1 Grier Edmundson se penche sur les récits conceptuels et formels
Transcription
1 Grier Edmundson se penche sur les récits conceptuels et formels
GRIER EDMUNDSON Grier Edmundson se penche sur les récits conceptuels et formels du médium de la peinture et sur l'historiographie occidentale du Modernisme, et examine les parallèles et les répétitions, les chevauchements et les divergences au sein de ces deux histoires. Ces recherches se présentent souvent sous forme installative qui agissent en tant que modèle d'exposition. Grier Edmundson détient un Baccalauréat en beaux-arts du Maryland Institute College of Art (2001) et une Maîtrise en beaux-arts de la Glasgow School of Art (2007). Récemment, ses oeuvres ont été exposées à la Koppe Astner Galerry (Glasgow), à la Fourteen30 Contemporary (Portland), au Centre Clark et à la galerie Power House (Memphis). Il vit et travaille à Montréal. ÉDUCATION 2007 MFA, Glasgow School of Art, Glasgow 2001 BFA, Maryland Institute College of Art, Baltimore EXPOSITIONS SOLO 2016 2015 2014 2013 2011 2009 2008 2005 2004 Battat Contemporary (à venir) Fornal Economics, The New Gallery, Calgary Tops Gallery, Memphis Easy Come, Easy Go, Kendall Koppe Gallery, Glasgow Un serpent dans la pelouse, Galerie Clark, Montréal two weeks/two works, Fourteen30 Contemporary, Portland The Text Is Plural, Battat Contemporary, Montréal looking around looking, Fourteen30 Contemporary, Portland Sometimes I am content, Kendall Koppe, Glasgow The work ahead of us, Battat Contemporary, Montréal Tomorrow You Will Not Recognize Us, Fourteen30 Contemporary, Portland North / South, Power House, Memphis Progress! Progress?, Washington Garcia, Glasgow Memphis: Spring 2005, Material, Memphis Untitled: A Collection, Rhodes College, Memphis Brooks Introduces, Brooks Museum, Memphis EXPOSITIONS COLLECTIVES 2016 2015 2014 2013 2011 2010 2009 2008 2007 Exposition de groupe et oeuvres de la collection, Battat Contemporary, Montréal The Ultimate Vessel, Koppe Astner, Glasgow,UK Grier Edmundson and Amélie Guérin: An Average Translation, Fourteen30, Portland, Oregon Julie Favreau and Grier Edmundson, Erin Stump Project, Toronto The International Invitational Triennial of Contemporary Wind Chimes, RocksBox Fine Art, Portland Present Tense, Dixon Gallery, Memphis The work ahead of us - The Québec Triennial 2011, Musée D´Art Contemporain De Montréal, Montréal I’m Not Here. An Exhibition Without Francis Alÿs, De Appel Arts Centre, Amsterdam Tuesday, Werner Whitman Gallery, Montréal Samedi Samedi, Galerie Art Concept, Paris The State, A. Vermin, Glasgow Furthermore, Artnewsprojects, Berlin Glasgow School of Art: MFA Degree Show, Tramway, Glasgow Grier and Luke Fast as F*ck: Tronjan Horse, The Project Room, Glasgow 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 1 2006 2005 2004 2003 2001 De Kunstvlaii 6, Amsterdam Grier and Luke: Fast as F*ck, EmergeD, Glasgow MFA Interim Show, Newberry Gallery, Glasgow To Hell with Dixie, Groeflin-Maag Gallery, Basel ..and everything is picking up speed…, Material, Memphis Max 2005, Art Museum of the University of Memphis, Memphis Politically Erect, Delta Axis at Marshall Arts, Memphis Cheap Art, H. Lewis Gallery, Baltimore 3 x 3, H. Lewis Gallery, Baltimore Forward/Retreat, Pinkard Gallery, Baltimore Snapshot, Contemporary Museum, Baltimore PUBLICATIONS (SÉLECTION) 2011 2010 2008 La triennale québécoise 2011 : Le travail qui nous attend, Musée d’art contemporain de Montréal, Montréal, 2011 I’m Not Here: An Exhibition without Francis Alys, De Appel Arts Centre, Amsterdam, 2010 Qu’est-ce que la peinture aujourd’hui?, Beaux Arts Editions, Paris, 2008 ARTICLES DE PÉRIODIQUES (SÉLECTION) 2011 2010 2009 Sandals, Leah: ‘Leah Sandals Top 3: The Institution Reframed’, Canadian Art Online décembre 2011) En ligne Brisco, Willie: ‘Montreal's Cerebral Art Scene Gets Its Due at the Quebec Triennial’, Artinfo.com novembre 2011) Talitha Kotzé: ‘Grier Edmundson: Sometimes I am content’, The List No. 679 (13 avril 2011) Tracy Valcourt: ‘Grier Edmundson’, Border Crossings No. 113 (Mars 2010) Christine Redfern: ‘The revolution starts here, but it doesn’t always end’ The Gazette novembre 2009) Tania Mohsen: ‘Remixing Art History’, The Link - Concordia’s Independent Newspaper novembre 2009) Ali Rahman: ‘Seeing Double’, The Hour (5 novembre 2009) (22 (28 (20 (10 PRIX / BOURSES / RÉSIDENCES 2014 2012 2008 Société de developpement des entreprises culturelles Quebec Bourse de développement Résidence, Oregon College of Art and Craft, Portland Scottish Arts Council Bourse de développement 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 2 GRIER EDMUNDSON Grier Edmundson develops bodies of work that explore the conceptual and formal histories of the medium of painting and the Western historical narrative of Modernism, examining the parallels and moments of repetition, overlap and divergences within these two histories. This investigation has over the years taken the shape of the installation as a model for exhibition. Edmundson holds a B.A. in Fine Arts from the Maryland Institute College of Art (2001) and an MA in Fine Arts from the Glasgow School of Art (2007). He has had solo exhibitions at Koppe Astner Gallery (Glasgow), Fourteen30 Contemporary (Portland), Centre Clark (Montreal) and Power House (Memphis). His work has been featured in numerous group exhibitions including the 2011 Quebec Triennial The Work Ahead of Us (Montreal), I’m Not Here: An Exhibition without Francis Alÿs at the de Appel Arts Centre (Amsterdam), and Samedi, Samedi at Galerie Art Concept (Paris). He lives and works in Montreal. EDUCATION 2007 MFA, Glasgow School of Art, Glasgow 2001 BFA, Maryland Institute College of Art, Baltimore SOLO EXHIBITIONS 2016 2015 2014 2013 2011 2009 2008 2005 2004 Battat Contemporary (upcoming) Formal Economics, The New Gallery, Calgary Tops Gallery, Memphis Easy Come, Easy Go, Kendall Koppe Gallery, Glasgow Un serpent dans la pelouse, Galerie Clark, Montreal two weeks/two works, Fourteen30 Contemporary, Portland The Text Is Plural, Battat Contemporary, Montréal looking around looking, Fourteen30 Contemporary, Portland Sometimes I am content, Kendall Koppe, Glasgow The work ahead of us, Battat Contemporary, Montreal Tomorrow You Will Not Recognize Us, Fourteen30 Contemporary, Portland North / South, Power House, Memphis Progress! Progress?, Washington Garcia, Glasgow Memphis: Spring 2005, Material, Memphis Untitled: A Collection, Rhodes College, Memphis Brooks Introduces, Brooks Museum, Memphis GROUP EXHIBITIONS 2016 2015 2013 2011 2010 2009 2008 2007 Group Exhibition and Works from the Collection, Battat Contemporary, Montreal The Ultimate Vessel, Koppe Astner, Glasgow,UK Grier Edmundson and Amélie Guérin: An Average Translation, Fourteen30, Portland, Oregon 2014 Julie Favreau and Grier Edmundson, Erin Stump Project, Toronto The International Invitational Triennial of Contemporary Wind Chimes, RocksBox Fine Art, Portland Present Tense, Dixon Gallery, Memphis The work ahead of us - The Québec Triennial 2011, Musée D´Art Contemporain De Montréal, Montreal I’m Not Here. An Exhibition Without Francis Alÿs, De Appel Arts Centre, Amsterdam Tuesday, Werner Whitman Gallery, Montréal Samedi Samedi, Galerie Art Concept, Paris The State, A. Vermin, Glasgow Furthermore, Artnewsprojects, Berlin Glasgow School of Art: MFA Degree Show, Tramway, Glasgow Grier and Luke Fast as F*ck: Tronjan Horse, The Project Room, Glasgow 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 3 2006 2005 2004 2003 2001 De Kunstvlaii 6, Amsterdam Grier and Luke: Fast as F*ck, EmergeD, Glasgow MFA Interim Show, Newberry Gallery, Glasgow To Hell with Dixie, Groeflin-Maag Gallery, Basel ..and everything is picking up speed…, Material, Memphis Max 2005, Art Museum of the University of Memphis, Memphis Politically Erect, Delta Axis at Marshall Arts, Memphis Cheap Art, H. Lewis Gallery, Baltimore 3 x 3, H. Lewis Gallery, Baltimore Forward/Retreat, Pinkard Gallery, Baltimore Snapshot, Contemporary Museum, Baltimore PUBLICATIONS (SELECTION) 2011 2010 2008 La triennale québécoise 2011: Le travail qui nous attend, Musée d’art contemporain de Montréal, Montréal, 2011 I’m Not Here: An Exhibition without Francis Alys, De Appel Arts Centre, Amsterdam, 2010 Qu’est-ce que la peinture aujourd’hui?, Beaux Arts Editions, Paris, 2008 PRESS (SELECTION) 2011 2010 2009 Sandals, Leah: ‘Leah Sandals Top 3: The Institution Reframed’, Canadian Art Online (December 2011) Online Brisco, Willie: ‘Montreal's Cerebral Art Scene Gets Its Due at the Quebec Triennial’, Artinfo.com (November 28, 2011) Talitha Kotzé: ‘Grier Edmundson: Sometimes I am content’, The List No. 679 (April 13, 2011) Tracy Valcourt: ‘Grier Edmundson’, Border Crossings No. 113 (March 2010) Christine Redfern: ‘The revolution starts here, but it doesn’t always end’ The Gazette (November 2009) 22, Tania Mohsen: ‘Remixing Art History’, The Link - Concordia’s Independent Newspaper (November 2009) Ali Rahman: ‘Seeing Double’, The Hour (5 novembre 2009) 10, 20. PRIZES / GRANTS / RESIDENCIES 2014 2012 2008 Société de developpement des entreprises culturelles du Québec, Production Grant Artist-in-Residence, Oregon College of Art and Craft, Portland Scottish Arts Council Artist Development Grant 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 4
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