angus’, Art and Australia, Vol. 42, No.
4, 2005, pp. 580 - 587
“Face Up: Contemporary Australian Art,” review, Flash Art, October 2003, vol. 36, no. 232, p. 46
TrÔle V • 24 rue Louise Weiss, 75013 Paris, France • +33 (0)6 07 66 02 79 • info@trÔle-v.Ï • www.trÔle-v.Ï
James Angus
Grayson, Richard, “James Angus,” Face Up: Contemporary Art from Australia, exhibition catalogue, Museum
for the Present, Nationalgalerie im Hamburger Bahnhof, Berlin, 2003, p. 60, 61
Grayson, Richard, “The Downside up Show,” Broadsheet, vol. 32, no. 4, 2/2003 - 12/2004
Hill, Peter, “Join the Red Dots,” Spectrum, Sept 25-26, 2004, p. 8
Holubizky, Ihor, Truck Corridor, exhibition catalogue, Art Gallery of New South Wales Contemporary Projects, Art Gallery of New South Wales, Sydney, 2004
Hunt, D. Art/text, February, 2000
Johnson, K. The New York Times, September 23, 1997
Fehrenkamp, A. Sculpture, January/February, 2000
Koop, S. Monument, February/March, 2001
Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne
2005 p. 212-23
MCA Collection: New Acquisitions in Context, exhibition catalogue, Sydney 2005 p 6, 24
McKenzie, Dr. Janet, “FACE UP,” Studio International, UK, 4 December
McNeil, D. 1996 Adelaide Biennial of Australian Art cat. AGSA 1996, Meagher
Michael, L. PRIMAVERA cat. MCA Sydney, 1992
Newall, M. Like, February 2001
Palmer, D. “A Surrealist Party Tape”, Critical Interventions - Biennale of Sydney 2002, Artspace Visual Arts
Centre, Sydney
Palmer, Daniel, `Looking Back: Retrospectives’, Frieze, mo. 104, December - January 2007, p. 128, p. 130
Rawlins, Jarrod Flash Art, March-April 2007
Rees, Simon, “Still Life: Art Gallery of New South Wales, Sydney,” Flash Art, vol. 36 no. 233, November
-December 2003, p. 51
Saltz, J. Time Out New York, October 7-14, 1997
Smee, Sebastian, “Watch out for sharp bends”, The Australian, Monday September 25, 2006
Stringer, John `James Angus at Galerie Dusseldorf, Perth’, Art & Text, #45, May 1993, p.80
Sundell, M. Artforum, November, 1999
Wahjudi, Claudia, “Face up - Xeitgenösshiche Kunst aus Australien,” Austellungen, Kunstforum International, Bd. 168, 01/02/2004
TrÔle V • 24 rue Louise Weiss, 75013 Paris, France • +33 (0)6 07 66 02 79 • info@trÔle-v.Ï • www.trÔle-v.Ï